44 Tiny Secrets
Sylvia Bishop, illustrated by Ashley King
There are actually even more secrets than the 44 tiny ones in the title of this captivating book and some of them are pretty big ones.
Betsy Bow-Linnet is the daughter of two internationally famous concert pianists who spend a fair bit of their time jetting off to play abroad leaving young Betsy in the care of her Grandad.
Betsy has set her heart on becoming famous like her parents but no matter how hard she practises, she lacks the natural talent of her mother Bella and father, Bertram and feels she’s a disappointment to them both.
One day she discovers a letter on the doormat bearing only her name. Inside she finds a letter written by one Gloria Sprightly. The woman claims she has a special method that will make Betsy’s next performance ‘completely, totally, stupendously stunning’ and it isn’t necessary that the two of them meet. The other requirements are that the Method is a secret, and plenty of pumpkin seeds.
Needless to say Betsy jumps at the opportunity and posts off her acceptance right away.
Another letter follows instructing her to look inside the parlour piano and to await a parcel.
Sure enough, the following morning on the doorstep is a large parcel inside which is a box containing the titular tiny secrets in the form of 44 pygmy mice.
Betsy is baffled: how can the tiny reddish-brown creatures help her improve her piano playing and how can she possibly keep all those mice a secret?
Moreover, who is this Gloria Sprightly?
Woven into this quirky story are some wonderful verbal images: Betsy’s mother has a particular penchant for ferns and there are pots of the things everywhere in their home. She even looks and smells like a fern we’re told.
Before the end there are some unexpected revelations of more than one kind and the sharing of some rather yummy cream cakes but all ends happily. Not ever after however for there’s promise of a new story of Betsy and her 44 rodent friends coming soon. Hurrah!
A delight through and through, made all the more so by the splendid visuals provided by Ashley King whose offbeat illustrations underscore the humour of Sylvia’s telling.