With Giving in Mind

Little Hazelnut
Anne-Florence Lemasson and Dominique Ehrhard
Old Barn Books

What a simply gorgeous presentation is this tale of a hazelnut dropped by squirrel …

and buried by a heavy snowfall.
Other woodland animals, furred and feathered, come and go but the nut remains undiscovered.
In the spring, a little tree shoot emerges – literally – and a sapling begins to develop: a little nut tree, no less.

Readers are taken on a journey through the changing seasons in this wonderfully crafted pop-up story. The limited colour palette and occasional patterned backgrounds are most effective and the paper-engineering superb.
A book to share, to treasure and to give.

Greatest Magical Stories
Chosen by Michael Morpurgo
Oxford University Press

Michael Morpurgo has selected a dozen magical tales from different parts of the world for this collection, the final one of which, Jack and the Beanstalk is his own retelling. This first person telling from Jack Spriggins aka ‘Poor Boy Jack’ is especially engaging for young listeners. Morpurgo also provides an introduction as well as an introductory paragraph to each story.
Ten illustrators have been used with Victoria Assanelli and Bee Willey having two tales each. Most arresting as far as I’m concerned are Ian Beck’s wonderful silhouettes for Adèle Geras’ rendition of The Pied Piper.

From Japan comes Yoshi the Stonecutter, retold by Becca Heddle and beautifully illustrated by Meg Hunt, the only non-European offering.
Cinderella, Sleeping Beauty and Jack and the Beanstalk are ‘almost part of our DNA’ says Morpurgo in his introduction: they are universal.
Perhaps not a first collection but this read aloud volume is certainly one worth adding to a family bookshelf or primary classroom collection.
Not included in the above but certainly magical is:

Beauty and the Beast
illustrated by Dinara Mirtalipova
Templar Publishing

To satisfy his youngest daughter’s wish, a merchant steals a rose from the garden of a hideous-looking beast and Beauty, to save her father’s life, goes in his place to the Beast’s palace, falls in love with him and well, you know the rest.
The classic fairy tale is retold in a truly beautiful rendition – a feat of paper-engineering and lavish, cut out illustrations by self-taught illustrator Dinara Mirtalipova.

She has created six multi-layered scenes by using three layers of paper cut to look 3D, so that each spread simply springs into life when the page is turned.
Magical!
I really had to exercise my powers of persuasion to get one listener to part with my copy after we’d shared it.

A Child’s Garden of Verses
Robert Louis Stevenson, illustrated by Michael Foreman
Otter-Barry Books

I clearly remember my father reading Robert Louis Stevenson poems from A Child’s Garden of Verses on many occasions; most notably Rain. The Swing, From a Railway Carriage, Autumn Fires, Where Go the Boats? and my very favourite, Windy Nights (which I still know by heart).
Here’s a beautiful book of those same poems that were first published in 1885, and a century later illustrated by Michael Foreman, beautifully packaged with a foreword by Alexander McCall Smith for a new generation of listeners and readers.
For me Foreman is the perfect illustrator for the poems, his watercolours imbuing them with a sense of timelessness and innocence. One for the family bookshelf.

Space Adventure Activity Book
illustrated by Jen Alliston
Button Books

There’s plenty to engage young children during the long winter evenings in this space-themed activity book. There are things to count, to colour and to make; plenty of puzzles, wordsearches and more, plus 4 pages of stickers. All you need are pens, pencils, scissors, a paper plate or so, a couple of sponges and 2 rubber bands (to convert your shoes to moon boots) and some basic ingredients for the Stellar Cakes (plus the help of an adult).
With 60 pages of spacey fun, this should help fill a fair few hours of darkness.

Little Red

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Little Red
Bethan Woollvin
Two Hoots
Ever since seeing the publisher’s press notices about this one last year I’ve been eagerly awaiting its arrival and boy was it worth the wait. That wolf is a wolf to beat all wolves,

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but not Little Red Riding Hood: wait I’m getting ahead of myself here. First off, let’s meet, clad as one would expect, the young miss, as she’s about to set off in the usual way through the woods to visit her poorly Grandma.

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Pretty soon, she’s accosted by this nosy creature demanding to know where she’s going; but is she bothered by the fearsome beast? No way! She replies politely and proceeds on her journey leaving wolfie behind with a plan in his tricky mind …

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Behind initially, but the cunning beast knows a shortcut so he hot foots it to Grandma’s making short work of her before Little Red arrives, donning her night attire and adopting what he hopes is a suitably Grandmotherly pose in her bed. ‘Which might have scared some little girls. But not this little girl.’
There’s no fooling our young heroine though; she immediately sees through his disguise and she too makes a plan. Then, playing along with all the usual “Oh Grandma! What big ears you have” etc. chat,

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and armed with a certain sharp implement she just happens to have picked up along the way, she calmly executes her own plan and off she goes back home to mum.

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I simply love the way the young heroine grabs hold of the story and subverts it to her own ends in Bethan Woollvin’s stonkingly brilliant debut picture book. The comic timing is spot on in this black comedy recreation of the nursery favourite making it one that will appeal to anyone familiar with the traditional story. Those arresting visuals will remain in the mind long, long after the book has been closed. Bethan’s narrative voice is pitch perfect and her title choice perfectly summarises her judicious use of colour in this otherwise black and white delight. Little Red will, I suspect, be much read.

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The Dinner That Cooked Itself and A Runaway Snack

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The Dinner that Cooked Itself
J.C.Hsyu and Kenard Pak
Flying Eye Books
This elegant retelling of a Chinese folktale (no source is given) centres on Tuan, a hardworking young man orphaned as a child and brought up by  kindly neighbours. When he comes of age, the couple seeks the services of a matchmaker for Tuan. The first suggestion has an unsuitable animal symbol, the second has a clashing elemental sign, the third seems promising but her parents reject Tuan for being too poor.
A lonely Tuan continues working hard and one evening when out picking cabbages he comes upon a large snail. The kindly young man sees this as a sign of good fortune and takes it home to care for. Indeed his luck does then take a turn for the better. The next night and for several thereafter, he returns home from work to discover a delicious meal awaiting him on the table.
Curious as to who is doing him such kindness Tuan resolves to discover the identity of the cook. Coming home earlier the next evening, he sees something most curious: from the snail’s jar emerges a beautiful woman ‘in long silk robes that flowed like water’. She tells Tuan that she’s a fairy sent by the Lord of Heaven to care for him until he marries and to whom she must now return as she cannot be seen in her true form by a mortal.
However, she leaves behind her shell and that never runs out of rice, so Tuan always has food. He does eventually find a wife and the couple live happily together in true folktale fashion.
Pak chooses a palette of muted, predominantly earthy tones

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to create the mixed-media illustrations for this unusual story, which is told in an appropriately direct manner as befits a traditional tale. Interestingly he gives all characters an angular jaw structure,

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which reminds me of the calligraphic strokes shown on the final double spread and this makes them stand out in stark contrast to the fluidity of elements portrayed in some of the scenes.

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Keep Running, Gingerbread Man
Steve Smallman and Neil Price
QED Publishing
Billed as a story about keeping active, this version has the Gingerbread Man running away from his makers, the little old man and woman, (good to hear they were both involved) dashing from the clutches of various animals as he chants his well known ‘Run, run as fast as you can … “ refrain until he encounters a fox. This vulpine character is a keep-fit enthusiast, which enables him to keep up with the escapee

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and of course he is more than happy to give the little fellow a lift across the river. The tricky hitchhiker however, manages to make his escape (this time) leaving his breathless pursuers participating in a keep-fit class, led, of course, by that fitness-fanatic fox.
This is a fun twist on the tale vividly and amusingly illustrated by Neil Price. The healthy lifestyle message is clearly evident visually and verbally within the narrative so why the need for the ‘Next Steps’ page at the back of the book. Wearing my teacher’s hat I found the suggestions unnecessary and condescending. Undoubtedly though, the book would be a good starting point for discussions about watching one’s weight and keeping physically fit; I’m all for stories across the curriculum.

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