Tag Daniel Gray-Barnett

Courage Out Loud

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Courage Out Loud
Joseph Coelho, illustrated by Daniel Gray-Barnett
Wide Eyed Editions

Following on from Poems Aloud and Smile Out Loud is this cracking new collaboration between children’s laureate Joseph Coelho and illustrator Daniel Gray-Barnett – 25 poems of power.

Joseph uses a variety of poetic forms and structures including sestinas, rondels, pantoums and limericks, to explore being brave and facing one’s fears whatever they are. Addressing the reader directly he introduces each poem with a few lines about the kind of poem it is and how it relates to an idea, emotion or feeling.

Some of them relate to Joseph’s own experiences. The opener, Diving is one such, telling how the poet felt when jumping from a high diving board for the very first time: inner courage was certainly needed then. I love the fairytale references he uses ‘The diving board is up there , / a beanstalk above me, / a Rapunzel tower height, / a giant’s hairline high.’ and the poem goes on to mention ‘witches in my fingers’, ‘the crunch of poisoned apples’ and ends thus: ‘we’ve got the magic beans, / we’ve stolen the golden egg, / we’ve just arrived at Grandma’s house.’

Have a Little Cry is an important reminder to readers how even a little cry can make us feel better for as the introduction and final line say, ‘there is courage in every tear’.

Courage is required too when speaking out in front of an audience, in this instance, it’s being asked to read your story to the entire class ‘The classroom is a swamp / mud oozing around my legs. / The only way is forward.’ Does that sound like something you’ve experienced? Will You Read? certainly resonates with me.

So does Rollercoasters wherein young Mabel is a very reluctant rider on the rollercoaster; unlike her though I’ve never managed to overcome my fear of pretty much any fairground ride. In such instances I always used my right and my power of Saying No, responding ‘ “no” I don’t feel like doing that thing / and that’s the end of that.’

As well as reading the poems, with a reminder of poetry’s power to communicate their feelings, Joseph encourages children to create some of their own using similar structures or styles, and then to perform them aloud. (tips are given for this.)
Assuredly youngsters will find lots to connect with in these poems, the mood of each being perfectly captured in Daniel Gray-Barnett’s accompanying inclusive illustrations. Our current children’s laureate has a mission to help children enjoy poetry and use it as a tool for their own creativity: Courage Out Loud will assuredly encourage that whether shared in the classroom or read at home.

Smile Out Loud / Marshmallow Clouds

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Smile Out Loud
Joseph Coelho and Daniel Gray-Barnett
Wide Eyed Editions

I’m sure that like me, many others have in the past couple of years of mandatory mask wearing in so many places, wondered how to show somebody that we are giving them a smile. Perhaps if I’d had a copy of Smile Out Loud then I could have performed one of Joseph’s 25 ‘happy poems’ poems in a shop or elsewhere. I wonder what the reaction would have been to The Dinosaur way of walking funny, which is to Pull your trousers up / as far as they will go, / stick your bottom out / and walk like a chicken / … But instead of clucking – / … let yourself roar! / Like a dinosaur, / … a roar dinosaur! Then there’s The Ballerina way that involves a turn, a spin, a leap followed by Plié! Plié! Petit / Jeté / flutter and glide / the day away.

I’m always plugging the power of the imagination so I really like Imagination Running Free where the instructions are to tell the audience for a read aloud of this poem to close their eyes and imagine the scenarios presented by Imagine your legs / are two conker trees! Imagination running free. // Imagine your knees / are stripy like bees! / Imagination running free. // Imagine you’re running with / toes wet / legs wooden / knees stripy! I love too how Daniel Gray-Barnett has clearly let his imagination run free for this accompanying illustration. 

There are poems to read and act out in a group, one or two to inspire readers to create poems of their own, a funny one that uses spoonerisms and lots more besides. Certainly you should find something to help cheer up not only yourself but those who hear the tongue-twisters, riddles and giggle inducers. So, get a copy for home or school and spread a little sunshine thanks to Joseph’s words and Daniel’s lively, inclusive illustrations.

Marshmallow Clouds
Ted Kooser and Connie Wanek, illustrated by Richard Jones
Walker Books

Subtitled ‘Poems Inspired by Nature’, this is a dreamlike, often pensive collection of thirty poems, each a beautiful word picture placed under one of four elemental section headings: Fire, Water, Air, Earth and all intended, as Kooser says in his afterword, to “encourage you to run with your own imagination, to enjoy what you come up with.”

Being a tree person I was immediately drawn to Trees, the final four lines of which are:
They don’t ask for much, a good rain now and then,
and what they like most are the sweet smells
of the others, and the warm touch of the light,
and to join the soft singing that goes on and on.
Beautiful words and equally beautiful art by Richard Jones, whose illustration here reminded me so much of one of the places where I pause to sit on my walk and look up at the surrounding understory.

Tadpole too is a poem I found great delight in reading, having recently watched a pool full /of swimming tadpoles, / the liveliest of all punctuation.

No matter where you open the book though, you will find something that’s a joy to read aloud again, and again; something thoughtful and thought-provoking, something likely to make you look at things around you differently. What more can one ask?

Poems Aloud

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Poems Aloud
Joseph Coelho, illustrated by Daniel Gray-Barnett
Wide Eyed Editions

Joseph Coelho is a performance poet so it’s no surprise that the nineteen poems in this book are first and foremost, intended to be read aloud or performed. Through so doing children can have lots of fun and discover the pure pleasure of spoken words.

There are poems for a range of moods and for each one, Joseph provides a helpful introductory line or so about reading it out loud.

There are some short playful alliterative Tongue Twisters to start with, including the sibilant The Slime Takeover that children will definitely delight in:
‘Slipping, shimmering, stinking slime, / sloppy cerise or shades of scarlet sublime. / It sticks and sucks and spits and spools, snaking slime slumping several school walls./ The slime swells and stretches, and starts to sprout, … ‘

They’ll also relish The Chilly Chilli with its homophones. Here’s the second verse telling how it feels since being ‘shipped to store’:
‘A little chilly chilli / feeling cold and in a knot. / Not a happy, chilly chilli. / In fact, this chilli feels quite ill / like it’s caught the flu. / It flew all this way / packed in a plane / to add heat to otherwise plain food.’
It sounds as though the poet had as much fun composing this as youngsters will when they read it, emphasising the bold words as he suggests.

As I write today the following are my favourites  (although they might well be different on another day): This Bear with its figurative language such as is used in the opening verse:
‘This lumbering bear is old / This lumbering bumbling bear / has shuffled over rugged imagined mountains. / Urged his bulk, slow and strong. / Slow as geography. / Strong as tree growth / through the forests of his mind.’
What a wonderful picture that paints in the reader’s mind even without the splendid illustration.

I love too the short Animals offerings that include Lion: ‘I am meat-licker, / bone-cruncher, / big–meower. / I cat walk with pride. / My mane is a hairdo of envy. / My roar is a rumble of mountains. / My claws, a savannah of pain.‘ Superb!

Next is the fantastically fanciful Something Wondrous, the first line of which urges:
‘Peer from your window in the deep of night.’ You might spy these, for its second verse goes thus:
‘A unicorn nibbles the gold leaf tree, / hobgoblins fist-fight in every flower. Mermaids flop from a luminescing sea. / Earth giants show-off their hidden powers.’ Joseph’s  power with poem creating is certainly not hidden and I really like the use of silhouettes in Daniel Grey-Barnett’s illustration.

The final one of today’s favourites conjures up a place whose sights, sounds and smells I’m familiar with. Even if you’ve never been On the Streets of New Delhi this poem will make readers feel that they’re experiencing the place. Here’s how it begins:
‘On the streets of New Delhi / a small brown dog yawns. / The morning light is golden / on the new streets of barking New Delhi.’
It concludes, thanks to the cumulative nature of the last line of each verse: ‘on the new streets of barking, selling, thrumming, chuckling New Delhi.’
Get hold of this cracking book to discover what causes the thrumming and chuckling referred to. Or you could cheat and look carefully at the action-capturing illustration  below;

but buy the book anyway – it’s a smasher!