Flights of Fancy

Flights of Fancy
Quentin Blake, Anne Fine, Michael Morpurgo, Jacqueline Wilson, Michael Rosen, Julia Donaldson, Anthony Browne, Malorie Blackman, Chris Riddell, Lauren Child
Walker Books

Now in paperback, here’s a truly special gem of an anthology subtitled ‘Let your imagination soar with top tips from ten Children’s Laureates’. It brings together the ten awesome authors and illustrators who have held the title (given in celebration of their outstanding achievements) and first awarded to Quentin Blake in 1999.

To open, Michael Morpurgo explains how the original idea of the role (each person holds it for two years), was first thought up by himself and Ted Hughes, the then Poet Laureate.

You might be especially interested in poetry, rhyme and wordplay, if so head first to the sections from Michael Rosen and Julia Donaldson. Michael in Poetry Belongs to Everyone talks about playing around with a word to create a poem. Julia Donaldson’s Plays to Read and to Write discusses one of her own plays that she based on the Aesop’s fable, The Hare and the Tortoise, offering a fun, lively 6-parter

If you’d rather be playful in the visual sense then Anthony Browne’s The Shape Game could be your starting point: having talked about how to play it, he showcases some examples from 3 other famous illustrators to whom he gave the same shape to play as the one of his own shown in the book. The potential with this one is endless. Probably that is the case with most of the chapters however.

In The Only Way to Travel, Quentin Blake writes with reference to  Dahl’s stories, about how when illustrating someone else’s texts it’s important to ‘put yourself inside their story’ and capture the atmosphere before diving in and drawing those fabulous illustrations of his.

More about how other fabulous illustrators approach their drawing and what provides their inspiration comes from Chris Riddell –

make sure you check out his brilliant cartoons of all ten Children’s Laureates in the final section – and Lauren Child.

How fantastic and moving is Michael Morpurgo’s Find Your Own Voice that tells children how to do so in ‘I Believe in Unicorns’.
I thoroughly enjoyed too, Malorie Blackman’s Taking a Word for a Walk using SEA as her example,

before she moves on to discussing from whose viewpoint a story is being told when one writes.

If you want to inspire children to let their imaginations soar, then you really, really must have a copy of this cracker of a book in your home or classroom; not only will it do just that, but it will also ignite or add fuel to a passion for reading, writing and illustrating. (BookTrust, which manages the Children’s Laureate gets 50p from every sale.)

The Cloud Horse Chronicles: Guardians of Magic

The Cloud Horse Chronicles: Guardians of Magic
Chris Riddell
Macmillan Children’s Books

I was thrilled to receive a copy of this, Chris Riddell’s first story in a new fantasy series.

The story is set in the kingdom of Thrynne, a place of ancient magic, the source of which is the Forever Tree hidden in the Great Wood.

‘For as long as anyone can remember, children of Thynne have looked at billowing clouds in the sky and wished on a cloud horse, always hoping … But no one has seen a cloud horse.’ That though is about to change …

We meet in turn three ordinary children each from a different town within the kingdom, into whose hands come three magical objects made with wood: to baker Zam Zephyr a runcible spoon;

to cellist Phoebe Limetree a talking cello;

to Bathsheba Greengrass a worpal sword with a carved wooden handle.

And thus it is that these unsuspecting children are destined to be the Guardians of Magic.

But anyone thought to wield the magic of Thrynne is in terrible danger especially from those who have their own reasons to keep that magic at bay: there’s chief rat King Tiberius-Tiberius who terrorises Sam’s home town Troutwine; the ruler of Phoebe’s home, Nightingale is a power-mad Clockmaker with an army of mechanical tin-men; while in Bathsheba’s tree-house town of Beam is Euphemia Goldencurls, a professional Princess who desires to keep alive the lucrative business of giant slaying.

Also cleverly woven into the story are fairy tale characters including a gingerbread man, the Pied Piper and the three bears.

The last section of the book brings together the three children who use their wits against the dastardly characters threatening the magical Forever Tree and the cloud horses that nestle in its branches.

If that’s not enough magic for you, there are also Chris’s awesome, instantly recognisable, detailed illustrations liberally scattered throughout the story, as well as a full colour fold-out guide to the giants of the Great Wood, aerial townscapes and cross-sections of buildings.

The result is an utterly compelling, enchanting and immersive book that you’ll find almost impossible to put down. I can’t wait for the next instalment.

Poems To Fall In Love with

Poems To Fall In Love With
chosen and illustrated by Chris Riddell
Macmillan Children’s Books

I’d already fallen in love with a good number of the poems Chris Riddell has included in this superb collection, but finding them here is still as much a joy as discovering the unfamiliar ones he’s chosen.

One of the latter in the first section Love and Friendship is Neil Gaiman’s Locks, inspired by the story of the Three Bears. It begins and ends, ‘We owe it to each other to tell stories.’ Powerful and very moving it was written by Gaiman for his then very young daughter.

Another new one to delight me was A.F.Harrold’s Postcards From The Hedgehog. The prickly writer is Simon and in his second card he writes this: ‘Dear Mum, / Lovely weather today. / I saw a really pretty girl. / Not sure how to approach her. / She makes me really shy / but just all warm inside. / I rolled up into a ball. / Wish you were here. / love Simon.‘

Two cards later we hear how Simon made his approach and what happened. It’s wonderfully droll and really made me laugh.

Another long time favourite of mine, Shakespeare’s Sonnet 116, is included in the section Let’s Stick Together; I think no collection of poems of love poetry is complete without this one that begins ‘Let me not to the marriage of true minds / Admit impediment. Love is not love / Which alters when it alteration finds, / Or bends with the remover to remove:’

This is followed by the less likely The Owl and the Pussy Cat that I’ve adored since my father first started reading to me from a collection of Lear’s nonsense verse even before I started school.

This is a wonderfully eclectic collection of old and new: you’ll find John Donne, Emily Bronte, Blake, Betjeman, Grace Nichols, Roger McGough, Carol Ann Duffy, Sylvia Plath, Derek Walcott, even the compiler himself .

Jan Dean’s Tomorrow when you will not wake left me with a huge lump in my throat; Christina Rossetti’s Remember, also in the final section, always has the same effect.

I could continue talking of the delights herein but instead will conclude by mentioning another of my all time favourites, E.E. Cummings’ i carry your heart with me that’s part of Valentine

(Wendy Cope’s poem of that name opens this section).

There’s passion, joy and heartbreak: you’ll shed tears of joy and tears of sadness and you cannot but be wowed by Riddell’s awesome black and white illustrations that make you see anew every single poem, however familiar.

Offering something for all moods, it’s a treasure of a book: I’ve certainly fallen for it.

Once Upon a Wild Wood

Once Upon a Wild Wood
Chris Riddell
Macmillan Children’s Books

Former Children’s Laureate, Chris Riddell has woven a wonderful fairy tale extravaganza if ever there was one.

Its main protagonist is Little Green Rain Cape whom we meet as she sets off through the woods heading for Tall Tower wherein Rapunzel is throwing a birthday party.

En route, Green meets and rejects the assistance of several well known fairytale characters including a wolf, a ‘kindly’ old lady, a ‘friendly’ troll, the Beast sans Beauty who has gone missing; a talking harp whose aid she comes to and in so doing happens upon the Three Bears.

All this walking however is hard on the feet so it’s fortunate that another encounter is with Thumbelina who gives her some ointment to salve their soreness; and eventually along with a host of others including a prince,

pigs and dwarves, she reaches the venue where they all gain admittance.

A great night is had by everyone

particularly Beauty and the Beast who are reunited at last; and the following morning Green continues on her way through the Wild Wood.

Most assuredly this is a book for everyone, although with his dramatic irony and witty lines – ‘ ”Princesses!” he exclaimed. “Did someone say princesses? Exhausting! Either falling asleep for a hundred years, losing their shoes or going out every night dancing. …” ‘, – Riddell does assume some prior knowledge on the readers part. Perhaps it’s a case of the more you know the more you’ll get from it.

A Kid in My Class

A Kid in My Class
Rachel Rooney illustrated by Chris Riddell
Otter-Barry Books

This is an absolutely smashing collaboration between prize-winning poet Rachel Rooney and former Children’s Laureate, illustrator Chris Riddell.

As the author says at the outset, readers will likely see elements of themselves in not just one, but several of the characters portrayed in her superb poems and Chris’s awesome artwork.
It’s pretty certain too that school-age youngsters will be able to say, ‘that person’ in any of these works ‘is just like so and so’. I recognise all of the members of Rachel’s learning community; I suspect I’ve taught each and every one of them, many times over. There are those who’ll drive you crazy, make you laugh, cry, leap for joy; but no matter what you’ll love them all.

There’s First; this pupil is always first to arrive in the playground; first on the register; first to put her hand up to answer a question; first to have that new item that becomes a craze. This young miss can be more than a tad annoying.

As a teacher I’ve always had a soft spot for a Daydreamer; one who’s head and mind are somewhere far away from classroom reality perhaps during circle times or when the register is called.

I could have been the model for A Girl; the bookish child with ‘a farway look. // Head in the clouds. Nose in a book.’
… ‘Views the world in black and white. … Thinks. //… has pale, thin skin. // Bones of a bird. Heart on a string.’ Still am pretty much, even now; that’s me.

Then there’s The Artist, the inveterate doodler who cannot resist adding the personal touch to the photos in newspapers, who fashions a tattoo ‘ a black and blue rose’ around a bruise, or adds creatures to crawl up the brickwork.

I could go on raving about each and every person that is part and parcel of this class; imbued with one of childhood’s most crucial features, a boundless imagination, they can all engage in flights of fancy, imagining him or herself as fighter of a grizzly bear and astronaut in training (Don’t Walk, Run!);

or ‘speedier than googling Wikipedia’ potential Thesaurus, Wordsmith; even the class pet hamster has the ability to see itself as  muscle exerciser, French learner, Kandinsky recogniser.

Recently it’s been reported in the news, that poetry doesn’t really have a place in classrooms nowadays. What utter rubbish. It’s a book such as this that will most definitely demonstrate the absurdity of such a statement. Share a couple of these poems with a class or group and I’ll guarantee they’ll be clamouring to get their hands on a copy.
Totally brilliant!

Board Book Beauties: I am Little Fish! / Wiggly Wiggly

I am Little Fish!
Lucy Cousins
Walker Books

I cannot imagine any little tot resisting Little Fish’s invitation to join him and play,  on the first page of this wigglesome, rhyming, finger puppet delight.

In addition to a whole lot of tail wiggling -at varying speeds – there’s bubble blowing,

as well as showing off his shimmying, twirling and whirling moves.

Then Little Fish introduces his fishy pals who’ve come to join him in a dipping down diving game of peek-a-boo.

And finally, up swims Mum for a spot of kissing.  Just perfect!

Wiggly Wiggly
Michael Rosen and Chris Riddell
Walker Books

Here’s a selection of the most join-in-able playful Rosen rhymes from the original A Great Big Cuddle, illustrated by Chris Riddell in super-energetic style.

It’s absolutely certain to get your little ones ‘Tippy-Tappy’ ing, ‘Boing! Boing’ing squash, squishing, ‘wiggly wiggly’ing, ‘buzz buzz buzz’-ing, ‘moo moo, moo’ing, ‘squawk squawk squawk’ing ‘splosh, splash, splosh’-ing, ( doesn’t Chris Riddell draw elephants awesomely,

not to mention finger walking, waving, talking, tiring, flattening, buttering, spreading and ‘bed’ding down.
There’s also plenty of munching and crunching as you lunch with a crocodile.

We meet sad-looking Mo being cuddled following a fall in a puddle and then it’s time for monkey business with half a dozen of the cheeky little animals.

After which, I have absolutely no doubt your toddler(s) will demand that you turn back and start all over again.

If this brilliant board book doesn’t give the vital ‘language is fun’ message to both children and adults, then ‘I never writ nor no (wo)man ever loved’ Apologies to the bard. No, not the author!

Testing Friendships – Fox & Chick: The Party and other stories / Rabbit and Hedgehog Treasury

Fox & Chick: The Party
Sergio Ruzzier
Chronicle Books

Let me introduce Chick and Fox. Fox is an equable character who enjoys reading, cooking and painting; Chick, in contrast, is totally irrepressible – a bit of a pain to say the least. Surprisingly these two are friends. They star in three comic style episodes aimed at those just taking off as readers.

The first story (which gives the book its title) is I think the funniest. Chick calls on Fox, gains entry asking to use the bathroom and then proceeds to throw a party for his pals therein.

In the second story, Good Soup, Chick gives Fox a hard time about his vegetarian predilection wondering why he eschews frogs, small furry creatures, grasshoppers and er, little birds as ingredients for his soup.

Finally, Sit Still focuses on Chick’s total inability to do just that , leaping up every few minutes for a cushion, food and a drink while Fox endeavours to paint his portrait.

How long-suffering Fox puts up with Chick is anybody’s guess: – shades of Lobel’s Frog and Toad here – but their interactions are highly amusing, the text very readable and the illustrations rendered in pen, ink and watercolour are wonderfully expressive and enormously engaging.

Rabbit and Hedgehog Treasury
Paul Stewart & Chris Riddell
Andersen Press

I’ve been a huge admirer of Stewart and Riddell’s Rabbit and Hedgehog since A Little Bit of Winter (one of the four tales included here) was published about twenty years ago. If you’ve not met these two enchanting characters then this book of four stories is a great opportunity to get to know these two and the challenging nature of their friendship: one is awake all day and the other all night.

In the first neither of the best friends knows the date of his own birthday let alone each other’s. To be on the safe side they decide to celebrate the very next day and each goes about finding a very special gift to give the other.

Rabbit’s Wish is the second story but when he wishes that hedgehog will stay awake so they can spend a whole day together, the outcome is not quite what was anticipated.

In the third episode a remembering game tests the friendship between the two protagonists but an accident serves to remind them of the strength of their bond.

The final A Little Bit of Winter sees the friends facing another challenge. As Hedgehog prepares to hibernate he carves a message on the bark of an oak tree asking the somewhat forgetful Rabbit to save him a little bit of winter so he can find out what the season he’ll sleep through is really like.

Despite the chilly nature of the season, it’s a truly heart-warming story and like the others, beautifully and sensitively illustrated.