Caterpillar Cake

Caterpillar Cake
Matt Goodfellow, illustrated by Krina Patel-Sage
Otter-Barry Books

This is performance poet Matt Goodfellow’s second poetry book and it’s aimed at younger children. Embracing a wide range of topics in his sixteen poems – playing on the beach, space, wild animals, play, movement,

school related things – a visit from the school photographer, a classroom carpet session for instance, as well as things related to the natural world. Here are the opening verse and the final one of My Shell: ‘there is a shell / alone on a beach / over the sand-dunes / out of my reach // we’ll sing of the sun / and the salt and the sea / together forever / just my shell and me’.

Perfect for reading aloud to young children and once they’re familiar, perhaps those in KS1 could read some to one another. Which ever you do, take time not just to enjoy Matt’s writing but also debuting illustrator Krina Patel-Sage’s inclusive, vibrant digitally created illustrations. So, if your taste is for pebble skimming, a slice of chocolate caterpillar cake, the smashing word play of Kitty Cat, or a gentle River Lullaby at the end of the day, you’ll find it herein.

If you want to engender a love of language, this is definitely one to add to early years settings, KS1 classrooms, and family bookshelves (if you have little ones).

Being Me

Being Me
Liz Brownlee, Matt Goodfellow and Laura Mucha, illustrated by Victoria Jane Wheeler
Otter-Barry Books

I’ve tended to use picture books to open up discussions about feelings in the classroom, especially with younger children but now this, subtitled “Poems about Thoughts, Worries and Feelings’ is a superb anthology of poems by three accomplished contemporary poets that would definitely work equally well with children from KS1 up.

Speaking directly to youngsters are almost fifty poems focussing on the topics that they care deeply about and unless they have opportunities to talk about how they feel about say, loss or sadness, feelings of isolation can be the result.

One way to counteract such feelings is to take a walk in nature as Matt suggests in Forest Song: ‘there is music in the forest / every leaf a different note / as the wind -conducted branches / play the tune the raindrops wrote // so, walk beneath the canopy / and know that you belong / to the purest ancient melody / as forest sings its song’. I’m sure those words will resonate with all of us after everything that’s happened during the past year when so many of us have found comfort in the natural world.

Another of Matt’s poems talks about those awful butterflies that are the result of first day nerves and how one understanding teacher, Mr Mawhinney made all the difference.


Books are one of my first go to comfort places and Liz’s In the Heart of a Book speaks to the power of story; Here’s part of it : ‘ I found myself a story / with a place in me to store it // I found myself a wide, new world / so set off to explore it //… I found a pool of sadness / and the strength to manage it // … I found place to rest my head // while my worries unplug / I found a curl of comfort / where each word was a hug // … I found a pair of magic wings / and flew into the light

Feeling alone in your sadness? What better place to visit than Laura’s The Land of the Blue to know that feeling sad is OK. The final verse says this: ‘Across the valley it waits for you,/ a place they call The Land of Blue / and going there will help you know / how others feel when they are low.

Sometimes there’s nothing better than the kindness of a Friend as Laura shows here:

Discovering your own kindness within and sharing it with others is equally powerful as the final words in Liz’s Kindness acknowledges ‘and where you give it grows and grows / until one day it overflows

Finally (although I could go on talking about every poem in this book) in Bottled Up Laura highlights how crucial it is to be able to open up about whatever it is that’s troubling you …

Very much in tune with the feelings the three poets have written of are the quirky black and white illustrations by new illustrator Victoria Jane Wheeler; and the book concludes with a note from developmental psychologist Dr Karen Goodall that includes some suggestions as to how an adult might open up a discussion.

A special book that I strongly recommend for both school and home collections.

Shu Lin’s Grandpa

Shu Lin’s Grandpa
Matt Goodfellow and Yu Rong
Otter-Barry Books

Shu Lin has recently come from China and with very little English, is struggling to fit in at her new school.

At lunchtime the other children are fascinated as they watch her tuck in to her little boxes of food. On the way home, one of her classmates recalls when he too was a newcomer but it’s not until Shu Lin’s grandpa visits the class with his Chinese paintings that anything really changes.

No words are needed as the children look in awe at his scrolls with their amazing scenes.

Then as silently as he arrived, Shu Lin’s grandpa leaves the classroom. That afternoon, the class teacher gives the children the opportunity to try painting their own pictures in response to what they’ve seen.

Matt Goodfellow’s text is presented through the narration of one of Shu Lin’s classmates and this is highly effective in that the boy relates his own experience to that of the newcomer showing understanding throughout the book, while Yu Rong’s illustrations, including a gate-fold that opens to reveal a remarkable Chinese scene, are absolutely superb.

That art is a hugely effective way of helping to develop empathy with other cultures comes across with a quiet power in this story that celebrates the imagination while demonstrating the importance of reaching out to others.

An important book to include in primary school class collections.