The Puppets of Spelhorst
Kate DiCamillo, illustrated by Julie Morstad
Walker Books

This story has three acts. It begins with a lonely old sea captain, Spelhorst by name. One day when walking in the city, he comes upon a toy shop. Hanging on display in the window are five puppets: there’s a king, a wolf, a girl, a boy and an owl. Immediately the man is drawn to the girl puppet for it reminds him very much of someone he loved and lost long ago. The shopkeeper however, refuses to sell him just one puppet: they’re in a story and must be bought together he insists and so Spelhorst takes them all. That night, thinking sadly of his lost love, he writes for a long time, folds the letter and tosses it in the trunk with the puppets. He then dies in his sleep.

The trunk containing the puppets is sold to a musical rag and bone man, who sells it to a young man and it eventually ends up in the home of his two nieces, Emma and Martha. Emma, the elder of the sisters ranges them on the mantlepiece and later starts writing a play about them. Meanwhile significant misadventures happen to each of the puppets: two of the wolf’s teeth are wrenched out by Martha; later the maid flings the puppet out the window and she’s taken by a fox running to its den in the woods (running through the woods fulfils her greatest wish).The boy that longs to ‘do a great deed’ is seized by a hawk and dropped in the branches of a tree …

Tension mounts as we join the puppets in wondering if they will ever be together again. Eventually they are reunited and Emma’s play is performed. “We did something wondrous, important,” says the boy afterwards.

Wondrous and wonderful too, is this hauntingly illustrated novella of desires, belonging and identity that demonstrates the power of stories and their role in living one’s life and fulfilling one’s dreams.
The author’s ending elegantly puts all the pieces together, and I found myself reaching for tissues.