Flyntlock Bones: The Sceptre of the Pharaohs
Derek Keilty and Mark Elvins
Here’s a piratical tale with a difference – the first of a proposed trilogy.
When young Flynn applies for the role of cabin boy having been kicked out of Baskervile orphanage by its matron, he discovers the crew of the Black Hound are pirates. Not your usual kind of pirates though; oh no me-‘arties, aboard this ship are, so he’s told by its captain ‘the cleverest pirate investigators ya ever set eyes upon’.
After securing a week’s trial aboard Black Hound the lad is taken under the wing of young Red. She has already served a year on the ship so knows the ropes pretty well. Flynn has a lot to learn including that the poop deck isn’t what he thinks.
Almost immediately Captain Watkins calls a meeting and informs the crew of the note he’s just received from a Miss Kristina Wrinkly, curator of the Gypshun Museum on the ancient Isle of Tut, requesting his help.
The museum has been broken into and priceless ancient artefacts including the Sceptre of the Pharaohs stolen.
Excitement starts to bubble within young Flynn but it’s quickly squashed by the bullying Drudger; but is he something much worse than a disgruntled bully?
The following morning Flynn is awoken by Red informing him that they’ve reached the Isle of Tut and are about to drop anchor.
Then, it’s a case of in at the deep end when some of the crew including both Flynn and Drudger are instructed to head to the museum.
The visit is brief but Flynn discovers a useful lead,
and the Black Hound is just heading off again searching for more clues when into view sails another ship. It belongs to ‘the cunningest, evilest pirate that ever sailed the seven seas – Captain Jim-Lad Morihearty’. Uh-oh!
Toss into Keilty’s brew an ancient prophecy, poisonous snakes, an amulet said to contain dark magic, wailing mummies and a traitor and what you have is an entertaining swashbuckling adventure, with some memorable characters, plenty of playful language, and at almost every turn of the page, a terrific, finely detailed, etching-like illustration by Mark Elvins
to add to the dramatic impact.