Flights of Fancy

Flights of Fancy
Quentin Blake, Anne Fine, Michael Morpurgo, Jacqueline Wilson, Michael Rosen, Julia Donaldson, Anthony Browne, Malorie Blackman, Chris Riddell, Lauren Child
Walker Books

Now in paperback, here’s a truly special gem of an anthology subtitled ‘Let your imagination soar with top tips from ten Children’s Laureates’. It brings together the ten awesome authors and illustrators who have held the title (given in celebration of their outstanding achievements) and first awarded to Quentin Blake in 1999.

To open, Michael Morpurgo explains how the original idea of the role (each person holds it for two years), was first thought up by himself and Ted Hughes, the then Poet Laureate.

You might be especially interested in poetry, rhyme and wordplay, if so head first to the sections from Michael Rosen and Julia Donaldson. Michael in Poetry Belongs to Everyone talks about playing around with a word to create a poem. Julia Donaldson’s Plays to Read and to Write discusses one of her own plays that she based on the Aesop’s fable, The Hare and the Tortoise, offering a fun, lively 6-parter

If you’d rather be playful in the visual sense then Anthony Browne’s The Shape Game could be your starting point: having talked about how to play it, he showcases some examples from 3 other famous illustrators to whom he gave the same shape to play as the one of his own shown in the book. The potential with this one is endless. Probably that is the case with most of the chapters however.

In The Only Way to Travel, Quentin Blake writes with reference to  Dahl’s stories, about how when illustrating someone else’s texts it’s important to ‘put yourself inside their story’ and capture the atmosphere before diving in and drawing those fabulous illustrations of his.

More about how other fabulous illustrators approach their drawing and what provides their inspiration comes from Chris Riddell –

make sure you check out his brilliant cartoons of all ten Children’s Laureates in the final section – and Lauren Child.

How fantastic and moving is Michael Morpurgo’s Find Your Own Voice that tells children how to do so in ‘I Believe in Unicorns’.
I thoroughly enjoyed too, Malorie Blackman’s Taking a Word for a Walk using SEA as her example,

before she moves on to discussing from whose viewpoint a story is being told when one writes.

If you want to inspire children to let their imaginations soar, then you really, really must have a copy of this cracker of a book in your home or classroom; not only will it do just that, but it will also ignite or add fuel to a passion for reading, writing and illustrating. (BookTrust, which manages the Children’s Laureate gets 50p from every sale.)

Love Always Everywhere …

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Love Always Everywhere
Sarah Massini
Nosy Crow pbk
In a follow up to her gorgeous Books Always Everywhere, Sarah Massini brings us another visual treat, with an amorous theme this time. Small children engage in all manner of loving activities including hugging pets, sharing a book,

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making music, dancing, playing together on the beach and in the park as they snuggle, dance, build sandcastles, eat ice-creams, bounce on space-hoppers and much more all to the accompaniment of a brief rhyming text.

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Totally lovable – what more can one say?

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Frog in Love
Max Velthuijs
Andersen Press pbk
Hurray! Andersen Press has reissued the very first of Max Velthuijs’ brilliant Frog titles just in time for Valentine’s Day. Herein Frog learns from Hare (courtesy of his large book) that the reason for his feeling out of sorts is that he’s in love. He sets about painting a picture of his beloved Duck and goes off to deliver it anonymously. The next day he leaves flowers. Duck is puzzled about the identity of the sender who meanwhile is getting desperate and has resolved to win Duck’s love by performing a reckless attempt at the world high jump record. During this feat however, disaster strikes and Frog crash lands right at the feet of the very one he wants to impress.
All ends happily despite the disaster

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and since then, (that’s about twenty five years in book time) the green frog and the white duck have loved each other dearly for as the author rightly says, ‘Love knows no boundaries.’

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If you didn’t get hold of a copy the first time around do so now, it’s just great.

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Guess How Much I Love You
Anita Jeram
Walker Books
It’s over twenty years since the first edition of this neo-classic picture book. Now, in time for that special day, Walker Books offer a lovely mini fold-out edition in a slip case. Perfect as a special gift for a special person.

I don’t often feature teen fiction but I couldn’t resist this one:

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Love Hurts
Malorie Blackman
Corgi pbk
Within the covers is a splendid collection of over twenty short stories and extracts from young adult writers, compiled by the wonderful Malorie Blackman. Young love in its many forms is contained herein and all are favourites of the compiler who has herself also written a new story for the book. As one would expect from Malorie, there’s not a dud among them: and the judiciously selected extracts offer great starting points for readers to meet authors they may not yet have tried.

Use your local bookshop localbookshops_NameImage-2

Cuddles, Crime, Cavemen and a Question

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I Want a Cuddle
Malorie Blackman and Joanne Partis
Orchard Books pbk
First published over ten years ago, this story written by current the Children’s Laureate, about Little Rabbit and his search for a cuddle still holds its original charm.
Having injured his paw during a game of hide-and-seek, Little Rabbit is in desperate need of a cuddle. Hedgehog is sympathetic but too prickly, likewise Squirrel (too tickly), Badger – he’s too bristly, Toad is lumpy, and bumpy, not to mention squidgy.

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Poor Little Rabbit sets off home through the forest but who is that bushy-tailed creature sneaking up behind her?
And who else needs a cuddle now?

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Funny, tender and with just the right amount of suspense to keep young readers engaged throughout; this is a lovely story-time read aloud for nursery settings as well as individual listeners. Joanne Partis’ boldly coloured, illustrations rendered with thick strokes, daubs, spatters and mixed media manipulations are a delight.
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Top Top Secret
Claire Freedman and Russell Ayto
Simon and Schuster pbk
The bond between, reader, author and main protagonist – a young secret agent spy – are immediately established in this vastly amusing rhyming tale. Herein Sid accepts a mission to recover the Royal Ring bearing the king’s secret seal from the clutches of a dastardly dragon and return it to its place in the royal vaults. Off he goes creeping in the shadows till he comes upon a large drain lid; out comes his trusty magnet, up comes the cover, down slides Sid. Then propelled by his supersonic pulley he whizzes through the shaft, out onto a river (his raft a-ready there), under a bridge, oops -! Having narrowly escaped the waiting shark’s jaws,

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he comes upon a sign:
Once inside the dragon’s lair, he discovers the ring’s whereabouts and is on the point of seizing same when ROAR! The dragon wakes; smoke and flames burst forth; OH NO! Sid’s has lost his anti-dragon flare. Time to resort to something altogether more tricky and DEFINITELY, much more sticky, Sid.

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And does our Sid succeed in retrieving and returning the precious object to its rightful place? Erm well… those telescopic super-charged skis and that trusty magnet do come into their own and we leave our hero sound asleep in his comfy bed so … What do you think?
Rendered in skillfully scurrying rhyme and through suitably off-beat illustrations, this fast-moving, very amusing tale is such fun to share with young audiences large and small. If the former though, make sure individuals have opportunities to revel in the hilarious details of Russell Ayto’s deliciously idiosyncratic artwork.
Overall design, the variety of fonts used, Ayto’s choice of colour palette, the minutiae of detail within the scenes be they wide screen or small close-ups, all add to the impact of the book.
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Ug-A-Lug
Jill Lewis and Simon Rickerty
Simon and Schuster pbk
Previously for Simon Rickerty it was crayons; now, along with the characters he depicts, a quartet of troglodytes no less (those drawn by the little boy of the story), it is pencils that take centre stage. Actually just the one pencil, in fact. The particular one being that which rolls over the cavemen’s fire extinguishing it but bringing to life said picture. Thereupon the bemused cave dwellers attempt to make sense of this mysterious object; they try eating it, and climbing it before one of their number, Colin, hits upon tool wielding. After some serious carving and chopping an impressive result is achieved.

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‘ BURNA BURNA ROAST TOASTA!’ shouts the excited Flint but then out of nowhere seemingly, there leaps a hungry tiger, jaws a-gaping. Plan B I think guys.
After a pretty close call though, things take a turn – or rather they don’t – for the worse.

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You didn’t notice that tree then? Time for another one of Colin’s good ideas …
But …

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Have a sausage instead! UG-A-LUG! A happy ending? Certainly, so long as you are a carnivore that is.
Jill Lewis’s matter of fact manner of telling with its sprinkling of troglodyte talk, works wonderfully well as a counter to Ayto’s over the top artistry, with its brilliantly expressive caveman countenances as they go about their comical caperings.
In a word SUPERDUPERUG-A-LUG-A-LOVED-IT!
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The Wonderful Egg
Dahlov Ipcar
Flying Eye Books
Is it a mystery story or is it an information book? First published in 1958 and now in a new edition, this lovely book is actually both. It tells how long, long ago when all the earth was covered in jungles a wonderful egg sat solitary in a mossy nest beneath a giant fern tree.

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But whose egg is it?

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A dinosaur’s perhaps, or did it belong to one of the marine or flying reptiles that lived over a million years ago?

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Dahlov Ipcar transports us to that prehistoric world and takes us through a multitude of possibilities before revealing the answer.

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Her wonderful illustrations have been ‘remastered’ from the original edition. The limited palette of shades of green, brown, grey and pink and the bolder black blocks, shading and outlines creates scenes at once dramatic, subtle and timeless.
In addition to the narrative, readers are provided with a helpful pronunciation page and a double spread showing the relative sizes of the creatures featured.
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