Tag sculpture

Square

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Square
Mac Barnett and Jon Klassen
Walker Books

In a previous book we left Square obstructing the entrance to Triangle’s home and now he’s back moving in and out of his own secret abode hauling large rock cubes from his subterranean stash all the way up to the top of a hill. This he regards as his ‘work’.

One day while he’s thus engaged along comes Circle pronouncing him a “genius” and “sculptor”. Thinking his block sculpture to be a self-portrait, she commissions one of her, promising to return the following day. Now Square really does have a tricky undertaking: Circle is perfect.

Anxiously he sets to work but as the rain falls, Square’s far from perfect shape begins to disintegrate and come nightfall he’s surrounded by a circular pile of rubble into which the rain falls.

By now his anxiety is almost palpable and having determined to stay up all night, overwhelmed by despair, he falls fast asleep.

Morning comes and with it the realisation that he’s allowed himself to be beguiled by Circle’s talk of genius. There he stands in a large puddle surrounded by a circle of rubble.

Eager to set eyes on her portrait, Circle rolls along early and sees her reflection in the puddle.

Declaring it “perfect” she reaffirms Square’s genius and departs.

Barnett’s final throwaway ‘But was he really?’ leaves readers, and indeed Square, to ponder and make their own decisions, not the least of which are, what does it mean to be an artist? And, what is art?

With his characteristic minimalism Klassen imbues his art with humorous detail: the twig for instance that looks like a wilted aerial on Square’s head, and the way he just keels over in utter exhaustion, are superb.

Barnett’s brief, droll text, combined with Klassen’s illustrations make this a perfect offering for those who enjoy pondering upon and discussing philosophical questions. Community of Enquiry enthusiasts and artists in particular will love this, as indeed will anyone who enjoys the subtlety of this duo’s picture books.

Cloth Lullaby

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Cloth Lullaby
Amy Novesky and Isabelle Arsenault
Abrams Books for Young Readers
Subtitled ‘The Woven Life of Louise Bourgeois’, this poetic book give details of the life of the world famous artist, best known for her sculptures. Louise spent the early part of her life living beside a river in a big family house. Her family were tapestry restorers and when she was just twelve, Louise began to learn the trade.

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Her mother taught her about form, colour and the various styles of textiles. As she learned about the warp and the weft, about the tools of the trade and how to dye, the relationship between mother and daughter became increasingly intense, ‘ … patient, soothing … subtle, indispensible … and as useful as an araignée (spider) while that with her father (not a weaver but a buyer of cloth) was more dramatic. She once threw herself into a river, so angry was she at her father’s frequent departures on buying trips.
When Louise’s mother died, deeply affected she abandoned her mathematical studies at university and turned to art. ‘She drew, she painted, she wove, She missed her mother so much, she sculpted giant spiders made of bronze, steel and marble she named maman.’

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Then later she began focusing on fabrics – the fabric of her life -, sewing, stitching, weaving and sculpting smaller, more delicate spiders …

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and other objects in particular cloth books and a cloth lullaby.
Louise Bourgeois worked in bronze, steel, wood, stone and cast rubber and in textiles. Her life story here is rendered in ink, pastel, pencil, watercolour and photoshop by Isabelle Arsenhault whose wonderful mixed media collages, predominantly in shades of red and blue, feature spiders, web designs, water and textiles, music even. These powerfully evoke the rivers and threads that were a constant running through her life, and are a superb demonstration of how we all weave memories into our own lives in one way or another.
It’s difficult to know who would most enjoy this book, adults interested in the artist and her work, those generally interested in shape and form and creativity, or younger readers coming upon this poetic homage to Louise Bourgeois either as part of a topic or simply being attracted to it by the wonderful cover.

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