Michelle Robinson, Irene Dickson & Tom Weller
Oxford University Press
Get ready to go doodle crazy with Daisy.
One rainy day the little girl is stuck indoors and almost before she can say ‘Pipsqueak’ her drawing has upped off the page and is helping the child adorn the entire house with doodles of all shapes and sizes.
The rain stops but that is not the end of the adventure; in fact it’s the beginning of a whole exciting experience,
as dragons and dragonflies, castles and carousels, mermaids and much more are conjured into being, which culminates in the claw-wielding, jaw-snapping Battle of Crayon Creek.
All good things have to end though and end they do when the tickly octopus chases everyone back home and mum appears on the scene …
although that is not quite the end of the story …
In this lovely celebration of children’s creativity and imagination, the book’s creators cleverly use the device of a mirror to transport the little girl and her companion into their fantasy world of make-believe and back again: a world created by a variety of doodle-appropriate media.
With all the exciting visuals, it would be easy to overlook Michelle’s manner of telling, which, with its sprinklings of alliteration, and interjections of dialogue, is also a delight and allows plenty of space for Irene Dickson’s illustrations to create their magic.
Linda Ashman and Sara Sanchez
There’s a touch or two of the Not Now Bernard’s about this story of a family moving day. The parents of the young narrator are far too busy to take notice of their daughter’s talk of the presence of an elephant in the living room of the home they’re moving in to.
While mum, dad …
and grandma are engaged in getting their new abode into some kind of order, the little girl, having ensured that her baby brother is soundly asleep, engages in some elephant-shared activities, first in her new bedroom and then, outside in the garden. And that is where our narrator notices a man coming to the front door: a man inquiring about a missing baby elephant going by the name of Fiona and having – so it says in the flier he leaves – a particular penchant for apples, . Surely it couldn’t be … could it?
Much of the humour of this book is in the interplay of words and pictures: It’s the little elephant that hands dad a tool as he struggles to fix the shower – a fact he’s completely oblivious to as he utters the story’s “Ella WHO?” catch phrase. As are the other family members, throughout the book: even on the penultimate spread, having told her mum she’s just been bidding the elephant farewell, she gets this same “Ella WHO?” response from her dad.
An extended joke that works well enough to engage young children who will be amused at the adults who don’t listen and delight in joining in with the repeat question.
I’ve signed the charter