Tag awe and wonder

When I Was a Child

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When I Was a Child
Andy Stanton & David Litchfield
Hodder Children’s Books

You’re swept away with this enormously heart-warming book right from Andy Stanton’s opening lines, ‘ “Back in the days before you were born, “ said Grandma, / “when the world was a rose’s dream … “ / There was butterfly-and-daffodil ice cream.‘

Back in the day, so she tells her grandchild, the world was ‘a crystal jewel’ full of beauty and magical events: ‘… in the summers of long ago, / when the world married the sun, / there was music in everyone.’

Now though that magic has gone, thinks the world-weary gran. But perhaps it hasn’t.

It’s down (or rather up) to young Emily to re-awaken the ability in her grandmother to see the world as that place of magic, with its beauty and hope once more: ‘ I can show you how to see.” Take my hand and come with me … she gently urges her gran as they embark on further flights of fancy, this time under the child’s guidance.

If you’re not brimming over with the joy it exudes having read this book once, then start over and soak up the transformative power of young Emily’s imagination as she finds magic, wonder and awe even in the most seemingly ordinary things such as  flowers and raindrops.

‘The world is a spinning star … no matter how old you are’ is what’s said on the book’s final spread.

A child’s wisdom is as fresh and young, and as old as the world itself; that is something we all need to remember especially in these troubled times of ours.

Totally immersive, tender and uplifting, this stunning creative collaboration between two  favourite book creators is also a celebration of a special intergenerational bond.

Verbal and visual poetry both: Awesome!

Earth Verse

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Earth Verse
Sally M.Walker and William Grill
Walker Studio

The earth is a vast entity orbiting in space: haiku as a poetic form is by nature brief and spare. The combination of the two makes for a truly stunning picture book particularly when the artist is a recent Kate Greenaway medal winner William Grill and the author Sally Walker, a Sibert medal winner some years ago.

The book focuses on Earth’s geological and meteorological aspects beginning with its place in the solar system: ‘third one from the sun. / Earth’s blue and white majesty / dwarfs her lunar child.’

We then move inwards ‘fragile outer crust. / shell around mantle and core – / Earth: a hard-boiled egg.’ How cleverly and succinctly Walker introduces scientific vocabulary into her poetry and you’d find it hard to get more playful than her description of minerals and metals as ‘glittery Earth-bling’;

more beautiful than ‘sediment-filled waves / tumble in a frothy foam … / a gull wears sand socks

or more dramatic than ‘hot-headed mountain / loses its cool, spews ash cloud – / igneous tantrum’.

For each of these small poetic gems, and the others, Grill provides a wonderful atmospheric coloured pencil illustration in his trademark style that is frequently more impressionistic than realistic and never overwhelming the words.
Right in the bottom corner of each spread or sometimes page, is a symbol.: earth, minerals, rocks, fossils, earthquakes, volcanoes, atmospheric and surface water, glaciers and groundwater. Each of these links to the final section of the book where additional prose information on the nine topics is provided, and there’s also a list of suggested further reading.
This surely is a book to encourage children (and adults) to pause and to wonder at the awesomeness of the world and all its natural beauty.

Once Upon a Northern Night

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Once Upon a Northern Night
Jean E. Pendziwol and Isabelle Arsenault
Walker Books
‘Once upon a northern night/ while you lay sleeping, / wrapped in a downy blanket. /I painted you a picture.’ (The opening line of this lyrical prose poem directed towards a sleeping child one dark, soon to be snowy, night is repeated at the beginning each subsequent verse.)
As more and more snowflakes fall, the earth is ‘wrapped in a downy blanket’, the night sky alive with ‘sparkling specks of white, /crowding/ and floating.’

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Gradually the whole landscape is transformed as the writer word paints a picture taking readers for a walk beneath the trees, under one of which a mother deer and her fawn stand before moving on to taste (as on the cover) a frozen apple still clinging to the tree. I was reminded here of Robert Frost’s Two Look at Two
while the whole thing has a feeling of his ‘Stopping By Woods on a Snowy Evening’ about it.

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Who one wonders, is the speaker of this lullaby– a loving parent, nature itself perhaps? Some enchantress?
Wonderfully evocative and breathtakingly and starkly beautiful are the hushed scenes painted by Isabelle Arsenault using an effective limited colour palette predominantly black and white, grey and blue,

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but with yellow for the owl’s eyes and beak, touches of green foliage, those red apples and ‘auburn’ for the fox’s tail.

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I love everything about this book: the circularity of the whole thing, the almost ethereal nature of the illustrations with their shadowy effects, and the reverence of the words themselves – ‘pine trees held out prickly hands/ to catch the falling flakes.’
Truly it sends shudders down the spine, such is it’s magic, both verbal and visual.
If you want something to generate awe and wonder in listeners and readers this book will surely do so.

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Footpath Flowers

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Footpath Flowers
JonArno Lawson and Sydney Smith
Walker Books
To me this is a poem in pictures – poetry in motion only without the words and a pretty near perfect one too; an ode to young children, to the small wonders of nature, to joy in fact. The whole book is a small treasure.
Hand-in-hand, a child (I think a girl) and a man walk, through an urban landscape seemingly without speaking to one another. He is preoccupied with his mobile, the shopping and getting home. The child however, keeps stopping to pick the wild flowers that grow out – as wild flowers do – from all manner of cracks and corners;

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she smells each one lovingly and soon collects a small bunch. But then, still paying attention to the small things around, she notices a dead bird on the path and with due reverence, leaves her first bouquet on the bird.

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Next to receive her attention is a man (homeless?) snoozing on a park bench: he too receives a floral gift, as does a dog

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and once home she bestows floral offerings on her mum and her siblings. That leaves her just one flower:

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and she’s still walking. Whither next we wonder?

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Those of us who work with young children know that they often exhibit – like the child here – a sense of awe and wonder, a connectedness with nature and with their fellow beings and given opportunities for living in the moment, they demonstrate that felt sense, or sometimes even flow state, that young children can inhabit. To me this book is a demonstration of that and it’s achieved by its creators really getting down to the child’s eye level and showing us things from that perspective. I cannot praise too much the Canadian poet author’s storyline and the way in which he has left Sydney Smith to translate that into visual poetry with just the right amount of sentiment and judicious use of colour.

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His perspective in both full-page scenes and smaller strip-frames, is always that of the child; and this is key. So too is the fact that at no time does the adult become impatient or harass the child; rather he walks on but waits with outstretched hand at appropriate moments. (Would that every child had such an adult who showed that depth of understanding.)
Full of poignancy, this is a book to revisit and to cherish.

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Walks with Wonder

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Your Hand in My Hand
Mark Sperring and Britta Teckentrup
Orchard Books
As winter is turning to spring we join a mouse parent and child in a litany to nature through the seasons as they walk hand in hand. Together they encounter trees bejewelled with singing birds,

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the glorious blues and yellows of the woodland flowers, experience the wildness of the wind as they splash through puddles and wonder at a rainbow.

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Then come summer’s glowing meadows alive with birds, butterflies and other creatures large and small, as well as the delights of paddling in the warm sea. Autumn too brings gifts – of acorns, berries, conkers, fungi and leaves glowing golden, orange, red and brown as they start to tumble.

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Then when winter takes hold once more, the pair snuggle closer together through frost and snow safe in the knowledge, “With your hand in my hand … we’ll never feel lost.”
This book is an absolute joy to share with young children. Sperring’s gentle rhyming text is perfectly paced so one can linger long over each spread and savour the colours, shapes and patterns of Britta Teckentrup’s eloquent scenes along with the mouse and child.
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On the Day You Were Born
Margaret Wild and Ron Brooks
Allen & Unwin (Murdoch Books)
‘My daddy said,
On the day you were born, I wrapped you up warm and took you for a walk to see the world.’
A new father takes his new baby out into the world, and as they walk, it’s as if like his infant, he too is seeing it as new. What a truly wonderful walk it was taking them through sparkling puddles after the rain had stopped, when sleepy night creatures woke to say hello and the honey-scented air was filled with the buzz of bees,

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where a duckling found its family once again; a walk past an old tree of special significance, where friendly animals were almost overwhelming and berries glowed on the bushes, and crickets sang and butterflies danced among the glorious wild flowers. Then as day gave way to night the full moon shone to light the way home where, ‘My daddy said, …
‘I put you back in your mother’s arms and that night we were the world, the three of us together.’
This celebration of a new life is poetry in motion. Brooks glowing scenes, so rich in detail, texture and colour are the perfect complement for Margaret Wild’s lyrical text.
A gorgeous gift for a young child, new or not so new, and surely one to engender feelings of awe and wonder about the natural world.
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