My Magnificent Jelly Bean Tree / Ollie’s Treasure

My Magnificent Jelly Bean Tree
Maura Finn and Aura Parker
New Frontier Publishing
Get ready for a spot of taste bud tingling when you read this enchanting tale.
It’s told by a young boy narrator who ponders the mouth-watering possibilities of planting and nurturing a single jelly bean till it grows into a fine fruit-bearing tree. Not possible say some, but this lad knows better.

Such care does he lavish on his tiny bean that not only does he have a ‘slurping, dribbly goo’ inducing crop of plump juicy beans, but the tree is sufficiently strong to bear the weight of a tree house built in its branches; one with a twisty twirling slide for rapid descent.

All kinds of creatures, both feathered and furry, will naturally be attracted to the fruits of his labours, but the lad can deal with those and then crown himself jelly Bean King: a sovereign who can dance naked in the rain,

shampoo himself with bean juice and even find time to invite family members to come and visit.
Having the imagination to entertain possibilities, a strong determination to succeed and a caring nature are the requirements for making the bean dream come true: so it is with one small child.
Those are some of the dispositions we need to foster in all children. This mouth-watering debut picture book from Finn and Parker can help spark that imagination. Rhyming text and whimsical, patterned illustrations together weave a lovely read aloud.

Ollie’s Treasure
Lynn Jenkins and Kirrili Lonergan
EKBooks
Young Ollie loves treasure hunts, something his grandma is well aware of, so she sends him a map. Thrilled to bits, Ollie embarks on discovering what the treasure might be. He follows each of the instructions ‘… Skip to the tree with the biggest green leaves … wriggle your toes and feel the grass under your feet … ‘ and so on.

When he reaches the end of the trail he’s more than a little disappointed to discover not the truck or the game he’d eagerly anticipated but a piece of card.

He tosses the card away but as it falls he sees the side he’d not bothered to read. It reminds him of his senses and ends by asking ‘How did you feel?’
Only then does Ollie stop to reflect on the sensory delights of the rose’s fragrance, the tickliness of the grass and more; and in so doing, realises that within himself is the capacity for happiness.
Wise gran: she’s enabled her grandson to begin to appreciate that there’s more to life than material rewards.
Essentially this is mindfulness for young children, the book’s author Lynn Jenkins, being a clinical psychologist. Illustrator Kirrili Lonergan characterises Ollie – a young mouse – as full of energy and thoroughly enjoying his engagement with the natural world. Yes, with its focus on attention, attitude and gratitude, it is a touch didactic but as part of a programme for young children’s mental health and well-being, it offers a good starting point for reflection and discussion.

I’ve signed the charter  

Cinnamon

Cinnamon
Neil Gaiman and Divya Srinivasan
Bloomsbury Children’s Books
Prepare to be transported to another time and a faraway place in this beautiful picture book fable.
Cinnamon is a princess with pearls for eyes, which make her very beautiful, but also, blind. ‘Her world was the colour of pearls: pale white and pink, and softly glowing.’ For some reason, Cinnamon does not speak. Her parents, the Rajah and Rani offer magnificent rewards for anyone who is able to get their daughter to talk. Many come and many go but none succeeds until a talking tiger appears – ‘huge and fierce, a nightmare in black and orange, and he moved like a god through the world, which is how tigers move.
Despite their initial reluctance, Cinnamon’s parents give him leave to remain with their daughter, alone. One by one, the magnificent beast awakens in the princess, the emotions of pain (with his claw),

fear (with his roar), and love (with his tongue).
He also talks to the girl about the riches of the world he inhabits with its chattering monkeys, ‘the smell of the dawn and the taste of the moonlight and the noise a lakeful of flamingos makes when it takes to the air’.
All of this can be hers too, but only if she uses words to describe it; and describe it she does.

And thus she sets herself free.
With touches of surrealism, humour and occasional frissons of fear, Gaiman’s tale wields its power in a ‘just-so’ manner leaving Divya Srinivasan plenty of space to fill her matt spreads with rich details of the tropical flora and fauna, and the Mogul palace and its inhabitants.
First written over ten years ago but only available in audio form or from the author’s website, it’s wonderful to see this magical tale now available in book form. Yes, it is a tale of ‘a long time ago’ but some of Srinivasan’s scenes took me to the ancient palaces of a Rajasthan that still exists in parts to this day.

I’ve signed the charter  

Rain

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Rain
Manya Stojic
Pavilion Books
I’m delighted to see this in print again: it was (along with Bringing the Rain to Kapiti Plain) a big favourite with a reception class I was teaching at the time it was first published and became the inspiration for a huge wall display.
It was hot. Everything was hot and dry.’ Thus begins this scorcher of a book – no actually it begins on the front cover with baboon’s arm waving, Thereafter, Porcupine sniffs the air and smells the coming rain. He then passes the good news on to the zebras – they see it …

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and transmit the news to the baboons: they hear it and go to tell the rhino. Down comes the first raindrop – splash! And rhino feels it.

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Lion, last to receive the news has a truly multi-sensory experience: he smells it; he sees it; he hears it; he feels and … he tastes it. Ahhh bliss! A torrent ensues filling every water hole, cleansing and refreshing the land and, when it eventually ceases, the animals are there to enjoy the bounties it leaves behind: big shady green leaves, cool soft squelchy mud to lie in; fresh juicy fruits to eat;

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cool refreshing water to drink in the waterhole and the promise of further rain to come…
Everything about this uplifting book is admirable: the scene setting cover; the way tension mounts towards the dramatic climactic downpour then eases down as the animals relish what it leaves in its wake; the seamless integration of pictures and words; the way the carefully chosen words (a delight to read aloud) and painterly illustrations (they really transport you to the African savannah setting) play an equal part. Then there’s the repetition, the print presentation; the circularity of the whole thing …
This was a great debut picture book for Manya Stojic: I hope we see more of her solo books (re)published here in the UK.

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