Hannah Pang and Thomas Hegbrook
It was the non-scientific chapters of this superbly illustrated volume that attracted me most, rather than those on the space race, lunar exploration and moon missions.
Earth’s moon has inspired countless people – artists, poets, mathematicians, astronomers and a great many others have aspired to investigate it scientifically and some have even managed to pay it a visit. It’s truly a source of awe and wonder to us all, no matter what our predilections.
There is an enormous amount of fascinating information in this book published to coincide with the anniversary of the moon landing, as well as myths and legends, poetry, folklore and Thomas Hegbrook’s wonderful, wonderful full-page illustrations of such things as the celebration of the Chinese New Year.
On this spread we learn that the festival was long ago a celebration of a successful harvest of wheat and rice, when food was offered to the moon; this has been celebrated since the Shang dynasty around 1600-1046BCE.
Other aspects of the celestial calendar are covered in this chapter including paragraphs relating to some religions that follow a lunar calendar including Buddhism, although I saw no mention of Hinduism.
The Moon features in many myths, some being concerned with the Man in the Moon; we learn of such from the Haida people who live on the Pacific coast of Canada; from Germany, including residents of Rantum a small village on the German island of Sylt. It’s said there, that the Earth’s tides are controlled by the Man in the Moon, a giant responsible for pouring water onto Earth creating high tides, and resting as the waters die down.
There are also many Moon Rabbit myths from as far afield as Japan, Korea and Africa.
I especially liked The Fox and the Wolf fable and the way it’s set within a beautiful moonlit scene.
Other parts I found fascinating were The Moon and our Bodies, sleep being one aspect affected by its cycle, as well as the chapter on how a full moon is thought to make people do strange things, even perhaps having an effect on such diverse things as the stock exchange and emergency service call outs.
Numerous artists have included the moon in their paintings. In traditional Chinese art it’s most often shown as a tiny object in the distance; whereas Japanese paintings frequently show a large, partially hidden moon.
Architects too have been inspired to use the moon in their building designs.
There is SO much to learn from this book but it’s impossible to cover everything in a review such as this. Instead I suggest you treat yourself to a copy of Hannah Pang and Thomas Hegbrook’s magnificent moon-filled compilation.