Old Mother Hubbard’s Dog Takes Up Sport / Old Mother Hubbard’s Dog Learns to Play

Old Mother Hubbard’s Dog Takes Up Sport
Old Mother Hubbard’s Dog Learns to Play

John Yeoman and Quentin Blake
Walker Books

The laugh-out-loud antics of Old Mother Hubbard’s Dog take the form of a variety of playful activities in these two paperbacks.

In the first, Old Mother Hubbard is unhappy at the sight of her canine companion merely lazing around all day and suggests he get up out of his chair, set aside his book and do something more active. And so he does. First it’s tennis (over her full washing line), followed by a spot of pole vaulting, then soccer – with very muddy results.
Having had a bath beside the fire the daft creature heads outside again and further athletic mayhem ensues including putting the shot using live projectiles.

Eventually, unable to stand any more, Old Mother Hubbard orders Dog inside and suggests a much more sober activity.

The second episode begins with Dog in his favourite chair reading once more. Old Mother Hubbard expresses a wish that he “learn how to play.” Before you can turn around she hears a raucous rendition on a flute, closely followed by various other musical instruments. 

Greatly regretting her ill-chosen words, Old Mother Hubbard is at a temporary loss to know what to do, but is ready to try anything including some drupe diversion tactics …

Brilliant nonsense both in John Yeoman’s rhyming narrative and Quentin Blake’s exuberant portrayal of the canine capers; adults and children will love this craziness. Don’t miss the back endpapers.

The Young Performing Horse

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The Young Performing Horse
Quentin Blake & John Yeoman
Andersen Press
First published almost forty years ago, the Young Performing Horse – should he now be called the Middle Aged Performing Horse? – is back to delight a new generation.
Poor farm children, brother and sister Bertie and Vicky buy a horse at an auction – the only one remaining – and he’s a rarity, a Young Performing Horse, so the auctioneer claims. Certainly he’s unusual with his ‘big eyes, long eyelashes, baggy skin, thick legs and shiny black hooves.’ and the twins fall in love with him straightaway. The adult Priddys had intended that the creature should carry their children to school instead of them having to trudge the long distance every day but he’s not big enough. He does however, accompany the twins to said school, trotting alongside them and even participating in lessons.

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When the family face hard times, the twins persuade their parents not to sell the horse, but to let them take him with them to London where they’ll seek their fortune.
Eventually they reach the big city …

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and find the location of Mr Crumbles’ theatre (an address given them by their teacher who happens to be Mr Crumbles’ friend.) and happily for them, there they spot a large sign saying “YOUNG ACTORS REQUIRED’. Having seen what their horse can do, Mr Crumble allows him to perform alongside the twins and the show is a great success …

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So much so that the company is summoned to Buckingham Palace to give a Royal Command Performance in front of her majesty.

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Suitably impressed, the Queen expresses a wish that all her subjects might have the opportunity to see a Young Performing Horse at Christmas. This gives Bertie a brilliant idea: could this be the origins of the pantomime horse? Whether or not it is, the Christmas shows all over the country make a fortune for Mr Crumble and his company and all ends happily for everyone concerned.
The partnership between John Yeoman with his wonderfully imaginative text and Quentin Blake with his sparklingly witty illustrations, results in a magical tale with a Dickensian feel to it. It’s a magic that will still hold audiences in its thrall even after all this time.
Was this cracking book ever made into a Christmas TV entertainment for children? If not, it should be …

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