I Want to be in a Scary Story
Sean Taylor and Jean Jullien
From the dream team that brought us Hoot Owl, Master of Disguise, here’s a story told entirely in dialogue: black type for the external narrator and purple – aptly – for chief protagonist, Little Monster.
Eager to be in a story, the totally endearing little enthusiast turns down the suggestion that a funny story might be preferable, assuring the narrator that a scary story it must be.
Talk about dropping you in it, but that’s exactly what the narrator does by placing the monster right outside a haunted house.
‘Spooky’, seems preferable, and that’s no walk in the park either, as the house might be inhabited by a scary witch, or a ghastly ghost just waiting to jump out; at least the narrator forewarns our Little Monster though. But there seems to have been something of a misunderstanding.
Little Monster wants to do the scaring, not be scared silly. Here goes …
But then comes another thought: what lies behind that door? The witch?
Much too scary; so what about ‘just a teeny weeny monkey and his friend’? Surely scaring them should prove suitably funny …
Sean Taylor knows just how much scariness little monsters, purple or otherwise, can take, and his clever scaling back of the terror as the tale proceeds, is spot on for keeping young listeners on the edge of their seats. Equally Jean Jullien’s creepy scenes have a sufficient degree of zaniness to grip but not unduly alarm; and that final twist really hits the spot.
‘Can I be in a story again tomorrow?’ asks Little Monster on the final page: I suspect young audiences, thrilled rather than chilled, will want it to be more immediate than that.