Springtime Picture Book Delights

This is a catch-up of some Macmillan titles:

The Nature Girls
Aki (DelphineMach)
Macmillan Children’s Books

Sixteen inquisitive girls – I love the fact they’re introduced by name on the title page – don identical yellow safari suits and sally forth to explore nature, in particular different biomes.
Bags on backs, having observed some rabbits in their garden, they head for the beach and clad in sub aqua gear, dive down

and swim with dolphins.

Then it’s back on with the safari suits and off they go walking through rainforest, across a desert,

then aboard a safari bus travelling through grasslands; on a plane tundra bound where they board a dog sledge

and finally, they sail off destination a forest alive with sounds of its wildlife.

Observant listeners and readers will notice the less obvious as well as obvious animals and other detail in Aki’s playfully adorable scenes, as her rhyming text bounces along as enthusiastically as the intrepid travellers. I absolutely love the sense of mischief occasionally shown by some of the young female friends in this joyous adventure and the final scene hinting of further wonder-filled adventures in the offing. Hooray for girl power!

A fun introduction to the scientific notion of biomes – the final spread about these may well set the inquisitive off researching the topic further.

Little Bear’s Spring
Elli Woollard & Briony May Smith
Macmillan Children’s Books

As any walk in town or rural parts will show, spring has well and truly sprung now and what better way to celebrate its joys (apart from a walk) than with terrific twosome Elli and Briony’s gorgeous book collaboration that celebrates not only the coming of my favourite time of year, but also, friendship.

When a little bear awakes one morning all he sees is a vast, seemingly empty snowy landscape.
Without a playmate, Little Bear spies a small smooth stone that feels like a promise.

Tucking it into his fur, he heads off down the track in search of friends.

Too busy for friendship, the birds are nest building and bear’s efforts to do likewise fail so off he goes again.

He finds however that the hares and wolves are also busy with spring preparations and his attempts to emulate them are, in the first instance merely a flop and in the second, pretty scary. This brief scariness however, precipitates the perfect finale of the story …

for when Little Bear awakes next morning a whole new world with an exciting surprise awaits …

Delivered in faultless lyrical rhyme Elli’s terrific tale with its wonderful evocations of spring, and Briony’s stupendous scenes of the natural world and the changes therein, (her use of ‘night and light and the half light’) with the terrific portrayal of the zestiness of life in springtime make this book’s a true treasure no matter what time of year you share it.

What Clara Saw
Jessica Meserve
Macmillan Children’s Books

Clara’s enthusiasm for the school trip to a wildlife park could so easily have been thwarted by the egotistic, know-all, humans are vastly superior to other animals, attitude of teacher, Mr Biggity, as he walks around intent on proving the veracity of his fake-scientific assertions to the children in his class at every opportunity, talking down the animals’ awesome characteristics.

Clara in contrast walks around with an open mind and eyes, wondering and observing what the residents of the animal park are doing. “Do animals feel sad?” she asks … ‘no, no and NO, … their brains are far too small for feelings” comes his retort.

And of course they can’t possibly communicate, use tools to get what they need and absolutely ‘don’t care about the world around them’ …

As Mr B. rabbits on, the animals are engaged in using their aptitudes, knowledge, skills and natural instincts to outwit the park keeper and come to the aid of a giant tortoise, about to be transported away from her fellow animals.

So much is shown rather than told. Jessica’s exquisitely observed watercolour and pen illustrations say far more than her words: Clara’s fascination and joy as she watches the animals is evident from the outset as is Mr Biggity’s condescending attitude both to his charges and the animals. Note the position of his right hand as they enter the park, his meticulously tied laces, his upturned foot as he strides forth and in contrast, the expressions of the children, as they look in wonder at what they see.

This humorous, cleverly constructed story brilliantly demonstrates how best to learn; how not to be gulled by false information (HMMM!) and there’s not a tiny weeny touch of the dogmatic preachiness that is Mr B. anywhere in sight.

Who Was That?

Who Was That?
Olivier Tallec
Chronicle Books

That Olivier Tallec is a genius in seemingly effortless characterisation was evident in Who Done It? and Who What Where? Now he follows with another equally wonderful memory and observation testing offering, this time making clever use of occasional die-cut holes in the long, narrow pages.

If you ever thought looking and seeing were one and the same, think again.

We begin with a spread that introduces a mix of animal and human characters with a child inviting readers to ‘Blow out the candle and turn the page.’
Having plunged them into darkness we’re then asked ‘Who is wearing a yellow scarf?’

The answer to the question ‘What is Olive afraid of?’ on the next spread, is revealed by turning the die-cut page, but then another tester greets us concerning the colour of Oliver’s undies.

The questions are totally unpredictable as for example when we’re instructed to cover a character standing on a diving board and then asked how many teeth he has.

Sometimes there’s a tricky double poser as when the first question asks ‘Which of these friends likes sleeping on both ends of the bed? You think ‘no problem’ but when you turn over you’re faced with ‘But who wasn’t wearing pyjamas?’ Hmm.
The illustrative details are enormous fun in themselves, take this line up here: every one of the characters must surely have a myriad of stories to tell …

The final scenario is a knockout – literally –it’s as well the archers are using sucker-tipped arrows …

as we discover when the die-cut page is flipped to reveal …

Enormous fun and if you can’t solve the posers, there’s a final visual answer page.

I envisage children inventing their own tricky questions once they’ve solved the posers herein; the potential is huge. Some slightly older readers might even try making their own books along similar lines.

I’ve signed the charter  

Dinosaur Detective’s Search and Find Rescue Mission / Wilfred and Olbert’s Totally Wild Chase / Animazes

Dinosaur Detective’s Search and Find Rescue Mission
Sophie Guerrive
Wide Eyed Editions
In his plane, which looks more like an inflatable toy than anything capable of carrying a dinosaur, famous Dinosaur Detective sets forth on a mission: to find five missing items as requested by the likes of a dog, a princess, a teacher and a distraught wife, hidden somewhere in eleven different locations including what looks like a Medieval European village, an underground cave network, atop a mountain,

a funfair, a forest, a completely crazy-looking outer space neighbourhood and a city.

It’s difficult to know where to start each search as your eyes keep getting drawn to features of interest – mine did anyway – and some of the spreads are so densely packed, it’s mindboggling, and easy to get absorbed in the surreal nature of the whole thing rather than the task in hand. It’s just as well there’s an answer spread at the end.
Dinosaur Detective’s plane transforms into a kind of tank (to find the missing toad) and a flying saucer – another fun feature.

Wilfred and Olbert’s Totally Wild Chase
Lomp
Little Tiger Press
Herein we meet natural history explorers Wilfred and Olbert and follow them on a quest to discover a new animal and thus win the coveted Nature Discovery Prize. And when an unidentified butterfly just happens to float through the window, they decide their chance has come. Off they go in hot pursuit but who will be the one to claim the prize?
Their journey has them dashing through forests, diving into oceans, crossing deserts, and wild grasslands,

scaling mountains and delving into tropical jungles …

as they battle to reach the butterfly first.
In the end teamwork wins out and mission complete, they claim their trophy.
The whole adventure is perilous and it’s something of a task to keep track of the two competitors and their antics en route – almost being the next meal of a lion, or being engulfed by ice, for instance – but the whole crazy drama is totally engaging, full of funny moments, things to search for, and of course, wild animals.
Wild too are Lomp’s hilarious, cartoon-like illustrations, full of daft doings and silly speech bubbles making every spread a treat to linger over.
Action-packed they surely are!

Animazes
illustrated by Melissa Castrillión
Big Picture Press
This unusual book of mazes follows the journeys of fourteen animal migrants from Antarctic krill and Monarch butterflies to Humpback whales and Mali elephants.
For some of these creatures such as reindeer, finding food is the reason for their journey; for others, such as Rockhopper Penguins, it’s to seek a suitable environment for the survival of the next generation.
In tracing their journeys, the aim is to discover the one safe path for each animal and in so doing, readers will discover a host of fascinating facts about the creature. Did you know for instance that Mali elephants all pass through one narrow passage, The Porte des Éléphants on their migratory travels? Or that Wildebeest participate in the largest mass migration of mammals on earth?

It’s Katie Howarth who provides these and the other interesting snippets of information that support Melissa Castrillión’s intricately detailed illustrations through which the mazes are woven.
Absorbing, fun and educational.

Hic! / An Indian Beach by Day and Night

Hic!
Anushka Ravishankar and Christiane Pieper
Tara Books
I’m a big fan of Tara Books for many reasons; two of the most important being first: they’re unfailingly innovative and the production quality is always exemplary; second: their base is Chennai, and I’m a total India freak.
Specialising in writing nonsense for children, the author of this picture book has been dubbed the Indian Dr Seuss and nonsense Hic! truly is.
Revolving around a little girl who is suddenly struck by a bout of hiccups – we all know how annoying they can be – she has concocted a totally crazy rhyme about ways she might, or might not, get rid of them.
Suggestions include the fairly un-risky daubing of mustard on your nose and trying to lick it; and shouting AWALLAGULLAGABUGGAMUGGCHICK!
Thereafter proceeding to vomit-inducing spinning round and round …

and standing on your head – a definite no-no for one so young, thinks the yoga teacher in me – to my favourite, potentially suicidal idea …

German illustrator Christiane Pieper supplies the hilarious visuals making the whole thing so much more than the sum of its parts; I love her restricted colour palette.
Another innovative offering from the same publisher is:

An Indian Beach By Day and Night
Joëlle Jolivet
Tara Books
In her wordless offering, based on her observations, artist Joëlle Jolivet takes us through twenty four hours on Elliot’s Beach, a location near the southern Indian city of Chennai.
Her linocut scenes, printed on a long, continuous strip that’s been carefully folded to fit inside a sturdy cover-cum wallet, can be viewed in folded form or opened right out to form a complete circle. (The back pocket flap shows the various ways the book can be opened to display the scenes.)
As day dawns on the first spread we see fishing boats on the shore while in the foreground, people are taking exercise, commuters travel in a cycle rickshaw while behind them on the sand animals feast on the discarded spoils of the fishermen.
Turn over and this is the scene …

As the day proceeds and the sun reaches its height, the crowds disperse, to return as daylight fades and evening comes. Darkness brings a temporary lull in activity until everything starts over the following dawn.
Printed only in black and white with a blue sea backdrop, this is a wonderful visual resource with a bounty of starting points for discussion and storying that can be enjoyed as it is, or coloured in.

The Only Lonely Panda

The Only Lonely Panda
Jonny Lambert
Little Tiger Press

Deep in the forest, a lonely panda sits among the bamboos longing for a friend. He sets his sights on another panda; but how to go about making friends with her, that is the thorny question.
He spends time observing his fellow forest animals: first the flamingos who befriend one another through a graceful dance. Panda’s efforts at fluffy flamingo dancing however don’t quite pass muster; in fact they’re a total flop.
So what about emulating those bouncing sifakas? Surely being springy like those bouncy creatures can’t be difficult and it’s bound to impress the other panda …

Well, maybe not!
Nor can he manage that majestic booby walk like the strutting blue-footed birds, without losing sight of the object of his desire.

And that peacock is in no hurry to part with any of his tail feathers; so Panda will just have to make do …

until the rain comes that is.
It’s a very despondent panda that plods off to eat his dinner all by himself. But then … Perhaps this is the opportunity he’s been looking for: carpe diem, lonely Panda …
What a gorgeous production this is. Its metallic silver ink finish really makes the gorgeous glowing colours of the forest animals stand out.
Jonny Lambert uses the space on the page with supreme artistry: every spread is skilfully choreographed in what seems like a virtuoso performance of an animal ballet.
Moreover, thanks to Jonny, I’ve now made the acquaintance of two animals new to me – the blue-footed booby and the sifaka. His story, with its important message, reads aloud beautifully but it’s those visual sequences that linger long in the mind.

I’ve signed the charter  

Botanicum Activity Book/ Under Earth Activity Book & Under Water Activity Book

Botanicum Activity Book
Katie Scott and Kathy Willis
Big Picture Press
If you loved Botanicum and who wouldn’t, then this from the same team, is definitely for you: it’s an activity book par excellence and is billed as 5+. However, as an early years teacher, I’ve seen 4 year olds do amazingly detailed observational drawings of plants, so I’d bring this down to 4+.
This one took me right back to my ‘gap year’ working as an assistant in the herbarium at Kew where I was awed by the work of the, then resident artist.
Back to this book, which has equally stunning illustrations and is probably best used alongside its ‘parent’ volume. There are pages of flowers and plants to colour; and those who would rather draw have several opportunities: there’s a cycad tree with step-by-step visual instructions, ditto a pineapple fruit. Those who require a little guidance can complete algae patterns,

draw mirror images of a buttercup half, three half leaves, add stem and foliage to four bulbs, for instance. For more confident drawing enthusiasts there are opportunities to create a cactus; complete a Carboniferous forest; add details to some leaves and create your own leaf , to name just some of the more open ended drawing activities.
Spot-the-difference enthusiasts will also be satisfied with the four pages each with ten differences allocated to that activity: this one’s truly beautiful. (You can always cheat by looking at the reverse side if you can’t find them all.)

Should you want to test your botanical knowledge there are pages for that too including .. .

There’s even a maze, which looks quite forbidding, but I managed to do it – eventually – without cheating.
With over 35 activities in all, this superb book offers hours of gently educational pleasure.
Also inspiring are:

Under Earth Activity Book
Under Water Activity Book

Aleksandra Mizielińska & Daniel Mizieliński
Big Picture Press
These two are based on the Mizielińskas’ awesome Under Earth, Under Water and 70 activities can be found in each book. Their design is clever with a wide range of activities on each recto and, in the Earth book, a superbly detailed, underground creature to colour on the verso;

each page being easily detached from the binding. You can find activities as diverse as following instructions for growing your own tubers (potatoes herein)

and completing the drawing of an Aztec stone.
Under Water is similarly presented but with underwater creatures to colour.
Activities herein range from designing a deep-sea diver’s costume, to spotting and drawing 16 pieces of rubbish that have found their way into a lake scene.

Fun learning and creativity bound together and absolutely ideal for holidays, rainy days and times when children (or you) want some relaxing no-screen time, these beauties take activity books to a whole new level of excellence.

I’ve signed the charter  

They All Saw a Cat / Picture This

%0AThey All Saw a Cat
Brendan Wenzel
Chronicle Books
A cat is a cat, is a cat, no matter what. Right? Perhaps not. The world looks different depending on the lenses through which we view it, surely? I certainly think so. It’s a wonderfully philosophical consideration brilliantly demonstrated by author/illustrator Brendan Wenzel in this creative, thought-provoking mixed media exploration of observation, imagination and perspectives, which begins thus:
‘The cat walked through the world, with its whiskers, ears and paws …’. The child sees the cat, the dog sees the cat – sleek and slinky, the fox sees the cat – chunky and stubby, the fish sees the cat thus …

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and the mouse – well the mouse sees an alarmingly jaggedy, predatory monster, and the bee sees a pointillist image. On walks the cat and is seen by the bird, the flea, the snake, the worm and the bat …

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A dozen sightings, every one through different lenses, lenses which create shifts between texture, colour and tone, underlined after all twelve sightings by ‘YES, THEY ALL SAW A CAT!’

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We’re then told ‘The cat knew them all, and they knew the cat.’ –a lengthy discussion might ensue from this statement alone. But wait, we’re not quite done yet; the cat walks on and comes to the water: imagine what it saw …
Wenzel uses a range of painterly styles borrowed from impressionism, pointillism and others to make readers think about how perception, art and emotion are intricately linked. But that’s not all: the use of italics and capitals and the patterned structure of the narrative all contribute to the impact of the whole.
This is a book that can be used right across the age range from early years to adult students of art and philosophy: what a wonderful way to help the young to begin to understand and give credence to other people’s viewpoints.

The manner in which emotions are engaged and affected by the visual composition of images is explored in the revised and extended edition of a fascinating and insightful book first published 25 years ago:

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Picture This
Molly Bang
Chronicle Books
In the first hundred or so pages, Molly Bang takes the story of Little Red Riding Hood and shows how different placement of cut paper shapes and colours on the page work together to help create and build up emotionally charged scenes, our perceptions of which are bound by the context of our own experience. Why does a triangle placed on a flat base give us a feeling of stability whereas diagonal shapes make us feel tense?

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How come we feel more scared looking at pointed shapes, and more secure or comforted looking at rounded shapes or curves? These questions are explored as are others of colour choice and combination.
In the second, much shorter (new to the revised edition) section of the book, the author takes her story When Sophie Gets Angry – Really, Really Angry, and using four pictures from it, looks at how she created four distinct feelings – one per illustration – of Fury, Sadness, Expectancy and Contentment/contemplation and uses them to explore the principles she’s looked at in the first part. And the final pages invite readers to create and analyse a picture of their own. Perhaps but first I’m off to take another look at some picture books starting with Bethan Woollvin’s Little Red.

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