Chalk Eagle

Chalk Eagle
Nazli Tahvili
Tiny Owl

The power of the imagination is crucial for so many reasons. I’ve spoken and written about its importance in education in many places and on numerous occasions, including from time to time, on this blog. Sadly however, the education policy writers in our government seem not to place much value upon it.

However, one never gives up on something so vital and it is wonderful to have Tiny Owl’s on-going championing of wordless books as one means of promoting the education of the imagination. Equally it was exciting to hear on a recent The Life Scientific programme, a woman mathematician, Eugenia Cheng, speaking about the importance of the imagination in maths.

This wordless picture book by Iranian artist Nazli Tahvili is the perfect vehicle to get the imagination soaring and for me the eagle in flight is a wonderful symbol of creativity unleashed.
A rooftop vantage point is just the place to broaden one’s horizons and make free with chalk on tiles, which is what the young protagonist does herein having watched an eagle flying overhead.

Boy and eagle join forces

and soar over town and country, sea and mountain in his imagination and in Nazli Tahvili’s screen-print illustrations.

The colours she has used are, so we’re told, influenced by the blue skies, and green rice fields that surround her northern Iranian home.

A book to open up and let your mind go free with child and eagle: in particular, I’d like to give it to a group of teachers or teachers in training and see where their discussions/imaginations fly.

La La La

La La La
Kate DiCamillo and Jaime Kim
Walker Books

A small girl stands alone and opens her mouth; “La” she sings followed by a few more “La, La La … La”. No response. She stomps across the page and outside.
There she begins chasing and singing to the falling maple leaves, but even her shouts are answered merely with silence.

She continues addressing her ‘Las’ to the pond and the reeds; still nothing comes back.
Dejectedly she returns home, sits and ponders. Later on she sallies forth into the purple, starry night. Once again she begins her singing, directing her vocals towards the moon.

Nothing.
Back she goes and returns with a ladder. So desperate is she for a mere response that she climbs right up to the top … Will the moon finally hear her song?
It does, but not for a longish time and then begins a wonderful moonlit duet.

Virtually wordless, this eloquent symphony of sound, light and colour offers an inspiring message of determination and hope. The whole thing unfolds like a silent movie with the little girl’s body language saying so much about her emotions.

This book is twice the length of a normal 32 page picture book, so in addition to recognising the virtuoso performance of Kate DiCamillo and Jaime Kim, it was a brave publisher who allowed them room for their duet to be heard in full.

Owl Bat Bat Owl

Owl Bat Bat Owl
Marie Louise Fitzpatrick
Walker Books
I’m a big fan of wordless picture books and this one is a cracker. It features two families one of owls, one of bats.
As the story opens, the owls are happily settled on their roomy branch enjoying some shut-eye when all of a sudden along comes a family of bats. They too decide to make their home on that self same branch so we then have …

Unsurprisingly the two families are circumspect: after all owls and bats don’t really make the best of friends.
After a fair bit of positional adjustment, the families both prepare to sleep but baby animals, like humans are inquisitive and so you can probably guess what happens after this …

Now we know that human children are much more ready to accept newcomers than are most adults. The same is true of owls …

though mother owl soon has her youngest offspring back where she wants, beside her and all is peace and quiet. But when the chips are down and disaster strikes in the shape of a storm,

differences don’t seem to matter – co-operation is now the name of the game.
This book works on so many levels and is open to a multitude of interpretations. We often talk about the power of words: here, picture power rules.
What a wonderful demonstration that reading is about so much more than getting words off the page.

Flora and the Peacocks

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Flora and the Peacocks
Molly Idle
Chronicle Books
Flora, so I believe, has already starred in two previous picture books though this is my first encounter with the diminutive dancing delight. Herein she encounters a pair of preening peacocks who proceed to use their gloriously coloured tails in tandem with her fan, mirroring her every move until one, the rather more curious of the pair, crosses the gutter and approaches the girl. Thereafter we have a paired dance on the verso and on the recto, something of a solo drama. Eventually however, we have this …

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After which Flora reaches out (here readers can lift the tails or lower them as the fancy takes them).

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What then follows is a tug of war over her fan,

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orchestrated by readers moving an arched page (we know threesomes can be problematic where friendship is concerned) until the delicate fan becomes two pieces and Flora flounces off-stage in despair

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leaving the birds to work out a solution – which they duly do – with an amazing fold-out finale that more than makes up for the disaster and places a smiling Flora centre stage in a dazzling display of iridescent beauty and bewitchment.
Beautifully choreographed by Molly Idle, this breath-taking, wordless pas de trois is a real virtuoso performance, both on stage and off, that will have readers transfixed and wanting encore after encore. And don’t you just love the way those wispy willow fronds form a kind of proscenium arch for the whole show.

Those who particularly enjoy wordless picture books may also like:

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Dog on a Train
Kate Prendergast
Old Barn Books
This wordless debut picture book begins with a boy dashing downstairs and dropping his hat in his haste to leave the house. His dog spots said hat and chases off down the road after the boy, all the way to the tube station.

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‘Dogs must be carried’ says the sign at the turnstile and as luck would have it, a girl comes along and takes Dog down the escalator onto the platform.

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Dog then boards an underground train, makes the journey, is jostled by crowds, almost loses the hat and finally catches up with the boy and gives him the hat.
Kate Prendergast’s detailed drawings are beautifully executed in soft pencil, with just the red and white stripes of the boy’s hat and red and white details on his trainers standing out, giving a splash of colour on every spread and drawing the eye to the main characters. The pacing of the story is cleverly managed by the use of whole page, double spread, split page and comic strip images.

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A warm story about friendship and determination: wonderful for developing visual literacy.

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Quest

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Quest
Aaron Becker
Walker Books
At the end of Journey, Becker left his two child protagonists pedalling their tandem towards as we now see, their next adventure. Also wordless, Quest begins with the pair having left  the bike leaning against a wall, sheltering under a bridge from heavy rain.

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In the wall is a door through which a distraught-looking king bursts. He thrusts a strange map into their hands, one showing the hiding places of six magical crayons that the two children must find and so bring about the defeat of the enemies of his kingdom.

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Thus charged, the boy and girl (the latter wearing a bandolier from the king in which to store the crayons) set forth on their mission. Like Antony Brown’s Bear and Harold (of purple crayon fame) the children use their trusty red and purple crayons to draw themselves means of escape from danger. They travel to the depths of the sea

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and over land (I love that it is a rhino with a howdah and not an elephant that they draw to carry them overland) and water to a climatic rainbow-hued defeat of the evil forces of darkness

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culminating in a glowing, multi-coloured victory for the monarch and his kingdom.
All manner of architectural marvels are depicted in glorious watercolour and ink spreads that are packed with a multitude of amazing details. With a broader, richer colour-palette and greater emphasis on dramatic action and high adventure than its predecessor, this is again a stunning testament to the power of the imagination, art and pictorial story telling. Awesome.

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