The Night Before Christmas in Wonderland
Carys Bexington and Kate Hindley
Macmillan Children’s Books
Demonstrating the true meaning of Christmas, this is a marvellous mix up of two classics– Lewis Carroll’s Alice in Wonderland and Clement Clarke Moore’s A Visit from St. Nicholas.
It begins thus: ‘Twas the night before Christmas, a dark snowy night / When St Nick and his reindeer were just taking flight.’
Debut picture book author, Carys Bexington manages to sustain the jaunty rhyme unfalteringly throughout the tale. Therein she gives Santa aka St. Nick a turn to go adventuring down the rabbit hole when he responds to the plea of the Princess of Hearts who sends a letter begging for a Christmas present after her parents have said no.
Having made their way down the royal chimney St. Nick plus reindeer come upon a decidedly unseasonal scene and disturb the Queen of Hearts. She, we learn hates Christmas because as a little princess, her Dear Santa letter missed the last post on account of the White rabbit’s tardiness and so she was presentless.
As a consequence, presents, along with tinsel, mince pies and good cheer are all banned.
Now though, at long last, it’s time to deliver that gift to the erstwhile little princess.
Can St. Nick succeed in restoring the ‘Happy’ into Christmas? Perhaps, but only if her royal grumpiness, the Queen of Hearts responds positively to Rudolph’s assertion, that alluded to at the start of this review.
A full cast that includes the Cheshire Cat and the Mad Hatter, are depicted in Kate Hindley’s absolutely priceless scenes of seasonal mayhem and festive frolics, each of which is bursting with delicious details and Kate’s own brand of brilliance.
The Night Before Christmas
Clement C. Moore and Roger Duvoisin
If you are looking for a version of the classic Clement Clarke Moore seasonal poem this year then I’d wholeheartedly recommend this superbly designed one first published in 1954.
Its tall, slim shape and size is perfect chimney shaped design and here we follow Santa – portly and with an enormous beard – as he alights on the rooftop and slides down the chimney of the narrator’s residence (in how many homes would that be possible nowadays?).
Observant readers who are familiar with Duvoisin’s creation for Louise Fatio’s The Happy Lion will spot the striking resemblance of one of the soft toys left as a gift, to said lion.
Retro brilliance this!