There Is No Big Bad Wolf in this Story

There Is No Big Bad Wolf in this Story
Lou Carter and Deborah Allwright
Bloomsbury Children’s Books

Hot footing it on the heels of Lou and Deborah’s There Is No Dragon in This Story comes another take on classic fairytales, this time with Wolf as star of the show.

The problem is that he’s running late and feeling mightily stressed about it as he rushes through the forest to Grandma’s house to get there before Little Red Riding Hood. En route Wolf manages to upset the The Little Pigs making them ‘seriously grumpy’ but what with Grandma’s grumbles too, the poor creature decides enough is definitely enough. No more being taken for granted and definitely no more huffing and puffing from our vulpine friend.

Instead the other characters will have to go it alone but this Big Bad Wolfing is way harder than it looks. A realisation dawns and then along comes a winged fire-breather: maybe he could save the stories? Errrm … No1

So, can Little Red Riding Hood et al twist Wolf’s front paw and persuade him to help after all?

Young listeners and adult sharers will delight in this book. With hilariously conveyed messages about the importance of team work and not taking others for granted, it’s a tongue-in-cheek, hugely engaging tale that features their favourite characters like they’ve never before seen them. I really love the variety of page layouts Deborah uses: they hot up the story brilliantly.

Hansel and Gretel

Hansel & Gretel
Bethan Woollvin
Two Hoots

Most children are familiar with the story of Hansel and Gretel wherein the siblings are cast out from their home into the forest where they encounter a wicked witch; but in her latest fairytale reworking, Bethan Woollvin mischievously turns the tale completely on its head.
Here it’s Willow, a very good witch, who follows a trail of breadcrumbs dropped by the brother and sister.

She sees those breadcrumbs as messy and likely to lead vermin to her gingerbread home. Her request that they tidy up is ignored and she’s left to do the job herself, but- ‘Willow did not get angry, because Willow was a good witch.’

On returning home she finds Hansel and Gretel tucking into her house, literally, but despite their appalling behaviour, instead of being angry she invites them into her home for dinner; they must be very hungry she tells herself .

Rather than being grateful for her hospitality, the gluttonous children continue pushing Willow to the limits of her patience until finally, she does get angry.

The totally unexpected and wonderfully dark and humorous finale is spl-utterly delicious.

In her striking signature graphic style and limited colour palette, Bethan Woollvin has again produced a wonderfully witty visual narrative from simple shapes and textures. I love the scattering of birds and tiny animals watching the events from the vegetation that somehow make you pay attention to those stark shapes both large and small. Love the clever endpapers too.

Perhaps not for the most faint-hearted, but I can’t imagine many listeners not devouring this one and asking for more.

Stonkingly brilliant!

The Three Little Pugs and the Big Bad Cat / Happily Ever After: Little Red Riding Hood

The Three Little Pugs and the Big Bad Cat
Becky Davies and Caroline Attia
Little Tiger Press
Move over Big Bad Wolf, you have a rival. A favourite traditional tale is given a contemporary spin with the pigs being replaced by pugs and the big bad wolf by a much less threatening creature, unless of course you are a member of the canine species; in which case it’s your arch enemy, a Big Bad Cat.
The young pugs go by the names of Bubbles, Bandit and Beauty and when the space in the kennel they share with Mother Pug becomes a tad inadequate, they’re dispatched into the big wide world and there to build homes of their own. Their mother fills their rucksacks with snacks, warns them to watch out for the rampaging cat; ensure their houses are sufficiently strong to withstand any moggy onslaughts; and off they go.
It’s not long before Bubbles has stopped, built a flimsy straw house and had it whirred and whooshed to the ground by a certain feline character.
Bandit too builds an insubstantial house: his stick construction soon meets a fate similar to that of his brother. This time however, the weapon of house destruction is, wait for it … a leaf blower.
That leaves Beauty, who has the sense to engage a team to assist in her house construction …

and it’s completed just as her brothers appear warning of the imminent arrival of the fearsome Big Bad Cat.
Unperturbed, Beauty decides it’s time to put plan B into action …
What happens thereafter sees the frustrated house destroyer finally gain entry to Beauty’s brick house …

only to have her victory turn sour in more ways than one. It’s great to see female Pug, Beauty with the brains to be the saviour of her brothers despite her silly pink attire.
Caroline Attia sprinkles her mixed media scenes with much that will make readers smile: photographed pugs digitally adorned with bows, bags, bandanas and blouses populate an animation world of mischief and mayhem.

Happily Ever After: Little Red Riding Hood
Celeste Hulme
New Frontier Publishing
Illustrator Celeste Hulme gives the classic fairy tale a modern twist in her rendition of a favourite tale. Herein Little Red Riding Hood cycles to the shops with her mother and wears her little red coat to school to keep her warm: a coat that she’s been sent as a birthday present by her Grandma. The little girl doesn’t ride her bike through the woods to visit her sick grandma though; she walks alone, meets the wolf and willingly reveals to him her destination. The wolf duly runs to Grandma’s, gains entry, pushes the old lady into a cupboard …

and takes her place in bed.
The traditional exchange about big eyes, big ears and big teeth takes place with the addition of ‘what big arms’ and ‘what big legs you have’ and it’s with those that the wolf leaps from his sick bed intending to dig his claws into the child. Red Riding Hood however is too quick for the beast; she crawls under the bed, dashes to the cupboard and releases her grandmother. In so doing she releases so we’re told, ‘the avalanche’.

This particular lupine creature is something of a coward for he howls, turns tail and beats a hasty retreat, never to be seen again.
If this sounds totally un-scary – there’s certainly no gobbling of gran, nor the need for a woodcutter – some of the illustrations show the wolf as a huge menacing beast, particularly this one of his shadow looming threateningly as he enters Grandma’s house…

In fact lupine shadows are used to great effect in several scenes; there’s one in the woods where Red Riding Hood is completely overshadowed by the beast.
Certainly a book to add to a Red Riding Hood collection in the primary school, as well as one to share at home.

I’ve signed the charter