As a child I was fascinated by a large Reeves paint-box belonging to my mother; I think it had been passed down to her. There were several layers of smallish rectangular colour blocks embossed with a dog. Each of the various hues had an exciting name, though some looked almost identical until used. I loved to take it out and about and find things to paint. It was those names that I loved as much as the paints themselves.
Now this beautifully produced book has taken me right back to that paintbox and my memories of same.
Compiled by illustrator and graphic designer, Marie Laure Cruschi, head of the French creative studio Cruschiform, it too is based on colour memories, her memories.
The colour palette is vast – over 130 hues and it takes us on a circular journey starting and ending with white, but surely white is just white isn’t it? Not quite; for a start it all depends on who is looking at it and what they are looking at. White can be all manner of things. Herein we have white snow, milk, peace symbol, albinos, alabaster, polar white, cotton flower, birch bark, white moth
and white powder and having come full circle, Aphrodite’s tears, flour of salt and moonlight. Each of these whites (and indeed the other colours) conjures up memories of objects, or things be they animal, vegetable or mineral.
So subtle is the difference that there is then an almost imperceptible change to pink (white powder is more pink than white to me).
The author provides a brief story connected with each image; sometimes this is the exact name of the colour – canary yellow – for instance or ivory.
The musings may be historical such as the synthetic dye ‘mauveine’ invented in 1856
elemental, artistic, relate to specific animals, flowers, trees, plants, fruits or vegetables, cloth and clothing,
machinery, and even objects out of this world.
Altogether a fascinating book for children and adults alike, it’s one to pore over and ponder upon.