Albert Talbot Master of Disguise

Albert Talbot Master of Disguise
Ben Manley and Aurélie Guillerey
Two Hoots

From Ben Manley the author of The Misadventures of Frederick and the illustrator of Daddy Long Legs, Aurélie Guillerey, comes a book that celebrates the power of the imagination in children.

We spend a day in the company of young Albert and his various alter egos from the time his mother calls him to get up until she tucks him in to bed at night.

In between Albert is faced with a number of challenges each of which he rises to by assuming a new persona.

First as his mum wakes him, he’s notorious desperado Clate Stouderhoofen, ‘the incognito kid, the man with no name’. W-hay!

As he has to leave for school, Albert is ‘Rusti Buffels, Fearless Mountaineer and climber of Mount Chirrachit. Show and tell time sees him as Professor Octavius Pickleswick, mechanical engineer presenting his greatest robotic invention.

At the poolside before his swimming lesson,

he becomes Zandrian Delaclair, Antarctic Submariner – destroyer of the abominable Vampire Cuttlefish! – you bet!

Back home there’s one more change of identity and then, come bedtime, tired by his day of imaginings, Albert realises that at that particular moment as sleep calls, he’s very happy just to be himself.

Children and adults alike will delight in the weird and wonderful names Ben Manley has created for Albert in his far-out fusion of fantasy and reality, while Aurélie Guillerey’s illustrations, be they those of Albert’s imagination or reality, are full of quirky detail as they show the boy as hero or rule subverter.

Imagination is power – what a great message.

The Misadventures of Frederick

The Misadventures of Frederick
Ben Manley and Emma Chichester Clark
Two Hoots

Frederick lives in a large mansion surrounded by beautiful countryside and seemingly lacks for nothing, except the one thing he truly wants – freedom.

Emily in contrast is free to roam but lacks a friend and playmate.
One day she notices Frederick and realising he is bored, she sends him a note inviting him to join her outside for ice-cream.

Much of the ensuing story takes place through Emma Chichester Clark’s exquisite illustrations that are alternately dark and gloomy (when the focus is on Frederick), or bright and full of light and colour when showing Emily’s actions in the great outdoors.

The text in contrast is almost exclusively in the form of the written communication between the two characters; Emily’s being short, sharp notes;

Frederick’s are penned in a rather flowery, poetic style characteristic of a child who lives his life in his head.

Gradually Emily’s messages grow briefer until there comes a cry,

a cry that finally lures Frederick into taking a risk and tasting what it’s like to be free.

His freedom however comes at a small price as the final page shows; but readers are left knowing that one small setback isn’t going to deter the boy in future.

I absolutely loved this book: the combination of the clever narrative and the story extending illustrations makes for a highly unusual picture book with a strong message for risk averse adults as well as listeners whether or not they’re unlucky enough to be in situations similar to Frederick’s.