Karl Newson and Lucy Fleming
Maverick Arts Publishing
Despite their name, the Crumbs are a very large family: there’s Pa, Ma, Grandpa Plum, Fee, Fi, Fo and Fum. Or rather there should be; Fum, the smallest Crumb was gone missing. The search is on: first stop, the houses of the three little pigs …
No sign of him there. “He could be hiding … / In the woods with Little Red Riding.” That’s the suggestion from one of the pigs. Off they go again with everyone joining the hunt, but Grandma and her crew cannot help. Or rather, the Big Bad Wolf gets a whiff of his socks and thinks it’s worth locating Golidlocks. Guess whose bridge they cross to get to the house of the bears. The three are eager to assist and take to the air . Further locations are visited, all to no avail, until suddenly a small voice is heard. Now who might that be up the tree – or rather beanstalk? (I just wanted to be in line with the story’s rhyme.)
Lo and behold, the little chap wasn’t lost after all – just small! And in true fairy tale style, ‘The woods filled up with songs and laughter, / and all lived happily ever after.’
Satisfying stuff, delivered through Newson’s exuberant rhyming text, full of repeat refrains, KNOCK! KNOCK!’s and “No” s to join in with; and Lucy Flemming’s funny pictorial rendition of the search with its unusual perspectives and spilt page scenes.
Beauty and the Very Bad Beast
Mark Sperring and Barbara Bongini
I love a story that mucks around with fairy tales, or as here, a fairy tale.
Let’s meet Beauty’s sisters, Grace,a golf-loving lass, and May, who likes to tong her hair. Both ask their doting father to bring them appropriate gifts on his return from a shopping trip in town. Beauty – well we know what her request is; her Popsey however decides to steal it from someone’s garden …
and that’s when the trouble begins. The Beastly Beast appears, makes an accusation and demands his price. Inevitably, it’s Beauty who greets him on his return and thus she duly departs to reside with the Beast.
Beauty asks him to let her go, the creature agrees to consider it and he does – over a long period that stretches into seasons during which time he falls head over heels with his captive; he even proposes.
What happens thereafter includes further considerations, a return, a whole lot of forgetting, the death of a rose, a frantic dash and a kiss …
l’ll leave you to imagine the final event: assuredly it’s rather splendid and made all the more so by Barbara Bongini’s hilarious, action packed scene of same.
I’ve signed the charter