Narwhal The Arctic Unicorn

Narwhal the Arctic Unicorn
Justin Anderson and Jo Weaver
Walker Books

Stunning illustrations by Jo Weaver grace every page of this awe inspiring narrative information book written by Planet Earth 11 producer Justin Anderson who, with the help of his team, captured the first aerial footage of narwhal migration for the Nature’s Great Events documentary.

The book takes readers to the frozen Arctic inviting them to dive down deep into the icy waters and follow some narwhals aka ‘toothed whales’, relations of killer whales and dolphins. I was previously unaware that it’s mostly males that grow the characteristic long, sensitive tusk suggesting their possible use as a display tool for attracting females.

In the murky waters we see right up close one narwhal that has reached its half century, chasing a massive flatfish for food.

We also follow the entire pod as the journey north continues for hundreds of miles and are shown the incredible jousting behaviour, that it’s been suggested might be to determine which male is in charge.

For the females, it’s time many miles further on, to pause their journey and having carried their babies inside for a whole year, to give birth. The calves then spend between two and three years with their mothers, after which time the young males grow a small tusk; one that will eventually grow more than two metres long; the occasional one perhaps becoming a ‘double tusker’ a phenomenon new to me.

Eventually the pod reaches its High Arctic Island destination where the sun has warmed the sea and melted most of the ice. That’s where a calf will grow rapidly, thanks to its mother’s milk. Sometimes however predatory killer whales may have tracked a pod and guided by that old narwhal, they have to escape to a safe hiding place. September heralds the end of summer when once again it’s time to move and the pod’s long journey south begins.

After the narrative is a page giving facts about the future of these wonderful animals, now sadly threatened by climate change and humans encroaching on their habitat. Other backmatter gives some websites giving more information on how to help secure narwhals a safe future as well as an index.

A must have for anyone who cares about the ‘Arctic unicorns’.

A Story Like the Wind

A Story Like the Wind
Gill Lewis and Jo Weaver
Oxford University Press
Gill Lewis has woven a wonderful novella with an up-to-the-minute feel to it. Stories of the refugee crisis continue to feature in the news with desperate people continuing to attempt seemingly impossible journeys in inflatable boats: this fable is such a one and this particular boat is filled with hopeful passengers young and old, ‘clutching the remains of their lives in small bags of belongings.’ The boat’s engine has failed and the boat is adrift on the Mediterranean; but the passengers, their resources dwindling minute by minute, are alive. Even so, they are willing to share what they have. Among them is fourteen year old Rami: he has no food to share so he refuses what the others offer him. What he does have though, is his precious violin: fragile; intricate; beautiful.

I took the only thing I could not leave behind,” he tells the others when asked why he refuses their offers.
Tell us a story to see us through the night,” requests mother of two young children, Nor.
What Rami performs for those beleaguered passengers is, so he tells them a story of Freedom, a story like the wind, a story that begins on the highest plains of the Mongolian desert, known as the ‘land of a million horses’. His story – essentially a Mongolian folktale about a young shepherd and a white stallion that he rescues as a foal, – is powerful, drawing in each and every listener (and readers) and as it progresses part by part, the passengers make connections with their own lives. Carpet seller, Mohammad tells of trying to sell a flying carpet to the woman who is now his wife. Others too have stories to tell but eventually, Rafi’s magical telling is done. It’s brought his audience together in a shared bond of happy memories, of sadness for those they’ve loved and lost, but most of all, of freedom and hope.

With what I fear is an increase in overt racism, in hate crimes and fascism, not only here in the UK, but also in many other parts of the world, this affecting book deserves, (I’d like to say needs), to be shared widely and discussed anywhere people come together in groups.
Music has the power to transform – that is clear from the story;

and it’s something many of us know from experience: so too do words. Let’s hope Gill Lewis’s poignant words here can work the same magic as those of Rami. They certainly moved me to tears several times as I read. But let’s not forget the power of pictures: they too can bring us together, sometimes in shared understanding, sometimes, shared appreciation or awe. Seamlessly integrated into the story, and adding to the sense of connectedness, Jo Weaver’s illustrations rendered in blue-grey shades are at once atmospheric, evocative and intensely moving, as befits the telling.

I’ve signed the charter  

Little One

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Little One
Jo Weaver
Hodder Children’s Books
Big Bear and Little One emerge from their winter den into the spring sunshine. It’s clearly Little One’s first experience of the season: “There’s so much to discover in your new world,” his mother tells him leading him into a forest astir with new life.

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What follows is a journey through the seasons with some life lessons for Little One, wonderfully rendered in Jo Weaver’s quietly beautiful charcoal illustrations. How to be gentle …

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and playful. How to catch fish …

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and how to swim.
How to find food in the autumn

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before winter comes around once more and it’s time to leave the forest and head for their den to spend another winter together, Little One so much wiser now from all his experiences.
Jo Weaver’s superb craftsmanship in her use of black and white and greys is evident on every single spread: just look at this nocturnal scene:

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and this glorious skyscape …

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There’s a gentle lyrical, almost meditational quality too, in Weaver’s writing as she moves her characters and readers right through a whole year in this, her debut picture book. It’s one to be shared one to one or with a small group when in keeping with the narrative, the pace can be slow and children and adult have time to explore the wonderful, illustrative details. I love the circular nature of the whole thing too.

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