Tag Pam Smy

Lockett & Wilde’s Dreadfully Haunting Mysteries: The Ghosts of the Manor

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Lockett & Wilde’s Dreadfully Haunting Mysteries: The Ghosts of the Manor
Lucy Strange and Pam Smy
Walker Books

Matilda Lockett acts as assistant to spirit medium Signora Valentina (in reality her Aunt Evelyn) and Uncle Barnabus (close friend of her aunt).Really no ghosts appear at her aunt’s seances but she manages to convince those who attend that ghosts are actually reaching out from beyond the grave.
When Matilda isn’t pretending to be Edna at the seances she enjoys trying to solve mysteries.
Then one night Matilda thinks perhaps she did actually see something (or someone) during the act: a ghost perhaps? After the show, a woman bursts into their dressing room, introduces herself as Baroness Rosa Beachamp, announces that her home Beauchamp Manor is haunted and that she needs ‘Signora Valentina’s help urgently. Can her aunt pull off a real exorcism, Matilda wonders: apparently the baroness has offered a tidy sum in payment.

When the three arrive, the baroness introduces them to Mr Symmonds who is there to catalogue a collection of paintings in the folly (supposedly the National Gallery are interested in them) asking that they don’t disturb his work. He plays a violin (terribly) to keep ghosts at bay.
There follows a lot of snooping on Matilda’s part, assisted by a ghost boy, Edgar with whom she forms a bond. But what is Mr Symmonds really up to? A mystery needs solving.

There’s a treasure supposedly hidden somewhere. During their stay Matilda sees and hears things that make her worry about her future. How will this all end?

This suspenseful, often humorous tale, with Pam Smy’s atmospheric illustrations, has eeriness aplenty but it’s also about working together, trust, love and the importance of friendship. Just right to curl up with as the nights draw in.

Ettie and the Midnight Pool

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Ettie and the Midnight Pool
Julia Green, illustrated by Pam Smy
David Fickling Books

Eleven year old Ettie is living a peaceful life with only her grandma for company. They grow their own food, sell anything they don’t need and the girl spends much of her time listening to stories, reading, sketching, and roaming the beautiful countryside surrounding High Fell House, their home. Ettie’s mother, a doctor, left to go travelling but war, sickness and grounded planes have prevented her from returning or even sending letters. This leaves a deep sadness residing within the girl.

One afternoon while exploring the woods, Ettie spies a girl who seems to be walking with a fox. Enter the mysterious Cora: Ettie finds herself drawn to the stranger and follows her. Grandma is horrified when that evening, Ettie tells her she’s come across the disused quarry, a place that lingers in her mind long into the night, leaving her determined to return the following morning.

When she does so, Ettie discovers Cora is lying hurt in one of the old slate mine tunnels. She just has to help her but without letting Grandma know. A friendship begins to develop: Cora teaches Ettie how to dive into freezing water. Another late return upsets her grandma but Ettie is resolved to keep her adventuring a secret. Grandma however is becoming more and more worried about her grandaughter’s protracted absences and her change of attitude towards their restrained life together, asking lots of questions and even giving her an old watch. Ettie in turn is convinced something secret is being kept from her too.

While Ettie is strongly attracted to Cora’s wild existence, readers have a mounting sense of unease. Maybe Cora can lead Ettie to discover the truth about the secret; on the other hand she could be leading her towards tragedy. Tension mounts to a dramatic climax – a life or death situation – after which Ettie has to face a difficult decision: who is she and what does she want? Cora’s identity remains a mystery though the author’s interweaving of myths provides clues and Grandma eventually shares her tragic tale about the pool and goes on to agree that Ettie should live her own best life, darkness and all.

Enhanced by Pam Smy’s powerfully evocative illustrations, Julia Green’s wonderful descriptions of the countryside, in combination with intrigue and nail-biting moments, make this a mesmerising story that lingers in your mind long after you’ve set the book aside.

Here’s what Emmanuelle (11) an avid reader, had to say about the book:
Julia Green’s new book is thrilling and full of secrecy. Ettie lives in the countryside with her grandma. One day, whilst out in the forest, she sees another girl and follows her to a hidden quarry pool. She soon makes friends with the girl, whose name is Cora. But Ettie notices that she never gives answers to any of her questions about where she came from. Ettie is in awe of the stunning pool but soon discovers that it holds deep and dangerous secrets; so too does Cora.
This book is perfect for readers who enjoy adventure, family stories and mystery. It has you hooked right from the beginning and keeps you turning the pages right through to the end. The story builds to the biggest scenes where Ettie finally swims in the quarry pool and learns a massive secret. This reader was left wanting to know more.


What You Need To Be Warm

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What You Need To Be Warm
Neil Gaiman
Bloomsbury Children’s Books

In 2019 Neil Gaiman author and UNHCR Goodwill Ambassador, asked his Twitter followers, ‘What reminds you of warmth?’ He received thousands of replies and from these he composed a freeform poem in aid of UNHCR’s 2019 winter appeal.

The images Gaiman gathered signifying warmth range from clutching a baked potato

to ‘The tink tink tink of / iron radiators /waking in an old house. / To surface from dreams in a bed , / burrowed beneath blankets / and comforters,’ …to ‘the wood burning / in the stove’ .
There is hope though for the poem concludes thus, ‘You have the right / to be here.’
Thirteen artists: Yuliya Gwilym, Nadine Kaadan, Pam Smy, Daniel Egnéus, Beth Suzanna, Marie-Alice Harel, Petr Horáček, Chris Riddell, Bagram Ibatoulline, Benji Davies, Majid Adin,

and Richard Jones each provided an original illustration. Twelve illustrators offered comments printed at the back of the book. Oliver Jeffers created the stirring cover art and this important, compelling book is the result.

A wonderfully warm glow emanates from his cover images: would that such warmth be offered to all refugees and other people displaced of necessity around the world. With both the on-going conflict in Ukraine and now that in Israel and Gaza, its humanitarian message is even more urgent today than it was four years back when the tweet went out.

A donation of £1.55 from each sale of the book in the UK and at least 40p from sales in other territories will be donated to the UN Refugee Agency.

The Hideaway

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The Hideaway
Pam Smy
Pavilion Books

Thirteen year old Billy, a sensitive boy, just cannot cope with seeing his mother whom he loves deeply, in an abusive relationship with her boyfriend Jeff with whom they live. So with a few things in his backpack and doing his best not to be seen, he creeps out one night. 

He makes for All Souls’ graveyard and the following morning he encounters an old man who wants to know what he’s doing there. Billy begs him not to tell anyone and the man strikes a deal with him: assistance with his clearing work in the overgrown graveyard for a few days in return for keeping quiet about the lad’s whereabouts. 

The man turns out to be kind and thoughtful, which surprises the boy.

Meanwhile Grace (Billy’s mum) has discovered her son is missing and the story alternates between events relating to her and the home, and Billy (Different fonts are used for each). Grace decides she needs to ask for help outside and starts with her close neighbour and before long the police are also involved.

Billy meanwhile does not remain undiscovered: Izzie from his maths class finds him while she’s waiting for her mum.

The story offers the stark contrast between the harshness of Billy’s life with the supernatural happenings of All Souls’ Eve while at the same time weaving a thread of abiding love and hope through them both. 

As the drama moves close to the night of All Souls’ Eve, a sequence of ten textured, powerfully atmospheric double spread illustrations replace the text 

and thereafter, for a few pages, the words, set on grey paper take on a ghostly white appearance.

There’s another stark contrast too: that of the gentle, thoughtful and caring old man with Jeff whose toxic, controlling and abusive personality has driven Billy to run away.

For older readers through to adults, with its themes of domestic abuse, families, childhood, separation and reunion, this important book, recounts with enormous sensitivity and power a story that will haunt the reader long after the beautifully produced book has been set aside.