The Magic Callaloo

Inspired by stories of enslaved Africans who made patterns in their cornrowed hair, using them as maps to help them escape to freedom, Trish Cooke’s neo-folktale has its origins in Rapunzel, made popular by the brothers Grimm

It begins in a small village, long ago and far off where there grows a magical callaloo plant that would grant the wish of any villager who ate one of its leaves. Thus all the villagers had everything they needed; but one of those living in the village was selfish and greedy. One night this greedy man creeps into he square, uproots the plant and makes a wish: to have the plant for himself. He then proceeds to eat more and more leaves, making wishes for more and more things until he had so much he could barely move. His laziness of course, has an adverse effect on the callaloo: it shrinks until just one leaf remains.

Back in the village, a couple hoping desperately for a child, are greatly distressed at the disappearance of the plant as their hope was that it could provide them with their dearest wish. Then one evening a wise woman tells them where the last leaf is and with renewed hope they begin to search, eventually locating the plant. The Missis eats the final leaf and both she and Mister wish for a child. Before long, to their joy, a baby is born and they call her Lou.

The girl grows into a kind, beautiful curly-haired girl and her parents tell her the story of the magic leaf. Lou makes up a magic callaloo song but her singing bothers her father in case someone overhears its words. Sure enough, the plant thief happens to pass through: he hears her song and snatches her away to his home where he keeps her prisoner, making her do all his work.

Both Lou and her parents grow ever more miserable, missing each other all the time, till years later who should come along again but the wise woman. Lou tells her of the cause of her sadness and the woman formulates a clever plan using the girl’s tresses which she twists into plaited patterns, quietly telling Lou, “Your hair will lead you home.”

However something else also returns with her.

With themes of longing, captivity and escape, Trish Cooke’s wonderfully woven tale is impressively embroidered with Sophie Bass’s art, which includes a wealth of flora and fauna in kaleidoscopic colours making every turn of the page a visual feast. This longish story will enchant readers across a wide age range.

John Agard’s Windrush Child

John Agard’s Windrush Child
John Agard and Sophie Bass
Walker Books

With a final embrace from his Gran, Windrush child waves farewell to his Caribbean home, and with his parents, boards a ship to sail across the ocean to Britain and a new life. As the blue waters roll past, the boy’s parents remember ‘story time yard and mango mornings’ as they anticipate fresh beginnings in the hope that everything will turn out all right. 

The child recalls his grandmother’s parting entreaty to remember to write as she bestows that last fond hug.

On dry land at last, as the family walk away from the ship, they feel unsure on their feet. Then once ensconced in a new home, Windrush child keeps his word, telling his grandmother in a letter about ‘stepping into history, bringing your Caribbean eye to another horizon’ her words but now winging their way back.

Meanwhile the new arrivals have much to learn about this place where so much is different and where so many challenges await. For as poet John Agard writes in his author’s note, those from the Empire Windrush and many other ships brought with them ‘Caribbean culture’ that ‘had such a powerful and positive impact on British culture’ making Britain a much better place because of them.

The author’s hugely moving, lyrical and haunting evocation of the journey families of the Windrush generation made is rendered all the more powerful by Sophie Bass’ vibrant illustrations – a vibrancy that truly reflects the richness of the contribution made by those who came.

An important book that needs to be shared as widely as possible in homes and primary schools.