Alone in the Forest
Bhajju Shyam, Gita Wolf and Andrea Anastasio
Tara Books
Gond tribal art has a distinctive style characterised by two dimensional patterned forms intricately detailed with dots, dashes and lines. According to The All India Artisans and Craftworkers website artists use colours extracted from natural materials: colored soil, charcoal, plant sap, rice paste, cow dung and leaves. Colours are used to convey emotions and character. Red is said to depict fear and green is associated with nature. Originally the paintings were done on the mud walls of houses.
Here, one Gond artist, Bhajju Shyam has used his talent to provide a powerful and striking visual interpretation of a story about a boy, Musa who ventures off alone into the forest to find firewood when his mother is sick. Wandering and humming to himself, he hears a loud noise and lets his imagination run riot.

As he hides in the hollow of a tree, Musa visualizes first one and then a whole herd of wild boars close by. After what feels like a very long time, Musa emerges from his hiding place to find that the source of the noise that gave rise to his escalating fear was in fact a friendly cow. The same animal leads him safely back to the village – albeit without any firewood but with a story to tell.
An unusual story that draws readers into what for Western audiences is largely, a completely unfamiliar world. It offers an opportunity to look at, discuss and perhaps try experimenting with this particular style of aboriginal art.
A beautifully designed book; recommended for primary school libraries and for anyone interested in art.
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Breaking the Spell
Lari Don illustrated by Cate James
Frances Lincoln Children’s Books
Lari Don is an accomplished storyteller so each of the ten stories in this collection is a pleasure to read aloud. She has included some traditional tales that are specific to Scotland and others such as Whuppity Stoorie, which are Scottish tales that have variants the world over. You can find witches, giants, monsters, royalty, warriors and more herein.
It’s impossible to pick a favourite; each one weaves its own enchantment. I particularly liked The Monster of Raasay wherein we are shown that true monsters are not always the ones billed as such.

Then of course, the teacher part of me found The Three Questions great fun. It was so good to see that horrible bully of a teacher get his just deserts and to learn why ‘nowadays all teachers are clever and kind and very good at riddles, and none of them ever shout. Do they?’
All the stories are quite short especially The Ring of Brodgar (though if you felt adventurous, its duration could be extended by some giant dancing, or rather stomping, thumping, jumping and yelling).
If you are familiar with the Lollipop and Grandpa picture books series you will recognize Cate James’ illustrative style. She layers ink drawing and textures digitally to create whimsical, witty illustrations and here they range from small vignettes to whole page pictures.
This would certainly make a very worthwhile addition to any family or primary school collection.
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Beauty and the Beast
Ursula Jones and Sarah Gibb
Orchard Books pbk.
Ursula Jones infuses her spirited retelling of the classic fairy tale with gentle humour: ‘The two older sisters were horrified by the countryside. It was full of plants! And not a clothes shop in sight!’ …
’boom! – in a split second the pretty clothes turned into silly knickers and the sisters had to cover themselves up in Beauty’s sheets.’ Here we seem to have up to the minute language in what looks like a regency setting.
Sarah Gibb’s delicately patterned illustrations are gorgeous. Her fine silhouettes remind me not a little of some of Jan Pienkowski’s work which in turn was influenced by Lotte Reiniger.
Altogether an interesting edition, well worth exploring. One to invest in.
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