Category Picture Books

Be More Bernard

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Be More Bernard
Simon Philip and Kate Hindley
Simon & Schuster

Bernard is a bunny; he does bunny things like nose twitching and ear pricking and he digs lots of deep holes. In fact whatever his fellow bunnies do, Bernard does likewise.

In his dreams though things are rather different; he dreams of decidedly un-rabbity things. But how long can he keep up his pretence of being just like the other bunnies?

One day he decides to eschew the bunny poo baps his fellow rabbits are eating. ‘I can’t do this any more’ he decides.

Little by little Bernard starts to do his own thing, largely ignored by the others until that is, the day of the annual bunny ball when, shock horror, a divergent bunny rolls up!

Ignoring cries of “You can’t wear that!” and “We’re all the same!’ Bernard struts his stuff with joyful abandon, disco dancing like there’s no tomorrow.

Amid the cries of consternation, there’s one little bunny, Betsy, who loves his daring to be different and it isn’t long before Bernard isn’t the only risk taker on the dance floor.

Then comes the big reveal …

which all goes to show that the best possible choice is to be true to yourself whatever that may be.

Long live individuality and difference: that is what is so splendidly conveyed in Simon Philip’s cracking story narrated with such delicious humour by Bernard himself.

Kate Hindley brings out that humour with her splendiferous scenes of the protagonist’s transition from rule adherent to rule breaker, from follower to leader, from ordinary bunny to bunny extraordinaire. Make sure you peruse every spread carefully or you’ll miss the wealth of captivating detail in every one.

Blooming brilliant!

Tibble and Grandpa

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Tibble and Grandpa
Wendy Meddour and Daniel Egnéus
Oxford Children’s Book

The relationship between a child and a grandparent is often very special and uncomplicated, and so it is here.

Tibble’s Grandpa is grieving. He seems to be always in the garden: Mum explains that what he needs is time.

Full of loving concern, Tibble wants the old Grandpa back: he barely recognises this silent, withdrawn person. Little by little he gets Grandpa to open up as they spend time together talking of favourite things.

Next morning Grandpa actually seeks out Tibble’s company and they spend the day doing the boy’s favourite things – his ‘Top Three Days Out’ all in one.

That evening they get out the telescope Granny had given to Tibble and they watch the stars together. Tibble opens up a discussion about favourite (Top Three) Grannies, ‘Mine are granny who is dead. Granny Agnes who lives on top of the shoe shop. And the Granny in Little Red Riding Hood,’ he says and this acts as a release for Grandpa.

Wendy Meddour has created an enormously affecting tale of loss, grief and love. Her repeated use of ‘Top Threes’ throughout the narrative is genius, injecting just the right degree of gentle humour into her telling.

Daniel Egnéus reflects so well both the humour and poignancy of the story in his outstanding mixed media illustrations making you feel as though you want to hug both Tibble and Grandpa.

Yes it’s a book about coping with the death of a loved one but it’s also an outstandingly beautiful story about intergenerational love and its power to heal.

Hungry Jim

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Hungry Jim
Laurel Snyder and Chuck Groenink
Chronicle Books

This is a tribute to Maurice Sendak with a delectably dry deadpan delivery by both author and artist.

When Jim wakes up one Tuesday morning he feels at odds with himself – beastly in fact –and definitely doesn’t feel like breakfasting on the pancakes his mother is busy downstairs cooking.

Instead he devours her, but still feeling hungry he leaves home and consumes everyone who crosses his path. There’s no getting away from it – the more he rampages, the more he wants to eat. He wants to cry too though.

Finally he can run no further. As he stands contemplating his conflicting emotions he hears a growl that isn’t emanating from his stomach. There before him stands a larger, even more ferocious looking creature …

but Jim’s ferocity grows too …

Hunger sated at last, he heads home, burping and ‘braap’-ing along the way,

and there ‘It was a huge relief to find things mostly as he’d left them.’

Back in his own room another transformation takes place and finally the only hunger he’s left with is ‘For pancakes’.

After all that beastliness, it’s breakfast in this case, not supper that is waiting, but of course, it IS still hot.

This deliciously wicked tale demonstrating the power of the imagination will make you uneasy, it will make you gasp, and it will make you aware of the hidden wildness that lies within. What young listeners will make of it, I’m yet to discover. They will however definitely appreciate Groenink’s masterful pencil and Photoshop illustrations that are the perfect complement for Laurel Snyder’s pithy prose.

Once Upon a Wild Wood

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Once Upon a Wild Wood
Chris Riddell
Macmillan Children’s Books

Former Children’s Laureate, Chris Riddell has woven a wonderful fairy tale extravaganza if ever there was one.

Its main protagonist is Little Green Rain Cape whom we meet as she sets off through the woods heading for Tall Tower wherein Rapunzel is throwing a birthday party.

En route, Green meets and rejects the assistance of several well known fairytale characters including a wolf, a ‘kindly’ old lady, a ‘friendly’ troll, the Beast sans Beauty who has gone missing; a talking harp whose aid she comes to and in so doing happens upon the Three Bears.

All this walking however is hard on the feet so it’s fortunate that another encounter is with Thumbelina who gives her some ointment to salve their soreness; and eventually along with a host of others including a prince,

pigs and dwarves, she reaches the venue where they all gain admittance.

A great night is had by everyone

particularly Beauty and the Beast who are reunited at last; and the following morning Green continues on her way through the Wild Wood.

Most assuredly this is a book for everyone, although with his dramatic irony and witty lines – ‘ ”Princesses!” he exclaimed. “Did someone say princesses? Exhausting! Either falling asleep for a hundred years, losing their shoes or going out every night dancing. …” ‘, – Riddell does assume some prior knowledge on the readers part. Perhaps it’s a case of the more you know the more you’ll get from it.

A Life Made by Hand: The story of Ruth Asawa

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A Life Made by Hand: The story of Ruth Asawa
Andrea D’Aquino
Princeton Architectural Press

I have to admit that despite my interest in art the name of this book’s subject is new to me.

Brought up on her family farm in California, Japanese-American artist Ruth Asawa was from an early age, mesmerised by the flora and fauna she saw around her.

Her close observation of such things as insects she saw led her to make representations of them from wire or folded paper, and she also loved to draw in the dirt with her feet.

At weekends, instead of working on the farm, Ruth studied Japanese calligraphy and later she went to art school where she gained further inspiration from dance choreography, and her teachers, in particular Buckminster Fuller and Josef Albers.

Travelling to Mexico she learned wire weaving from local craftsmen who twisted the metal to make baskets.

Back home Ruth experimented with this medium and finally knew what was THE medium for her.

Her sculptures are enormously complex, beautiful graceful pieces that are now to be found in art museums mostly in the US

where they inspire others to look closely, imagine and create for themselves.

This short interesting introductory biography for youngsters with an interest in both art and the natural world omits the darker events in the life of Asawa and her family, but the author provides factual notes on these, as well as an explanation for her own inspiration in creating the book, and instructions for making a paper dragonfly.

D’Aquino’s collage style illustrations – a combination of charcoal and colour pencil drawings with hand-printed and monoprinted paper are quirky and arresting, and may well inspire readers to experiment with collage too.

Handa’s Noisy Night

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Handa’s Noisy Night
Eileen Browne
Walker Books

Yippee! A new Handa story. Handa’s Surprise was one of THE most loved, most read picture books when I taught under sevens, so I was super excited to get my hands on a copy of this.

Handa goes to spend the night with her friend Akeyo and the girls are to sleep alone in the hut.

Having bid goodnight to the rest of Akeyo’s family, off they go but almost before the door is closed Handa hears a snorting sound outside. Akeyo insists it’s just her dad laughing.

During the night there are more sounds – chattering, rattling,

squeaking, slurping, crying and finally a thud. Rather than the grown-ups talking, Mum making music, Grandpa’s rusty bike, Nan having her bedtime drink and Akeyo’s baby that her friend claims are the cause,

readers see what is actually happening outside.

In the morning a tapping wakes Handa and when her friend opens the door, nobody’s there.

Mum’s “Did you sleep well?’ receives an accusation that the noises from other family members meant a wakeful night, which is quickly countered with, “We were as quiet as mice”.

The glowing Kenyan landscape and stunningly patterned clothes of the characters are signature Handa story elements, but here we’re treated to the delights of some of the resident fauna of the area- a bushpig, bat-eared foxes, an African porcupine, yellow-winged bats, a tree pangolin, lesser bush-babies, the magnificent spotted eagle-owl and a Nubian woodpecker, each one in its full glory (all are named in the author’s notes at the front).

It’s hard to believe the original Handa story is now 25 years old; I still have a treasured copy of the first edition and she’s lost none of her magic. Happily now though there are more BAME books available: this one is a ‘must have’ addition to any family bookshelf or nursery/KS1 class library.

Fair Shares

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Fair Shares
Pippa Goodhart and Anna Doherty
Tiny Owl

Both Hare and Bear have designs on the juicy-looking pears they see high up in the tree but neither can reach them.

Hare suggests climbing on chairs but there are only three …

“That’s not fair!’ exclaims Bear so one is discarded. Now Bear can reach the yummy pears – SCRUNCH MUNCH – but Hare isn’t happy.

Suddenly a tiny voice pipes up. Beetle puts forward the notion that giving everybody the same thing isn’t always fair and with a visual aid, goes on to explain.

Everyone appears happy but only briefly;

wait for the surprise ending …

Pippa Goodhart’s funny, seemingly simple story will set youngsters’ brains a- buzzing as they contemplate the vexed question of fair shares and fairness.

Before that though, they’ll relish the entire telling wonderfully visualised in Anna Doherty’s lively, splendidly expressive illustrations of the animal participants in this thought-provoking book. Look out for all the minibeasts watching the action and sometimes enjoying the spoils thereof.

When A Tree Grows

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When A Tree Grows
Cathy Ballou Mealey and Kasia Nowowiejska
Sterling Children’s Books

Cause and effect meet choose your own adventure in this amusing book set in a forest.

‘When a tree grows … two things could happen. It becomes a scratching post for Moose’s itchy antlers and the tree sways gently side to side.’ Or … he pushes too hard and crash!-boom! Down comes the tree onto a cave waking up a bear. Bear too can do one of two things … and so it goes on with the possibility of an ordinary or an extraordinary happening.

The possibilities get more and more outlandish, even the ordinary ones, until the adventure brings all three characters (and a host more) together for a Welcome Home party for their small bushy-tailed friend …

after which there is a satisfying completion of the circular tale that readers may, or may not, have seen coming.

There’s plenty to amuse as each scenario is presented in this cleverly constructed story wherein text and digital illustrations work well in tandem providing a fun storytime read aloud with a good sprinkling of omomatopoeia that gives young listeners an opportunity to let rip.

The book also offers a model for older audiences to use as a starting point for writing their own similarly constructed adventures.

Baz & Benz / Mannie and the Long Brave Day

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Baz & Benz
Heidi McKinnon
Allen & Unwin

Owls Baz and Benz are best friends: Baz is small and blue; Benz is big and green.

One day while sitting together Baz decides to check if their friendship really is for ever and ever.

He puts forward a series of possibilities – a colour change; a colour change with a spotty pattern? So far so good.

Constant ‘Meeping’? – not at all a good idea.

A scary bat with sharp claws? Err! Rather frightening, but the friendship bond would remain intact … no matter what.

Little humans will delight in Baz’s ability to annoy, and to push the boundaries but remain loved, and they’ll especially relish the way he gets the last “Meep!’

Comforting and reassuring; Heidi McKinnon gets right to the heart of true friendship in this simple, enormously enjoyable story for the very young. The bold, bright illustrations are captivating and the characters with their matching coloured lines immediately endearing.

A book I envisage being demanded over and over.

An altogether different celebration of friendship is:

Mannie and the Long Brave Day
Martine Murray and Sally Rippin
Allen & Unwin

This is a sweet story about a little girl Mannie, her toy elephant, Lilliput and her doll, Strawberry Luca.

Together with a special box of useful things, Mannie takes her friends on an exciting adventure … down the rocky road, through the tall, tall trees, across the winding river

and up the high hill for a picnic.

Suddenly the sun disappears, the sky darkens, thunder starts to rumble and Mannie feels scared.

Now it’s Lilliput’s turn to say the words, “What’s in the box?’

and before long all is well once more.

A truly magical book  that celebrates the boundless imagination of young children. Both author and artist capture the way in which the very young can transform almost anything and everything into the ingredients for their fantasy play.
Sally Rippin’s gorgeous illustrations took me right into the nursery classroom where I taught for a number of years, as did the ‘special box’ in the narrative. We too had a similar item not pink but battered and brown with a hole cut in the top, into which I’d put various items and we’d all sit around it and sing, “What’s in the box, what’s in the box, let’s think, let’s see … what’s in the box” before somebody would put in their hand and extract an item as the starting point for storying.

This is a Dog

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This is a Dog
Ross Collins
Nosy Crow

There’s no getting away from it, Ross Collins’ intended My First Animal Book’ has been infiltrated, indeed taken over, by a mischievous canine that has no intention of doing anything but ensuring he’s the only animal that matters herein. He’s even had the audacity to substitute his name for Ross’s on the title page.

Make no bones about it, his actions are anything but well received by the other animals – note their expressions. And having annoyed the monkey, astonished the rabbit and alarmed the squirrel, he’s somehow managed to get his paws on a black crayon to edit (actually mess around with) the text.

Children will absolutely love what he does beside the giraffe and giggle at his attempts at emulating a pachyderm in front of the elephant.

He almost gets his cum uppance with bear but then comes gorilla where he definitely over steps the mark by way too much and they all give chase.

It’s fortunate that his trusty crayon is still close at paw as it enables him to have the last laugh, not to mention the final word (or two).

I love everything about this cracker of a book. It’s so clever, such a ingenious mix of seeming simplicity and sophistication, and likely to appeal to a wide readership from beginner readers to those who will notice and delight in Ross’s dedication to his own dog Hugo ‘Who taught me the meaning of irony by destroying some of the artwork from this book.’

Brilliant!

Polly and the New Baby

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Polly and the New Baby
Rachel Quarry
Oxford University Press

Little Polly’s imaginary friend Bunny goes everywhere with her. She takes him in the pushchair she had as a tiny baby.

Every time her Mum or Dad try to persuade her to do without said pushchair, she insists it’s an absolute necessity. Bunny and chair go to the supermarket, the park and even to her Gran’s house.

There’s a problem though: Mum is soon to have a new baby and needs the chair for her own purposes. Several replacement modes of transport for Bunny are offered but none satisfy Polly

and all the while Mum’s due date draws ever closer.

Even when it’s imminent, and Polly and Bunny go to stay at Gran’s, you’ve guessed, the pushchair goes too.

However, when Mum introduces Polly to her new little sister Lily, the now big sis. makes a special announcement concerning her friend: “Bunny can walk!”

Definitely now’s the time to pass on that old pushchair surely; or is it? … It would appear that Polly isn’t the only one with a new sibling.

Happily Polly’s imagination stretches to making a compromise that might just work for everyone.

The understated humour in both words and illustrations makes this story of a family with a super-cute creative thinking protagonist, a delight to share with little ones around Polly’s age whether or not a new arrival is in the offing.

Old Man of the Sea

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Old Man of the Sea
Stella Elia and Weberson Santiago
Lantana Publishing

Grandpa and the boy narrator of the story share a special relationship: sometimes they just sit in silence and on other days Grandpa wants to talk.

On one such day he starts the conversation thus: “Every line on my skin tells the story of my life.”

He then begins to recount his life story to the lad beginning each tale with “All aboard!”

Driven by Elia’s wondrous telling, Santiago’s impressive illustrations executed in a vibrant palette, show Grandpa’s travels from his days as a young sailor when he visited first Europe where he ‘wandered through fairy tale castles and ate picnics in groves of olives’, and then to Africa where he ‘danced to the rhythm of drums’.

Later his wanderlust took him to Asia where he ate tongue burning spices and visited ancient temples before travelling to Oceana

and finally, after a stormy voyage, to America.

It was there that he fell in love, married, settled and raised a family. No longer was the call of the sea pulling him to the oceans where earlier it was the only place he felt truly happy and at peace, at one with the world, able to watch the stars as he slept under a moonlit sky.

Grandpa’s love for the places he visited is palpable, radiating from the spreads of the continents mentioned in the narrative.

Are all the stories true, wonders his grandson at the end; so too probably, will readers; but no matter what, they’ll be absorbed in the telling and that’s what really counts in this beautiful book.

Mum’s Jumper

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Mum’s Jumper
Jayde Perkin
Book Island

This is a book that explores the nature of grief.

A mother dies but for the child narrator and her dad, life must go on.
Her mother’s absence feels like a dark cloud that is always hovering close by, and makes concentration at school difficult. No matter how kind other people are, the overwhelming feeling is of being alone, angry even, at times.

Her father explains that the constant ache she feels is the way grief engulfs a person who has lost someone very dear to them; he too feels it.

While sorting out her mother’s belongings the girl comes upon a much-loved jumper. Along with her father’s words of solace, it’s adopting that snuggly warm garment that helps her begin to find a way through those dark days.

Grief, Dad says, ‘is like Mum’s jumper. The jumper stays the same size, but I will eventually grow into it.’

After some time, her world does enlarge around her grief and she feels able to put her treasured possession out of sight, safe in the knowledge that it, like her mother, will always be there; for she’s a part of everything and everywhere, and most important she’s there inside forever.

Grief is a very personal thing and Jayde Perkins’ illustrations for this book are heartfelt. (Her own mother died of cancer) and here she puts into her art (and words) some of the feelings that a young grieving child might have.

I’d like to see this ultimately uplifting book in every primary classroom; and I’d definitely offer it to anybody who has, or knows, a young child coping with the loss of a parent or close family member.

A Stone Sat Still

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A Stone Sat Still
Brendan Wenzel
Chronicle Kids

As with They All Saw a Cat, Brendan Wenzel explores perspective, this time playfully using a stone as the focal point.

‘A stone sat still/ with the water, grass, and dirt,/ and it was as it was/ where it was in the world.’

A series of spreads, shows the stone as it is experienced by all manner of wild creatures: a snail crawls over it, a chipmunk stops on it to nibble a nut; for an owl it’s a bright place upon which to perch, while a gull cracking a clam shell finds it ‘loud’,

in contrast to the snake for which it was a quiet spot upon which to bask in the sun.

The stone’s texture to a slug is ‘rough’ whereas to a racoon’s paws it’s smooth.

The meditation on the inanimate object continues through the seasons when it takes on a variety of hues – green, red, purple and blue as witnessed by four different animals.

Its size can seem as a mere pebble to a large moose but to a bug, it’s an enormous hill; while in the dark, its sensory qualities are picked up as a feel to investigative racoons, whereas it’s a smell to a sniffing coyote on the hunt.

Readers too experience the stone’s sensory qualities, thanks to Wenzel’s text and his superb mixed-media illustrations, large and small.

As they move through the book, readers will, so long as they are observant, see that around the stone, the water is on the rise

as little by little it is engulfed, becoming a tiny island and then a wave, a memory, ‘and the stone was always.’ Submerged beneath the waves ‘with water, grass, and dirt a stone sits still in the world.’

Assuredly this is a book that invites us to celebrate the changing and the unchanging, and encourages us to look closely and ever closer, not only at the illustrations, but also at the natural world around.

It’s one to have on hand if you are thinking about wildlife, about perception and perspective, even perhaps about existence itself; it’s deep and gently powerful, and has much to offer across a wide age range.

Lulu’s First Day / Butterflies on the First Day of School

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Lulu’s First Day
Anna McQuinn and Rosalind Beardshaw
Alanna Max

Lulu is starting pre-school and she’s already been well prepared. There have been lots of story time sessions at the library, a visit to the school, and special gifts from Nana and Tayo that she’ll use regularly for school.

She’s even chosen her clothes for the next day and packed extras in her new bag – just in case.

The big day dawns, everybody is up early and with a pause for a quick photo, off she goes with her mum.

There’s a warm welcome from her teacher and Lulu is soon enjoying all that nursery has to offer.

Almost before you can say, ‘circle time’, there she is on the carpet with all her friends and the grown-ups are waiting outside eager to hear of those new experiences.

Yes, its’ been a tiring day, but Lulu can’t wait for tomorrow …

With all the reassurance that little ones need, Anna McQuinn and Ros. Beardshaw present the pitch perfect book for those who, like Lulu, are about to take those next steps into pre-school.

Butterflies on the First Day of School
Annie Silvestro and Dream Chen
Sterling Children’s Books

An enchanting fanciful take on a well-known figure of speech is presented in this story of first day nerves.

Rosie has been eagerly anticipating starting school for a whole month but on the night before her big day, doubts creep in and next morning she announces that she doesn’t feel well.

Her mum tells her it’s just butterflies in her tummy and when she sits chatting rather nervously on the school bus to another new girl, butterflies (seen only by Rosie) flutter from her mouth. Now she understands her mum’s puzzling comment.

More butterflies are released, also seen only by Rosie, every time she opens her mouth in the classroom during that first session,

until by playtime her tummy is less rumbly and she can barely feel any more butterflies.

Out go the children to play, Rosie feeling pretty confident now. Then she notices another little girl standing alone under a tree, hands on her tummy. Rosie introduces herself and when the forlorn-looking girl speaks, a cloud of butterflies come fluttering from her mouth.

With its bold bright butterfly images this is a lovely warm story that will reassure little ones who like Rosie are starting school imminently, along with adults who may well share that first day feeling.

The Little Mermaid

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The Little Mermaid
Geraldine McCaughrean and Laura Barrett
Orchard Books

Storyteller extraordinaire Geraldine McCaughrean retells the Hans Christian Andersen classic tale as only she can, making it a real joy to read aloud.

Delphine the youngest of six mermaid sisters hears from her siblings of the wonders of the world above the sea’s surface and can hardly wait for her special coming of age birthday when she too will be allowed to venture up.

When the great day arrives it’s a joyful Delphine who swims to the surface and begins to sing in her wonderful voice.
As she does so another celebration is taking place aboard a great ship anchored close by. The sight of the prince’s face sends her heart spinning but suddenly, seemingly from nowhere, there comes a huge storm engulfing the ship entirely beneath the waves.

Delphine manages to rescue the prince taking him to a safe place on land not far from what she thinks must be his palace home, and there she leaves him knowing she must never be seen by human eyes.

As her songs grow ever sadder fuelled by her nightly swims to the cove near the palace, it becomes clear to her sisters that she has fallen in love with the prince.

Determined to become his wife, Delphine visits the sea witch and a deal is struck – a potion to render her human in exchange for her beautiful voice.

But that is just part of the enormous price Delphine has to pay. It’s not she who marries the prince but another beauty.

The tragedy doesn’t end there, as those familiar with the original will know

and others must learn from this utterly enchanting rendition that is made all the more magical by Laura Barrett’s silhouette style illustrations.

Assuredly a book for lovers of fairy tales, young and not so young; buy it to keep and buy it to give; buy it for home and buy it for school.

Don’t Mess with a Princess!

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Don’t Mess with a Princess!
Rachel Valentine and Rebecca Bagley
Puffin Books

Far away in a beautiful and usually very happy kingdom atop a hill lives King Juno. Also residing in the palace are his three granddaughters Princess Thea, Princess Leaf and Princess Juno.

Now these three aren’t the type of princess who sits around waiting for a handsome prince to show up and sweep them off their feet, far from it.

So when having heard news of a mayhem creating Ogre, the King warns them to remain in their tower and absolutely not, on any account to mess with the Ogre, they quickly conceive a plan.

The sisters are thoroughly resourceful females and it isn’t long before they’re off towards the forest – an enchanted forest. But, unlike the knights sent to capture the Ogre, the three princesses know just how to get themselves safely through the angry trees and come out with, as Juno says, ‘fabulous hair’.

But can they cope with the webbed pit alive with large squirming spiders?

Fortunately Theo knows how to deal with the creatures and then all they need to do is cross the ravine with the broken bridge.

This time it’s Leaf who comes up trumps with some deft knots.

The important thing about all three princesses is that while not totally fearless, they’re always up for a challenge.

Once across and in Neatville they’re greeted with the sight of the Ogre charging off to trash yet another village. Off go the princesses in hot pursuit and finally they have the Ogre trussed up.

It’s then that they discover the reason their captive has been causing so much devastation; and being kind-hearted as well as clever, Thea, Leaf and Juno are ready and able to assist the Ogre in his search for his lost item.

If, like me you enjoy neo fairy tales then you’re certain to relish Rachel Valentine’s action-packed story of using your talents and not allowing others to make decisions for you.

Debut picture book illustrator Rebecca Valentine’s droll scenes of the three creative adventurers highlight the contrast between them and the supposedly brave knights of the kingdom. Make sure you spend time enjoying all the wonderful details on every spread.

Button & Popper

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Button & Popper
Oili Tanninen
Thames & Hudson

This is a retro charmer from the 1960s created by award wining Finish author and illustrator Oili Tanninen.

It tells of a family of pixies, a mother and father and their twelve children, who with winter fast approaching, decide that their apple tree home isn’t suitable accommodation for the cold and rain. It’s a worrying, sad time as they consume the pie made from the last apples that evening. Two of the children, twins Button and Popper resolve that the following morning they will go and find a new home.

Out they sneak, very early towards town making inquiries, but all those they ask say the same thing ”Twelve children” and kindly explain there’s nowhere large enough for so many people.

The twins feel more than a little dispirited, but then by mistake the only person in the market they haven’t asked, an absent minded fellow named Professor Prilli, accidentally picks up the basket they’d climbed into, mistaking it for his own and takes it back, leaving it in his cellar.

Realising they’ve left their father’s umbrella at the market the two pixies manage to escape. They retrieve the umbrella and the professor’s own basket and take it back to him.

The thankful professor asks the pixies what they were doing in the market and when he learns their reason, he offers them temporary use of his home till he returns from his South Pole research trip the following spring.

There’s great jubilation all round when the twins give the exciting news to the rest of their family back at the apple tree.

With its orange, yellow and black illustrations adorned with lines and geometric shapes, this delightful tale of serendipity will appeal especially to those who enjoy a touch of whimsy in their stories.

Hope

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Hope
Corrinne Averiss and Sébastien Pelon
Words & Pictures

Finn is a small boy with a very large dog called Comet. The two are best friends and do pretty much everything together.

One morning Comet isn’t his usual lively self: “He’s poorly,” Mum says, “he needs to go to the vet’s.”

Off go Dad, Finn and the dog in the car. The vet is uncertain about Comet’s recovery but promises to do his best.

Alone in his den on their return, Ben lets his tears flow.

Dad comes into the boy’s room with a torch offering advice. “All we can do is hope, … Hope is keeping a little light on however dark things seem,’ he tells the boy.

That night Finn lies in bed, torch on for Comet and unable to sleep.

Suddenly he notices another light: it’s the bright moon shining right into his room as if it too is hoping.

Eventually Finn does fall asleep and outside the sky is alight with hopes – big and small, old and new, some shining right down on the vet’s.

Next morning it’s an anxious boy who rushes downstairs just in time for a wonderful surprise …

A powerful, positive message shines forth both from Corrinne’s appropriately direct telling and Sébastien Pelon’s illustrations. His effective use of dark, light and shadow serves to intensify the emotional power of the story showing little ones that even in dark times, you should never give up hope.

Kites

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Kites
Simon Mole and Oamul Lu
Frances Lincoln First Editions

Young David has just moved to Fivehills and the very first thing that he notices is the abundance of kites in the sky: seemingly he’s the only person without one.

Using bits and pieces from things he already has, the boy fashions a kite and cannot wait to launch it from the hill whereon the others are flying theirs.

Then one by one, well-intentioned girls and a boy alter David’s own design.

By the time they’ve finished the kite is totally different and certainly doesn’t feel right. Moreover when it comes to ‘breeze-busting’ and ‘gale-sailing’ the thing is a total flop.

Back in his bedroom David takes hold of Grandpa’s lucky feather and remembers his words, “Let’s see what we’ve already got. More often than not, we’ll find the answer inside.” And then he knows.

Back to the kite he goes and once again makes it his own.  Will it fly this time?

David though, has learned about more than just kite-making that day: he’s made an important discovery concerning himself.

Simon Mole’s reflective narrative is poetic which isn’t surprising as he’s a performance poet. In this, his first picture book he captures so well those feelings of displacement and desperately wanting to belong that children especially experience when moving to a new community: feelings that Oamul Lu mirrors in his distinctive eloquent digital paintings.

Through the Eyes of Us / In Every House, on Every Street

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Through the Eyes of Us
Jon Roberts and Hannah Rounding
Graffeg

This is the second book written by the father of a child on the autism spectrum.

Herein as well as Kya from Through the Eyes of Me, we meet her best friend Martha.

Kya, now at school, talks about her experiences there, sometimes contrasting her thoughts, behaviour and preferences with Martha’s.

I know from experience of children I’ve taught that school can be a very confusing place for neurodiverse children, but both girls have their own ways of navigating through lessons, playtimes and lunchtimes, all of which are illustrated in colourful, detailed, sometimes funny scenes.

Kya also describes how she and Martha enjoy different tactile experiences,

and activities in their free time; and their routines are also different.

Martha knows when she feels tired, unlike our narrator whose energy seems boundless; although once asleep after a soothing bath and massage, she sleeps soundly.

Enlivened by Hannah Rounding’s expressive illustrations, this is a smashing celebration of every child’s uniqueness as well as providing an insightful picture of the world of an autistic child.

The book concludes with a list of relevant websites.

Put Through the Eyes of Us in your class collection and whether or not you have children on the autism spectrum therein, read it together, talk about it and lend it to individuals for home sharing too.

In Every House, on Every Street
Jess Hitchman and Lili La Baleine
Little Tiger

The girl narrator of this book invites readers into her house to see what goes on in its various rooms.

What we discover is a happy family engaging in seemingly ordinary everyday activities, but nothing they do is dull or mundane.

The cake baking in the kitchen becomes an opportunity for the family to dance and sing together.

The dining room might be the place for eating a meal, but that meal can turn into a fun piratical party,

while the living room is a great spot for rest and relaxation but also for dancing and singing, mulling things over and talking about feelings.

Yes the bathroom is for getting clean but there are opportunities for some artistic endeavours too.

And the bedroom? Yes sleep happens therein, but so too does play.

Full of warmth, this is a lovely demonstration of what makes a house a home delivered through Jess Hitchman’s upbeat rhyming narrative and Lili La Baleine’s views of the everyday incidents of family life that make it special but different for everyone in the street, as the final fold out spread reveals.

Two Oldies But Goodies

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The Story of the Little Mole who knew it was none of his business
Werner Holzwarth and Wolf Erlbruch
Pavilion Books

It’s hard to believe, it’s 3 decades ago since this ground-breaking book was first published.

I clearly recall the day in 1989 when as a member of the local authority advisory steering group for English, our senior adviser called a meeting to talk about the national curriculum that was being foisted upon us. We gathered in a small room and without comment he walked in and read aloud this book. – well not exactly for this one, that I have now is a 30th anniversary celebratory edition.

We sat there in silence avidly listening, knowing full well why we were being treated to this: clearly it summed up what he thought about a curriculum being dumped on us from on high.

If you don’t know the story, it’s the tale of a little mole upon whose head there falls one morning as he pops up from his hole, a sausage-shaped turd. He then goes on to try and find the culprit, asking each of the animals he encounters in turn, “Did you do this on my head?”

Their excretory responses assist him in eliminating them one by one from his search

until finally, thanks to a pair of large flies, the poo perpetrator is discovered and receives his due deserts, after which mole returns to his underground residence.

With its wonderfully droll illustrations providing a ground level view, I’ve yet to share this book with a class that hasn’t dissolved into helpless giggles and now, with this new edition, long may it continue so to do.

Dave and the Tooth Fairy
Verna Wilkins and Carl Pearce
Studio Press

I remember using the 1993 Tamarind Books edition with primary classes and now some 25 years on it’s back in a newly illustrated incarnation for another generation of readers whose parents, like myself, will likely remember the first version.

Having tried unsuccessfully to dislodge his wobbly tooth, one morning at breakfast ‘Dave does ‘his biggest sneeze ever’ causing the thing to shoot out of his mouth, fly across the room and vanish.

His initial excitement quickly gives way to disappointment: no tooth means no Tooth Fairy visit and thus no money for a new kite. No matter where he looks Dave just cannot find the missing object.

When Grandpa comes to stay, Dave comes up with an idea that he hopes will solve the problem …

My original version was read to pieces so I’m unable to compare the illustrations but Carl Pearce’s have a filmic quality that will appeal to today’s avid screen watchers.

Why Are There So Many Books About Bears?

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Why Are There So Many Books About Bears?
Kristina Stephenson
Hodder Children’s Books

The title to Kristina Stephenson’s new book poses a question that I suspect a fair few picture book reviewers will have asked themselves.

They however haven’t until now had recourse to ‘the most brilliant minds in the animal kingdom’ gathered together at Mollusc College, Oxford to discuss what is billed as the ‘Impossible Question’ concerning this preponderance of ursine book characters.

Let’s meet some of these brains forthwith.

First to offer a suggestion is William Snakespeare who proposes the answer lies in the number of words rhyming with bear and suggests a few examples.

His fellow debaters think he might have the answer. Not so Albert Swinestein. He quickly knocks that idea on the head stating that pig is equally easy to find rhymes for.

At this point there comes a knock on the door and a voice announces the arrival of the tea trolley. The debaters send the knocker packing drawing attention to the DO NOT DISTURB sign and Swinestein continues, proposing as the answer, the variety of sizes of bears; but this notion is immediately demolished by the PhDs (Porcupines, Hedgehogs and Dragons with Spines.)

The discussion continues, as do the interruptions by the tea trolley pusher causing increasing agitation to the debaters.

Just when tempers reach boiling point, Trevor the little mouse pipes up.

It might just be that this tiny, thus far silent creature, has solved the puzzle and that answering the door might yield the answer to the impossible question.

There’s something for everyone in this droll story. The very young will enjoy the frequent interruptions, the fold-out spread surprise and the superbly expressive illustrations of the characters, while older readers and adults will relish the tongue-in-cheek humour and the punning. Everyone I think, will love the throwaway finale tossed in by the tea-trolley pusher when he eventually gains admission.

Don’t Worry, Little Crab

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Don’t Worry, Little Crab
Chris Haughton
Walker Books

Chris Haughton takes the familiar topic of first time fears and finding the courage to overcome them and in his signature style arresting, minimalist graphics and a present tense narrative, conjures an original decapod spin.

Little Crab and Big Crab live together in a small rockpool and today’s the day Little Crab takes his very first swim in the big ocean. They set off together making their way over the rocks, tip-clawing across shallow pools and squelching through slimy seaweed, Little Crab full of eager anticipation until …

Perhaps this isn’t quite such a good idea after all, he thinks as despite Big Crab’s reassurance and encouragement, a rather large wave approaches. Then comes an even bigger one followed by a much, much bigger one.

Big Crab continues to cajole his companion and all the while ever more fierce-looking waves wash up.

Inching closer and closer the tiny creature eventually dips his claws beneath the sea

but still those waves come, one so gigantic it WHOOSHES the two of them right away from any land.

Down into the depths they go discovering together a truly wonderful new place and what’s more, it’s full of friendly creatures ready to introduce them to some exciting new experiences.

Chris’s vibrant, seemingly simple illustrations convey SO much about Little Crab’s feelings showing how in his case, less is most definitely more.

This is an ideal book for little ones taking their first steps towards independence be that starting nursery or school, learning to swim, joining a new club or whatever.

There’s a Rang-Tan in My Bedroom

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There’s a Rang-Tan in My Bedroom
James Sellick and Frann Preston-Gannon
Wren & Rook

What begins as a rant at a mischievous ‘Rang-Tan’ in the bedroom of a small girl as she orders it to depart, is dramatically changed by the creature’s revelation of how human devastation of its rainforest home in south-east Asia has caused it to flee for its life; and all on account of palm oil – a constituent of the items in her room that the animal has been howling at.

Having learned of the irresponsible actions of her fellow human beings,

the girl is fuelled by a determination to do something about this reckless deforestation and so she does.

She writes to chocolate manufacturers

and talks to others about rainforest destruction, enlisting their support in her campaign and ending with a promise to make sure there is a future for animals like her visitor.

After the story there are several pages giving details of the orangutans and their plight; the problem caused by irresponsible destroying of rainforests and over-planting of the palm trees that yield the much-wanted oil, and what we can all do to help save the remaining rainforest habitat in Indonesia. Emma Thompson has written a foreword to the book in support.

Based on the original Greenpeace film that became a recent sensation, James Sellick’s rhyming story speaks powerfully for the cause and has been beautifully re-illustrated by Frann Preston-Gannon whose scenes of destruction take readers to the heart of the problem.

A book that should bring to the attention of younger readers the price paid by irresponsible palm-oil production, enlisting more recruits to the green movement.

The Yum Yum Tree

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The Yum Yum Tree
Jonnie Wild and Brita Granström
Otter-Barry Books

This, the third story to feature the Five Flamingos begins with a cry for help from Monkey. Her baby is stuck up in a Yum Yum Tree.

While the other animals are debating the unlikelihood of such an event on account of its difficulty to climb, evidence of the baby’s position comes in the form of a cascade of fruits from above.

That precipitates a series of rescue operation proposals first from Hippopotamus (his bouncy belly is offered as a soft landing); followed by an attempt to use said belly as a springboard by Zebra, which fails even more dramatically.

Crocodile gets his just desserts (not the baby monkey) for his wily attempt leaving just the Five Flamingos to show the way and they’re pretty convinced their idea is going to work.

Seemingly the quintet know something about baby monkey psychology

and not long after all the animals are participating in a celebratory party thrown by a grateful mum Monkey; or maybe not quite all the animals …

Absolutely bound to induce instant delight is the surprise finale of Jonnie’s smashing tale of problem solving and community.

Brita’s comical illustrations are a treat making every spread a giggle worthy delight for both listeners and adult readers aloud. If you’ve yet to encounter this particular group of African animals then start here, but be sure to catch up with their previous adventures.

Once Upon a Rhythm

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Once Upon a Rhythm
James Carter and Valerio Vidali
Caterpillar Books

In this booming, stomping, chanting, magical look at music and its origins, poet James Carter engages not just our ears and eyes but our voices, our limbs, our hearts, and indeed our whole bodies, as we follow his lead that takes us back to the rhythmic sounds of tools on stone, to the chants of Africa,

to the songs of communities, to the voices of different instruments be they blown, plucked, shaken, banged, bowed or stroked.

First came the making of music and then came the notation – the lines and signs – indicating the pitch and the rhythm, enabling us to preserve it and pass it on through time and space.

We celebrate the emergence of new forms and styles,

new places to ramp up the sound and most of all, the notion that music is for everyone and each of us has the capacity to make music of one kind or another.

He concludes with an acrostic RHYTHM invitation to ‘Listen to life’s music’.

This latest of James Carter’s non-fiction poetic writing has Italian illustrator Valerio Vidali’s arresting artwork to complement it. His music makers appear to have picked up the rhythm of Carter’s poetry making it all the more vivid and powerful.

A smashing celebration of the art of music.

The Boring Book

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The Boring Book
Shinsuke Yoshitake
Chronicle Books

“I’m bored.” How many times do we hear children utter those words? They’re the first words said by the child protagonist in Yoshitake’s philosophical picture book.

His mum can do nothing to alleviate his state so the boy decides to explore the whole notion of boredom. What does it mean? What causes it? Inertia perhaps?

The lad continues his consideration of ennui by looking at different situations such as detachment and disappointment

as well as whether inanimate objects can be bored.
He visits possible locations that induce boredom in the extreme – an amusement park that fails to amuse for example.

But then comes a revelation – ‘it’s actually fun to think about “boring” things. This is followed by a deliberation on the strange state between boredom and having fun when things are done seemingly without any thought at all – things like teeth brushing or riding in the bus.

And who invented the word anyway?

It’s probably not a good idea to question grandparents about being bored; they’re likely to ramble on for ages about their experiences and anyhow, looks can be deceptive when it comes to boredom.

What about Dads though? This particular one seems more insightful about the topic and even sparks off some creative thinking …

but then he goes and spoils things again …

One thing is certain though, exploring and discussing boredom is anything but boring. Boredom is an option but one that can often lead to creativity where children are concerned – if they’re left to their own devices.

Mr Scruff

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Mr Scruff
Simon James
Walker Books

Crazy but totally adorable is this canine tale from Simon James.

Most of the dogs herein bear a striking resemblance to their owners: there’s Polly and her owner Molly;

Erik belonging to Derek; Martha owned by Arthur and then there’s Mr Scruff, a large rather mangy-looking dog that nobody coming to the rescue centre seems at all interested in.

Also very much wanted are Mick – by Rick

as well as Lawrence with indulgent Florence.

Meanwhile back at the centre, things are looking more hopeful for Mr Scruff. In comes Jim and right away boy and dog seem to take a shine to one another.

Jim’s parents take a bit of convincing: there’s the size difference and surely a pup might be more fun. Jim though has made up his mind: Mr Scruff is going home with them and that’s that.
And so he does.

Now into the centre comes someone else seeking a dog: he makes an unlikely choice too, but no matter because like Mr Scruff this one also needs a loving home. And that’s that.

Animals lovers especially will fall for this tale. The gentle humour of Simon James’ wonderful watercolours ensures that the inherent warmth of the story never becomes sentimental, while the rhyming nature of the narrative makes reading it aloud all the more enjoyable.

A definite winner for me despite my cynophobia.

Out and About: Night Explorer / Animal Homes

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Out and About: Night Explorer
Robyn Swift, illustrated by Sara Lynn Cramb
Nosy Crow

Created in collaboration with the National Trust, this is an excellent little book if you’re planning on doing some exploring after dark with youngsters or are off camping somewhere.

It’s packed with information about such things as suitable clothing, creating a night-time den, star gazing, nocturnal creatures – from minibeasts to moths and mammals including bats, plus owls and amphibians; and, it’s good to see several spreads on night-time flowers.

There are lots of helpful hints on such things as tracking animals by means of footprints and poo deposits.

No matter the season there’ll be ideas herein: how about creating a house for creepy-crawlies in your garden during winter; or setting up a hedgehog feeding station?

I especially like the idea of making a sensory map at night, particularly focusing on sounds and smells as you walk and then repeating the same route in the light and comparing what you notice.

There are even suggestions for games, a quiz and a glossary.
All in all, with its plethora of very attractive labelled, coloured illustrations by Sara Lynn Cramb, this is ideal for encouraging young explorers (with an adult or older sibling) to get closer to nature at night.

Animal Homes
Clover Robin and Libby Walden
Caterpillar Books

Wherever we walk there are likely to be animals living either in the earth beneath our feet, at eye level, or high up above our heads. We currently have a bees’ nest in our chimney.

Illustrator Clover Robin and author Libby Walden offer us an insight into six different animal homes, in various parts of the world.

After a general introductory page, we visit a beehive;

a beaver lodge; the nest (eyrie) of a North American Bald Eagle; a rabbit warren; a termite mound and the earth of a Red Fox.

As well as the habitats themselves, each spread (one per home) provides factual snippets about each of the inhabitants and their habits, some of which is hidden beneath flaps.

It’s unlikely that young children will encounter these particular habitats but nevertheless this little book, with its attractive collage style illustrations will encourage them to keep their eyes open for animal homes in the environment. Should they find any it’s important to remember Libby’s final rules: ‘Find, Look, Leave’.

Can You Find 12 Busy Bees? / Ten Little Aliens

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Can You Find 12 Busy Bees?
Jordon Winch and Patrick Shirvington
New Frontier Publishing

Who wouldn’t want to accept Jordon Winch’s invitation to enter the garden Patrick Shirvington so beautifully depicts on the opening spread, and join in the search for the abundance of wildlife residing therein. I for one couldn’t wait to go through the gate and seek out the lizard basking in the sun.

As we wander, lots of different birds introduce themselves starting with ‘2 patient powerful owl chicks’ nestling in a tall old tree …

as well as ‘3 crafty kookaburras, ‘6 merry magpies’ – these are poking around on the lawn, ‘7 flighty fairy-wrens, (in the bushes), ‘8 carefree cockatoos’ and ’10 rowdy rainbow lorikeets’ sipping nectar. Yes, some of these birds may be unfamiliar to young readers outside Australia but discovering new things is part of the pleasure.

Lolling around in the pond are ‘4 fat frogs’ to find; and there are two different kinds of butterflies making up the 5 fluttering through the flowers. We’re not told what kind they are, nor the identity of the 9 green grubs chomping through the foliage, though I hope few youngsters will fail to name the 11 lovely ladybirds’

or the most vital for us all, the ’12 buzzy bees’ of the title, as they forage for food in the flowers.

All these creatures, and readers too will endorse the final ‘We love our garden. We hope it will be there forever.’ And it definitely acts as reminder to make our own gardens wildlife friendly.

Patrick Shirvington’s love of the natural world shines through in his beautiful watercolour scenes that accompany the simple descriptive narrative.

Ten Little Aliens
Mike Brownlow and Simon Rickerty
Orchard Books

Aliens of all shapes and hues star in this counting down space adventure wherein the strange beings far from home search for a friendly place to stay.

Seemingly though, their numbers diminish as one receives a FIZZ! from a comet’s tail, another is SPLOOFed by Nova-berries, a Mega-Robot’s honking blasts the next, and a fiery crater fires out bubbling lava at a pink one.
Now we’re down to six and they’re caught in a sudden snowy blizzard. So it goes on with a SNIFF!, a BOING!,

a PARP!, a cry for HELP! as the sat-nav gives up the ghost.

Then, hurrah! Up steps the one remaining – a female alien – with a rescue operation to perform.

Will they ever find a hospitable planet on which to land their space ship? What do you think?

Rhyming fun Brownlow and Rickerty style always hits the spot with little ones and this story on an ever popular topic, with its sprinkling of alliteration is sure to please too.

Let’s All Creep Through Crocodile Creek

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Let’s All Creep Through Crocodile Creek
Jonny Lambert
Little Tiger

As the sun sets an intrepid little Mouse leads his fearful friends homewards.

In order to get there before dark, he decides to take the short cut through the creek. He’s ‘NEVER seen a crocodile in the creepy, crooked creek’, so he tells Shelly and Rabbit.

What follows is a delicious comedy of errors as the three friends set off, traversing a ‘lumpy, bumpy bridge,’ clambering through ‘long, thick “scritchy, scratchy” thorns’

and swinging through green vines. All the while Mouse is providing a description of the animals they’re hoping never to see.

Then Shelly’s comment concerning the similarity between slippy, slidey logs and the bodies of the green reptiles causes them to plunge into a dark tunnel from where they view a host of watchful pairs of eyes upon them.
Hundreds of crocodiles, is Shelly’s conviction.

Mouse continues with his banter until Shelly’s burning question provokes a considerable degree of panic; but the three friends do manage to find dry land safely, albeit still some distance from home.

A forest shortcut is Mouse’s suggestion; but don’t forests contain tigers, wonders Rabbit … and off we go again.

Jonny’s surefooted way of manipulating words and images, orchestrating them into a seamless drama that unfolds across the pages, is what makes this book SO brilliant; that and his attention to detail throughout. From the crocodilian front endpapers to the tiger-striped back ones it offers a superb lesson in how a picture book should be read.

Gerald the Lion

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Gerald the Lion
Jessica Souhami
Otter-Barry Books

In a departure from her more usual folk tale renditions Jessica Souhami sets her tale of Gerald in an urban jungle.
Full of boldness Gerald the lion – a character youngsters will instantly see is a domesticated grey cat – decides to explore his neighbourhood jungle.

It’s an environment full of strange sounds and sights – there’s the roar of creatures in the tree branches,

weird beings from outer space (a trio of snails); hungry crocodiles swimming in the lake, and some giants stop to speak to him when he pauses his perambulation.

Suddenly there appears a fiery dragon that causes Gerald to leap in alarm

and then he finds himself lost and completely alone.

Poor Gerald: will he find his way back home?

We all, but especially young children, hear strange noises from time to time imagining all kinds of scary things might be lurking, and so it is here in Jessica’s simple but clever tale: a tale wherein the incongruity between her telling of the extended joke and her hallmark bold, bright collage style illustrations work perfectly together.

With its large clear print this book is ideal for early reading as well as for sharing with little ones during story sessions where I envisage it becoming a firm favourite.

The Pigeon HAS to Go to School!

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The Pigeon HAS to Go to School!
Mo Willems
Walker Books

At last the time has come; our favourite picture book Pigeon is to start school, despite the fact that he’s adamant that he’s not going. “I already know EVERYTHING!” he insists immediately shooting himself in the foot by inviting readers to ‘… ask me a question. Any question!’

From there however he starts revealing his real anxieties: he’s not good first thing in the morning; supposing he doesn’t like it and worse – supposing the teacher doesn’t like pigeons. One by one these worries emerge from beneath that feathery bluster. There’s sooooooooooo much stuff to learn – too much and his head and body might part company.

We’re treated to an eight-part tirade of terrifying possibilities – ‘Will FINGER PAINT stick to my feathers? … What’s up with those heavy BACKPACKS? I’m a fragile bird.’ By now our little Pigeon is a jittering wreck.

But then, after a further rant …

comes a light bulb moment … followed by the very best of all Pigeon possibilities that answers his question, ‘Well, HOW am I supposed to get there, anyway!?!”

It’s a truly wonderful finale, perfectly delivered Mo Willems style; and I’m sure all the Pigeon fans out there will be on the edges of their seats as they anticipate what is about to show up next – whey hey! …

Presented almost entirely through speech bubbles, Pigeon’s monologue is simply brilliant and the way in which Willems zooms in and out on his protagonist both orchestrates the action and highlights the emotional turmoil.

I’ve totally loved all of the Pigeon books but perhaps this is my favourite so far.

Share with those about to start school as well as those already experienced in the mysteries of the classroom.

How Do You Dance?

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How Do You Dance?
Thyra Heder
Abrams Books for Young Readers

How Do You Dance? That question is posed on the title page followed by some responsive ‘like this’ moves, while there’s a little boy shown opposite sitting reading.

Turn over and some adults have joined the fun ‘like this’ they say, while the same boy, now standing digs his heels in: “I don’t”.

Out from behind him leaps a girl “I do” she counters indicating a cleaner …

Others take up the beat, the joy of each one being beautifully captured in Heder’s watercolour and pencil illustrations, as they beckon, bop, flit, scrunch, pull faces, swirl and twirl.

The same small girl then shows a series of moves

before leading readers to assorted locations wherein to continue the dance – the kitchen for shimmying on account of your delicious cooking;

or outdoors

and sometimes you just need to cheer yourself up with some floppy steps; there are just so many possibilities.
(A chart is provided should readers feel like experimenting).

This dance thing is just SO infectious that Dads and even animals kick up their heels and eventually they all (bar one) come together in a wonderful climactic celebration of dancing …

But what of our naysayer – does he ever dance? He insists he wants to be left alone …

If this utterly joyful book doesn’t get you on your feet and trying out some new moves, I’ll hang up my dancing shoes.

The Immortal Jellyfish

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The Immortal Jellyfish
Sang Miao
Flying Eye Books

‘A boy and his grandpa sat drawing one afternoon.’ So begins Sang Miao’s first book as both author and illustrator in which at the start we see the two together as they share a conversation about a special kind of jellyfish and immortality.

Not long after, the boy learns that his beloved grandfather has died and that night he feels lost.

In a dream his grandfather returns and takes him along on his very last journey, beneath the ocean to a yellow door.

Beyond the door is his destination, The Life Transfer City.

This dream world is a place where those who have died choose a spirit creature to become that will live on in memory. There, after meeting some of the other choosers, boy and old man must part company.

Miao’s dream world is alive with spirit animals and strange-looking fungi illustrated in an arresting colour palette giving a surreal feel to the whole place, a place wherein the end of life offers a new beginning as something or someone altogether different.

Whether or not reincarnation fits into your worldview, with its themes of death and rebirth, this is a powerful, uplifting story, told with the utmost sensitivity that should be of great help to grieving children and their families.

1001 Ants

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1001 Ants
Joanna Rzezak
Thames & Hudson

If you stop by an anthill and have time to watch the activity, you’ll discover that ants are fascinating creatures. The trouble is though that we cannot see what is going on inside.

Author/artist Joanna Rzezak shows us on her opening spread of this large format book. Thereon is a cross-section of an anthill where we see chambers connected by lots of branching tunnels, some of the former containing ants, while others hold such things as aphids, leaves and seeds needed as food by the ants.

The factual narrative is brief and light-hearted for we’re told ‘there is a little ant with red socks hiding in every picture in this book’ and asked to try and locate same.

A smell tells the ants it’s time to start walking, where we know not, and we then follow the long line of tiny creatures as they march single file through bracken, over fungi and among fallen leaves. All the while the playful red-socked ant comments and sometimes gets sidetracked.

Surprisingly for this reader, the ants traverse the edge of a pond using lily pads as stepping-stones, fortunately taking a route behind the large green frogs with protruding tongues just waiting for some tasty insects.

Their journey takes them through a field containing a variety of plants in various stages of flowering and fruiting, full of other insects including the caterpillar of a swallowtail butterfly; then beneath a large spider’s web

and even over the body of a huge sleeping bear.

Eventually they reach a tree and up its trunk they climb, carefully avoiding an owl resting therein, along a branch they continue; but this is nature so what is that drumming sound and what is that long pinkish worm-like protrusion.

Oh no!

The food chain must be kept working and so a large bird is left to utter the punch line. Not quite the last word though – that is left for the red-socked ant …

Factual snippets about the flora and fauna encountered on the journey will definitely keep readers interested in the natural history side, while curiosity will drive them forward as they follow the ants’ journey to its end.

 

The Hideout

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The Hideout
Susanna Mattiangeli and Felicita Sala
Abrams Books for Young Readers

This truly is a book of surprises.
It begins with a call, “Where are you? Hurry up, we have to go!” But Hannah is nowhere to be found and all we see is her bedroom …

We then see Hannah in a park and it seems she’s not leaving any time soon (she’s heard the voice, we learn).

In fact she’s made herself a feather cape, a bed of leaves, a bow and arrow and we see her accompanied by an ‘Odd Furry Creature’ for which she has fashioned another feather cape – a much larger one to accommodate its huge bulk – and a bed of leaves beside her own. Together they forage for food, which they share, but nobody else enters their secret hideout.

After some while Hannah hears a voice. “Where are you?” it asks and she decides it’s time to venture out and show the Odd Furry Creature things he’s never before seen out in the world beyond.

Pretending to hear an affirmative response, she takes off its cloak, placing it beside her own, extinguishes the fire and the two leave their secret hideaway and paw in hand, walk around the park.

“Hurry up!” comes the distant call, “We have to go!”

Then a page turn reveals the unexpected: Hannah sitting busy creating a scene: all the while she has been drawing the story …

From the outset (there’s the soft toy in her bedroom basket on the first spread), there have been allusions to Sendak’s Where the Wild Things Are – a visit to a dreamlike wild place, safe yet without parental interference, from which she’s called back from her imaginary journey – the journey that she has all the while been drawing on her paper; even Sala’s colour palette is similar to Sendak’s.

Mattiangeli’s telling is enigmatic and powerful; I love her concluding lines: “From the outside, no-one would have imagined that deep within the drawing, at the end of a long road made of brown and green pencil marks, a little girl had lived for a very long time. “

How perfectly she shows the way in which children’s art can, if they’re left alone, take them completely out of themselves into flow mode where they do indeed become as one with their creations.

Sala’s largely muted illustrations are the perfect complement for the author’s words, richly detailed and having the power to pull the reader right in to every scene, so that they too feel almost a part of the story – a story in which imagination and creation are inseparable.

Life on Mars

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Life On Mars
Jon Agee
Scallywag Press

A lone astronaut – a little one – arrives on Mars determined to find life. ‘Everybody thinks I’m crazy. Nobody believes there is life on Mars. But I do.’ is what he tells readers.
What he sees though as he wanders around the dark, cold Martian landscape clutching his box of chocolate cupcakes (an offering for any alien he might encounter), is a planet seemingly devoid of life.

The visitor starts to have doubts about finding any sort of life form, while unbeknown to him there’s a large creature following not far behind keeping a close watch on the explorer.

Having abandoned his box of goodies, the disillusioned little human decides to return to his spaceship. But where is it?
Lost he might be, but his search yields something exciting …

along with his box of cupcakes.
(I held my breath when I saw that the little astronaut had picked that yellow flower; I hope it isn’t the only one on the entire planet.)

Now, flower and box in hand, he is all the more determined to locate his spaceship, which he does by scaling the ‘err’ mountain.

Then, mission accomplished, when he’s inside and homeward bound, it’s the perfect time to tuck in to one of those yummy chocolately confections …

Witty, ironic, thought-provoking and with that surprise ending, Agee’s offering, with his stark Martian scenery, is eminently re-readable. Children love to be in the know about stories and as they listen to the young astronaut’s earnest narration, they’ll be hard put to resist yelling “he’s behind you”.

We Found a Seed

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We Found A Seed
Rob Ramsden
Scallywag Press

In this follow up to I Saw a Bee, Rob Ramsden adds a female character.

While outside playing, the boy and girl find a seed. They put it in a box and use it in their play, dancing and singing to it;

but the seed doesn’t grow.

They ask the seed for advice, listen and wait for a response; and then they know. …

The seasons change – gusty autumn winds, icy wintry rain and then spring with its gentle warmth. The seed grows and grows and …

The friends are delighted but when autumn comes again the flower dies; that though isn’t the end for what lies scattered around is full of potential …

Next time the children will know what to do.

This simple look at a sunflower life cycle and the seasons is again pitch perfect for the very young. Rob’s rhythmic text is memorable while his illustrations show just how worthwhile and rewarding continuing contact with the natural world can be.

A small piece of brilliance.

The Mole and the Hole

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The Mole and the Hole
Brayden Kowalczuk
Frances Lincoln Children’s Books

It’s kind of dark and boring being Mole if you’re stuck inside your dark hole, never seeing a fellow creature or the light of day.

Try as he might, our Mole narrator finds that however much he digs, there’s always something blocking his exit to the great outside.

“No moles above ground!” comes the cry from the rocks doing the blocking.

Mole muses on the problem: thus far his time spent above ground has always been devoted to playing with friends, basking in the sun and doing his business,

whereafter down he’d go again. A good neighbour most certainly – or is he?

No matter what clever ideas he comes up with – disguise, joke telling or downright lying – nothing succeeds in shifting the determination of those rocks to keep him down under..

Is he now destined to be forever sub terra, he wonders.

Suddenly though there is light at the end of the tunnel and Mole finds himself face to face with …

He beats a hasty retreat but not long after our friend is heard extolling the virtues of his new living place.

What about his new neighbours though: are they equally enthusiastic about their new neighbour? Um …

Disney character artist and now debut picture book author-illustrator Kowlaczuk’s digitally created scenes of Mole’s totally inappropriate, un-neighbourly behaviour and what his neighbours think of it, are depicted with a deliciously dry humour that will delight young listeners. Listeners who will enjoy the fact that no matter what, no matter where, Mole is always accompanied by his best friend and silent participant Grub..
At the same time, the story wherein showing not telling is key, wryly demonstrates the importance of being a good neighbour for all concerned.

A thought-provoking addition to the FL First Editions list.

Leaping Lola

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Leaping Lola
Tracey Hawkins and Anil Tortop
New Frontier Publishing

Young Lola the Jersey cow has a penchant for dancing and is energetically practising her steps for the ball to be held that evening in the barn. But then comes information from her mother that entirely deflates Lola: ‘It’s the Black and White Ball’ so a brown cow such as she won’t be welcome.

Having heard her tale of woe, Pearl the pig offers to disguise her friend.

Suitably attired that evening, Lola is admitted to the ball and she’s immediately swept along by the beat of the music as she swoops and slides across the floor, then kicking up her heels she wows the crowd by ‘swirling and twirling her large derrière.’

Then disaster strikes as Lola mistimes her landing and slithers on her stomach through the Friesians

and straight into a tower of milk churns. Chaos ensues as she’s washed clean of her muddy disguise and cries of ‘imposter’ issue from the frightened onlookers. Is that the end for Lola?

Happily not for then up steps the prize-winning bull who urges her to dance no matter what.

And so she does. Led by Lola in a joyful romping, stomping line, all the cows dance the night away.

With plenty of drama, Tracey Hawkins’ lively rhyming text complemented by Anil Tortop’s splendidly expressive illustrations make for a smashing read aloud to share with youngsters who will delight in the spirited mooover, Lola.

The book has much to say about the importance of inclusivity and might well be a starting point for a discussion on the topic of insiders and outsiders.

My Friends

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My Friends
Max Low
Otter-Barry Books

We don’t actually meet the narrator of this book until the final endpapers but that’s getting ahead of things, so let’s be content and accept the invitation to meet ‘My Friends’.

An interesting and diverse lot they definitely are, starting with Mossy, the perfect friend for some quiet interchange or silent contemplation.
Then comes lion-loving Archibald …

followed by cloud watching Ezra who points out all manner of interesting shapes drifting across the sky.

There’s Pepper who cooks tasty food; Olga, the music lover;

Herman the knitter (or should that be, tangler); the inventive Lina ; Bert who cares for minibeasts on account of their smallness and his bigness

as well as Plim and an imaginary friend, Klaus.
Each is unique, special and loved; but occasionally it’s good to be on your own.

And as for the narrator, I’m not revealing the identity of same – you’ll have to get hold of a copy of the book to find that out.

This quirky, playful look at friendship offers a great starting point for exploring the topic with young listeners who will readily relate to rising star, Max Low’s bold bright images.

Why not treat your friend to a copy to celebrate International Friendship Day on 30th July?

The Colour Monster Goes to School / Beautiful Bananas

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The Colour Monster Goes to School
Anna Llenas
Templar Publishing

It’s the day Colour Monster starts school and he’s rather confused about what to expect as he anticipates what this new place might be like.

His friend Nuna is there to reassure him about what to put in his bag as well as to introduce him to his teacher and new classmates and to accompany him as he discovers the activities on offer that day.

First comes Nuna’s favourite, music, in which Colour Monster is let’s say, an enthusiastic participant though he seems even more enthusiastic about stories …

There are lessons to learn about turn taking, appropriate use of the toilet facilities

and how to eat lunch.
The afternoon comprises some gymnastics – with an additional piece of equipment; followed by a creative session with Colour Monster as the subject.

Come home time, it’s clear that the newbie has had a fun-filled day; but poor Nuna is completely worn out.

If you’ve not come across the Colour Monster in his previous escapades, then this is a great place to start especially if you have little ones starting school or nursery next term.

With her wonderful mixed media illustrations, Anna Llenas’ funny story of the risk-taking protagonist is a delight, reassuring with plenty to giggle over, as the big day draws close.

Beautiful Bananas
Elizabeth Laird and Liz Pichon
Oxford University Press

There are gentle echoes of Handa’s Surprise in this African setting tale of Beatrice, who sets out through the jungle with a bunch of beautiful bananas for her granddad.

That’s her intention, but along the way a giraffe flicks his tail accidentally displacing the bananas and sending them into a stream.

This sets off a concatenation of animal-related mishaps involving a swarm of bees, then some mischievous monkeys,

a lion, a parrot and finally an elephant each of which apologises and provides a replacement gift, with the story coming full circle with the elephant’s offering. It’s a delighted Beatrice who then heads to her Grandad’s home, assuring herself that after all, “Bananas are best.”

There’s plenty to spot in Liz Pichon’s vibrant scenes, not least the tiny jungle creatures

and the pairs of eyes peeping out from among the foliage as youngsters listen to Elizabeth Laird’s amusing story that is still a winner with me 15 years after its first publication.

Hello Horse / How Far Can a Kangaroo Jump?

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Hello Horse
Vivian French and Catherine Rayner
Walker Books

This is one of the Nature Storybooks series that provides a perfect amalgam of information in narrative form and superb illustration, in this instance with Vivian French as author and Catherine Rayner as illustrator.

Vivian’s text gives just the right amount of detail for a young child to absorb as she describes via her boy narrator what happens when he is introduced to her friend Catherine’s horse named Shannon.

The boy soon overcomes his initial apprehension about meeting the horse but under Catherine’s guidance his fears are soon allayed as he learns about how to approach, touch and feed a horse. He also learns about grooming and finally, how to ride Shannon.

Every one of Catherine’s watercolour illustrations is beautiful and she does bring to life beautifully the equine creature that we learn in an author’s note really does belong to the illustrator.

A gorgeous introduction to horses and riding.

How Far Can a Kangaroo Jump?
Alison Limentani
Boxer Books

Ever wondered how far a kangaroo can jump; or perhaps four rabbits, or even eight coyotes? If so this book is definitely for you.

It’s beautifully illustrated by the author who showcases eleven different animals in total, each demonstrating its leaping, diving, hopping, bouncing,

skipping, bounding, vaulting, hurdling or springing skill.

Don’t be misled into thinking the titular marsupial is the longest jumper of all though; there’s a creature that well and truly outsprings it; now what might that be?

The book concludes by answering Alison’s own question: ‘How many kangaroo jumps would it take to get all the way around the earth?’ and posing another for young humans to answer.

Trainers on? Ready, steady, jump …

On landing, readers can compare their efforts with those of the other animals from the book, each of which is shown mid spring on the explanatory back endpapers.

Deep in the Ocean / The Big Sticker Book of Birds

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Deep in the Ocean
Lucie Brunellière
Abrams Appleseed

In this large format board book, readers follow Oceanos, a shiny silver submarine, as it takes an exploratory voyage into the depths of the oceans.
From the first opening, we’re immersed in the ocean’s waters along with the submarine’s scientific crew

but as their craft dives deep and travels through a deep abyss, a fierce storm blows up, whisking the little shiny submarine right off its intended course.

Instead, eddying whirlpools cause it to journey to the polar waters of the Arctic; then it’s pulled by a blue whale towards tropical waters of a coral reef, travelling on until one imagines, it resurfaces, with the crew having collected a wealth of information.

There is a free accompanying 10-minute, atmospheric sound track available to download, though to get the most out of the dual experience, you need to synchronise the track timings with page turns.

It’s easy to get lost in the colourful ecosystems with their standout bright flora and fauna depicted in Brunellière’s multi-layered, finely detailed spreads that do a splendid job of capturing the awe and immensity of our ocean ecosystems.

Dive in and be amazed at the riches therein.

The Big Sticker Book of Birds
Yuval Zommer
Thames & Hudson

Following Yuval’s wonderful The Big Book of Birds comes an activity book on the same theme.

Readers are in the company of Polly the Pigeon. She guides us through as we’re told, ‘the feathery world of birds’ and all that’s needed for the journey is a pencil, some colouring pens and ‘a flighty imagination’. Some of the latter might be used in deciding how to adorn the pages with the 200+ stickers provided at the end of the book.

There’s a wealth of fascinating facts embedded within the spreads that are allocated either to specific kinds of birds such as albatrosses or puffins, or to avian topics including feathers, nesting, and migration.

Children might accept Yuval’s invitation to complete a maze,

design a feather for a new bird species, spot the difference, design a bird box, imagine and draw what a dozen magpies might have picked up in their beaks and more. Or what about playing a game of Blackbird bingo or adding foliage to a tree for wild birds to hide among?

I love the way all Yuval’s creatures be they birds or other, have a slightly mischievous look in their eyes, which adds to the allure of the already engaging pages.

Immersive and fun while unobtrusively educating the user(s).

Everyone Can Draw

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Everyone Can Draw
Fifi Kuo
Boxer Books

Having been a foundation stage teacher for many years, I know that within each and every young child is an artist; this is what is celebrated in Fifi Kup’s upbeat book wherein she calls upon that innate creative spark, a spark that we adults need to nurture and do our utmost to make sure is never extinguished.

As she states and shows in her wonderful scenes of artists at work however, people exhibit different preferences when it comes to drawing. Some like drawing characters whereas others would rather draw scenes.

Then there are those who favour black and white drawing in contrast to those whose preference is for bright colours.

There are a variety of tools that can be used for drawing as the increasing number of enthusiastic artists demonstrate – scissors, parts of the body such as hands or feet; and some people favour needle and thread drawing.

If you don’t enjoy drawing alongside others, you can find your own special corner or even draw in your dreams.

The most important consideration of all though is saved until last

– or almost last.

Finally comes a question addressed to us all – ‘What will you draw?’

Fifi further explores different tools for drawing on the endpapers for which she uses childlike images akin to those a four or five  year old might create.

Crayons, pens, paints, scissors, pencils, inks ready. Everybody draw! First though immerse yourself in this joyful book.

The Spacesuit

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The Spacesuit
Alison Donald and Ariel Landy
Maverick Publishing

Over the last week many of us have been enthralled to watch the first moon landing in 1969 relived on our televisions screens for its 50th anniversary; but how many of us thought about what went into the designing and making of the protective spacesuits worn by the three Apollo astronauts, and in particular, Neil Armstrong and Buzz Aldrin when they walked on the moon.

These suits were the work of a team of women, led by Ellie Foraker, who were employed by the manufacturer of Playtex bras.

Even as a child, Ellie had loved designing and sewing on her machine and when an adult she got a job making garments with ILC Dover in the Plaxtex division. It was there that the quality of her work caught the attention of a company engineer. He asked Ellie if she was interested in entering a competition to design and make a prototype for a spacesuit that would be worn on the moon.

The competition was fierce with teams of engineers and military designers also participating but Ellie had a great team of hard workers determined to complete the task in time.

Their suit was to be flexible, have lots of soft, thin layers and protect the wearers from extremes of temperature.

Working all day and into the night, the women stitched and glued the layers until eventually the AL7 spacesuit was done – all 21 layers of it.

The entries were tested by the judges and finally the winner was declared. It was Ellie and her team’s AL7.

Alison Donald’s straightforward, accessible narrative focuses on Ellie Foraker’s skills and her determination to win the NASA competition, making it one of a very few moon-related books I’ve seen this past few months that has chosen to put the spotlight on women and their role in helping to send men to the moon.

Ariel Landy’s digitally worked illustrations too capture the resolve of Ellie and her team throughout the task, showing the tension when things get tough as well as the times when the mood was upbeat.

Along with the facts included in the story itself, the inside covers have short snippets of space travel information and there’s a glossary and a space time line extending from1957 and the launch of the 1st Russian satellite, through to the 1969 moon walk.

All in all an inspiring picture book for young readers. I received my copy after returning from a few days away so was unable to beat the 20th July commemoration but nonetheless this is well worth seeking out whatever the date.

Molly and the Whale

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Molly and the Whale
Malachy Doyle and Andrew Whitson
Graffeg

Following a stormy night, Molly and Dylan go down to the seashore in search of interesting items that might have been washed up. What they find however is not what they’d been anticipating.

“Daddy! Daddy! … There’s an enormous whale on the beach!” comes Molly’s cry.

Loading up the barrow with buckets and spades, the father and children head for the beach again where it’s now low tide.

There, with the help of their friends, Molly and Dylan keep the whale’s skin cool and her dad digs a trench around the huge creature.

Then they wait the long wait for the tide to come in, which they hope, will be sufficiently high to enable the whale to free itself and swim away. Molly sings to the massive creature in an effort to calm her own nerves although her heartfelt song cannot cool the increasingly unhappy whale.

Disappointment comes when the high tide proves insufficiently deep to enable the creature to swim off.

Molly is distraught: her father sends her home promising to wait on the beach for the full moon tide. Perhaps that will be higher … and happily, so it proves.

This is the second story to feature island-dwelling Molly, her family and friends. I quickly found myself drawn to the young girl, her empathy with the whale and her determination to save it.

I’m sure young listeners will be too as they hear Malachy’s tale and see Andrew Whitson’s quirky, richly coloured, patterned illustrations of teamwork set against beautiful sea and landscapes .

The Boy Who Knew Nothing

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The Boy Who Knew Nothing
James Thorp and Angus Mackinnon
Templar Publishing
In the town of Solo Capoo lives a boy who supposedly knows nothing at all – his classmates tell him so, calling him a ‘fool’.

However when the lad comes upon an unusual-looking object in a dressing-up box, he’s eager to find out what it is. Waking his dozing parents he asks them. “Everyone knows that’s a sleepy giraffe!” comes his dad’s reply.
Unconvinced, the boy cycles off to consult the old whispering witch who tells him it’s a whispery owl.

Not satisfied however, the lad pays a call on ex-astronaut, Miss Susan only to be told the object is a clumsy gnu.

Exasperated our questioner climbs onto the back of the ‘thingy’

and flies home, where his parents greet him with questions about his attire and his companion.

Now the boy speaks out telling of his magical adventure and those he conversed with;

but his parents merely pack him (along with his fellow travellers) off to bed.

It’s there, tucked under his covers, that the boy learns from his ‘thingy’ its true identity – something listeners will have enjoyed being in the know about from the outset.

Back in class next day, our erstwhile adventurer has some words of wisdom to impart to the other children …

Delivered through James Thorp’s wacky rhyming text and Angus Mackinnon’s bizarre imagery that reminded me of 1960’s psychedelic pop art, this surreal picture book questions the nature of knowledge and knowing, but I’ll leave the philosophical ideas to those who decide to hold a community of enquiry with their audience having shared the story.