What You Need To Be Warm

In 2019 Neil Gaiman author and UNHCR Goodwill Ambassador, asked his Twitter followers, ‘What reminds you of warmth?’ He received thousands of replies and from these he composed a freeform poem in aid of UNHCR’s 2019 winter appeal.

The images Gaiman gathered signifying warmth range from clutching a baked potato

to ‘The tink tink tink of / iron radiators /waking in an old house. / To surface from dreams in a bed , / burrowed beneath blankets / and comforters,’ …to ‘the wood burning / in the stove’ .
There is hope though for the poem concludes thus, ‘You have the right / to be here.’
Thirteen artists: Yuliya Gwilym, Nadine Kaadan, Pam Smy, Daniel Egnéus, Beth Suzanna, Marie-Alice Harel, Petr Horáček, Chris Riddell, Bagram Ibatoulline, Benji Davies, Majid Adin,

and Richard Jones each provided an original illustration. Twelve illustrators offered comments printed at the back of the book. Oliver Jeffers created the stirring cover art and this important, compelling book is the result.

A wonderfully warm glow emanates from his cover images: would that such warmth be offered to all refugees and other people displaced of necessity around the world. With both the on-going conflict in Ukraine and now that in Israel and Gaza, its humanitarian message is even more urgent today than it was four years back when the tweet went out.

A donation of £1.55 from each sale of the book in the UK and at least 40p from sales in other territories will be donated to the UN Refugee Agency.

Sea Glass Summer

Sea Glass Summer
Michelle Houts and Bagram Ibatoulline
Walker Books

‘Some years ago a boy named Thomas spent the summer at his grandmother’s island cottage.’ So begins a beautiful story set in Maine some time in the last century.

Early in his stay his grandmother gives the boy a magnifying glass that had belonged to his grandfather and Thomas uses this as he explores the rocky beach one morning.

When he shows Grandmother a piece of glass he’s discovered she tells him that “ … your grandfather used to say that each piece of sea glass has a story all of its own.”

That night Thomas places the sea glass beside his bed and dreams of a shipyard long ago. The routine continues with the boy discovering bits and pieces of glass each morning and dreaming each night. (The dream stories are depicted in greyscale serving both to separate them from the present events and to bring history alive again).

In contrast, Bagram Ibatoulline’s superbly moving, equally realistic, watercolour scenes show the sometimes glowing, sometimes shadowy shore whereon Thomas, aided by the magnifying glass, makes his discoveries of mysterious magical ocean gifts and lets his imagination soar.

All too soon the holiday ends: Thomas gathers together his treasures and boards a boat back to the mainland. However, a sudden lurch causes him to drop his magnifying glass and some of the pieces fall overboard.

The story then moves to recent times: a girl named Annie walks on the beach collecting treasures and comes upon a piece of sea glass. She shows it to her Papa Tom; you can anticipate what she’s told … The tale concludes having come full circle …

Michelle Houts’ lovely story of journeys, connections, possibilities and the power of the imagination has much to appeal to older picture book readers and is full of possibilities for exploring in a KS2 classroom.

(A final author’s note explains why there is much less sea glass nowadays: a big plus for the environment but children will have to find other treasures on the seashore to fuel their imaginations.)