Yapping Away

Yapping Away
Joshua Seigal, illustrated by Sarah Horne
Bloomsbury Education

There are playful poems aplenty in 2020 winner of the Laugh Out Loud Book Awards, Joshua Seigal’s latest poetry collection; it’s wonderfully witty and cleverly creative to boot. As ever, he uses the 3Rs crucial to making children readers, and assuredly they have that same effect when it comes to making them poetry enthusiasts as well.

I absolutely love the surprise element in many of Joshua’s poems: there’s the sudden change of heart in New Baby wherein the older sibling moves from ‘You grumble and gripe / and you grizzle all day. / I hate you, new baby / so please go away.’ in the first verse to the final ‘I know Mummy loves you / and Daddy does too. / I love you, new baby! / You’re lovely! It’s true!

Then there’s the passionate Did I Ever Tell You … wherein the author pours his heart out as he continues ‘ … how much I love you? // I love you more / that the yawn / of the morning sun. ‘ … There are more verses in similar vein until the final ‘You / are / my // – – – – – !’ Can you guess the object of the love?

There are also some smashing shape poems: here’s one 

and others with terrific word play, Shapes being one.

However not everything is playful: anything but is the decidedly pensive Drawing My Grandma. I love too, the thought-provoking Inside with its circularity; Sad in which the speaker is unaccountably so feeling, is another, it conveys an emotion that strikes us all from time to time.

As does that summed up in The Grouchy Song: I’m reminded of that one whenever I listen to the news these days. And if the suggestions proffered therein don’t work sufficiently then I’ll quickly turn to Magic! for an antidote. 

I could go on and mention pretty much every single one of the almost 50 poems in this smashing book but better I leave you with Joshua’s words to embark on The Reading Journey something you’ll do if you get hold of a copy of your own and ‘Embark in the dark / on a sparkling adventure. / Glide on the tide / to the rhythm of words. ‘ …

I must mention too, Sarah Horne’s drawings that are appropriately quirky and a delight in themselves.

There’s no doubt that youngsters will feel inspired to take up Joshua’s “Let’s Get Writing!’ invitation that comes after the poems; he gives some helpful poetry starters there, though there are plenty offered by his poems themselves – that’s so long as said children have turned down this Invitation:

If you want children to find delight in language, poetry in particular., this book is a MUST.

Poetry Parade

Silver
Walter de la Mare and Carolina Rabei
Faber & Faber
Slowly, silently, now the moon
Walks the night in her silver shoon;
This way, and that, she peers, and sees
Silver fruit upon silver trees;
‘ …
It’s lovely to see Carolina Rabei’s enchanting visual interpretation of a de la Mare poem that was a childhood favourite of mine. I still have all the words in my head and often used to visualise a moon wandering silently in those ‘silver shoon’.

The illustrator imbues the whole thing with dreamy magic as she portrays the moon as feline, tiptoeing among the silver fruited tree branches, and then across the ground pursued by two small children and a host of faery folk, past the log-like sleeping dog …

and watched by all manner of nocturnal creatures that all gather in a clearing …

before some of them take a small boat and glide across the water while ‘moveless fish in the water gleam’ and the two children fall fast asleep. AAAHHH! Gorgeous.

Little Lemur Laughing
Joshua Seigal
Bloomsbury Children’s Books
I’m always excited to discover new poets and was delighted to receive a collection from rising star, Joshua Seigal. Playful is the name of the game where these poems are concerned: they cover all manner of topics from food (for instance Johnny and The MANGO wherein a boy retires to a warm tub to consume his favourite tea) to Fireworks; Seagulls to Stickers and Conkers to Colours and Chat. Alliteration abounds – indeed there is a page at the back of the book in which Seigal talks about his use of this in the title poem; there’s a generous sprinkling of concrete poems –

and some, such as Turvy & Topsy are completely bonkers, but went down well with my listeners.
In fact there isn’t a single one that isn’t lots of fun to read aloud to younger primary children. I’d certainly recommend adding this to a KS1 or early years teacher’s collection and buy it for any youngster whom you want to turn on to poetry.

The Fire Horse
Vladimir Mayakovsky, Osip Mandelstam & Daniil Kharms
The New York Review Children’s Collection
This contains three longish poems, one from each of the authors, all being translated by Eugene Ostashevsky and each having a different illustrator. The title poem has wonderful art by Lydia Popova; Mandelastam’s Two Trams artist, Boris Ender, used a limited (almost exclusively, black, grey and red) colour palette for his superbly stylish portrayal of the two tramcars. The final work, Play portrays verbally and visually three boys absorbed in their imaginary play worlds, the illustrations being done by Vladimir Konashevich.
For me, the book’s illustrations make it worthwhile, showing as they do, Soviet book illustrations from almost a century ago.
For book collectors/art connoisseurs rather than general readers, I’d suggest.

I’ve signed the charter