The Little Green Hen

The Little Green Hen
Alison Murray
Orchard Books

Alison Murray has reworked the original Little Red Hen traditional story giving it an environmental slant. Herein her main character resides in the hollow trunk of a large apple tree growing atop a hill.

The Little Green Hen cares for the tree and sows the apple seeds to grow more trees. Before long an orchard has sprung up and she’s in need of some assistant cultivators.
Who would like to help me tend the apple trees?” she asks. Peacock is too busy preening himself but Dog offers his help as assistant pruner.

Requests for assistance with bug control and seed sowing are turned down by Fox and Cat respectively but she finds willing helpers in Sparrow and Squirrel. Throughout the year the new friends tend the orchard and all are rewarded by its bounties.

As autumn turns to winter, down comes the rain, day after day, week after week.

The industrious friends are safe, warm and dry in the old apple tree but Peacock and Fox are flooded out of their homes and seek refuge on Cat’s log.

Fortunately for the trio, The Little Green Hen is big-hearted enough to offer them a place of safety and together they wait for the flood waters to recede.

When the sun finally reappears, it’s time to clean up.

How will the Little Green Hen’s call for help in cleaning up the mess be received by her guests?

Fortunately for all the animals and of course, the orchard, the word is now teamwork.

Thanks to this and the thirsty roots of the new young trees, a new orchard grows up providing food and shelter for all to share.

Alison Murray’s crisp, clean-cut illustrations have a pleasing freshness and the body language and facial expressions of her characters capture their changing feelings eloquently.

Great for individual or story time sharing.

A Princess Tale and A Fairy One

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You Can’t Scare a Princess
Gillian Rogerson and Sarah McIntyre
Scholastic
Don’t be beguiled by the candyfloss pink shiny cover on this one: young Princess Spaghetti, despite her mass of blond curls and her fussy, frilly pink attire, is far from the shy retiring damsel in distress, kind of princess. Oh no: this young miss is one gutsy girl who shows no fear when her father, King Cupcake, gets himself captured by the meanest, baddest pirates in the whole wide world, led by none other than Captain Waffle.

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Now Captain Waffle might boast about being the terror of the high seas, but he may well have more than met his match in our young princess. She certainly leads the whole pirate crew a merry dance as she has them tunnelling deep down underground before they discover their search has been in vain; whereupon they are reduced to wailing wrecks …

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Bright and bold, she might be; but our young heroine is also fun loving and forgiving and generous, all of which attributes she calls into play in the final scenes as she serves up some playful offerings

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to the pirate crew – a motely bunch whose hard exteriors aren’t quite all they’re cracked up to be.
On the subject of those pirates, Sarah McIntyre’s portrayals of same are a treat: take that super cool lady pirate; isn’t she just brilliant …

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And the moles in her digging scene are delightfully dotty …

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You might want to follow the antics of the palace cat and the pirates’ parrot too: the endpapers are specially devoted to that pair.
Exuberant and decidedly silly, spring instantly to mind when it comes to this one: It’s likely to appeal to all youngsters who have a sense of fun and adventure, particularly those who like a tale where things aren’t quite as one might expect.

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Fairy Felicity’s Moonlight Adventure
Alison Murray
Nosy Crow
Fairy Felicity discovers a letter left at her door one summer’s night, a letter instructing her to ‘Follow the silvery snail. You’ll find a surprise at the end of the trail!’ And follow it she does as it weaves and zigzags across the foliage, around a spider’s web, between the moonlit paving stones …

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through a greenhouse, past the beehives in the orchard …

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across the lilypads until, at the end of the garden, she and the various minibeasts Felicity has encountered on the way, arrive at a door in the wall. It’s a door with a gap through which the snail instructs her to enter and then, there before her, is the promised surprise.

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Young children – mostly girls I suspect – will delight in tracing the sparkly tactile trail as it meanders over the pages of this gentle rhyming story and having done so will want to retrace their steps to explore the details in Alison Murray’s nocturnal world.

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Hare and Tortoise

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Hare and Tortoise
Alison Murray
Orchard Books
I had such fun reading aloud Alison Murray’s exuberant retelling of the ever-popular Aesop’s fable.
First we are introduced to the two adversaries: there’s Hare (of the genus leapus swifticus) and indeed he truly is as he bounds joyfully across the first spread – but keeping still is not his forte. His skills include running through the tickliest grass, rushing around rivers and ponds, nipping over misty meadows (and never thus far has he been known to resist a carrot). Take note of all this as he prepares to meet … Tortoise (genus slow and steadicus). Her chief skill is the ability to stay still for very long periods. Other claims to fame (well perhaps not fame – yet anyhow) are inability to run through tickliest grass, run around rivers, nor nipping over misty meadows. (She however, can always be relied on to do her best.) Of this more later …
We follow the two as they line up at the designated start …. Ready … Steady …

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All geared up and ‘Cock-a-doodle-GO!” They’re off: Hare full pelt through the tickliest grass, Tortoise trundling slowly behind. Next it’s around the duck pond

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and then Hare reaches the carrot field. O-Oh! A few nibbles – no problem but … as a tiny nap becomes a sleep filled with dreams of race winning …

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and loud cheers, Tortoise trundles ever onward, tootling and tiptoeing towards her goal.
But what’s that cheering? Oh dear Hare, it certainly isn’t for you …

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– despite that desperate final dash.

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A terrific ‘production’ for that’s what this Murray adaptation of the greatest race ever, really is. As the seconds tick by, despite knowing the outcome, we cannot help but eagerly anticipate the final denouement and applaud loudly as trusty Tortoise receives her winner’s rosette. Smashing endpapers too. Three cheers for Tortoise, (and Hare) and, undoubtedly, for Alison Murray. She’s got a winner here.

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Home is Where the Heart Is

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Stella’s Starliner
Rosemary Wells
Walker Books
Any new book from Rosemary Wells is a cause for celebration; this one is certainly so.
Stella, a little fox lives happily in her safe, secure little world in her splendid silver Starliner mobile home. Therein is everything she needs – a cosy room for sleeping, one for being awake and most importantly, a loving mummy and daddy (although the latter has to spend weekdays working away). Life seems just perfect, particularly family Sunday pancakes together and sharing books borrowed from the Books on Wheels van with mummy. But one day, Stella’s feelings of security take a very hard knock when a gang of weasels makes fun of her different kind of home and way of life.

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Stella tries to keep her sadness to herself but her mum eventually coaxes the truth from her.
Dad has a solution; he hooks their home to his truck and the family take off – almost literally – and set up home in a sunny, palm tree surrounded spot beside a house of friendly rabbits, safe, secure and happy once more.
With its underlying themes of difference, acceptance, security, loss of innocence, resilience and what really makes home a home, this story, told in an effectively colloquial style, offers plenty of food for thought and discussion. In particular I’d want to talk with children about what to me at least, is the somewhat enigmatic and surprising ending,
Wells’ mixed media illustrations beautifully capture the changing emotions of Stella and her parents; the faces are enchanting.

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The silver-framed whole page scenes and smaller vignettes, each with their own delightful details,are entirely in keeping with the colour of Stella’s family home, and the one glorious star-filled night flight double spread brings to mind Van Gogh’s The Starry Night.

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The House that Zac Built
Alison Murray
Orchard Books
In her latest offering, Alison Murray provides a new slant on the traditional House that Jack Built rhyme. Zac uses wooden blocks to construct his house until his activities are interrupted by a pesky buzzing fly. This itinerant visitor goes on to disturb, a sleek cat,

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a cow, a would-be dozing dog, and some sheep, wreaking havoc right across the farmyard. Fortunately though, young  Zac knows just what to do

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and before long, with fly duly dispatched and animals calm, peace reigns once more. Time to sit down and admire Zac’s creation.

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Murray’s characteristically retro illustrations convey the scenes of the unfolding drama with wit and panache that perfectly match the pace and tenor of her rhyming saga.
With lots of opportunities for orchestrating the reading with buzzes and clangs, splashes and more, this lovely book is perfect for early years story sessions.
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Hairy Bear
Sam McCullen
Hodder Children’s Books pbk
Hairy Bear has had enough of living with his family in their cramped cave and longs for a better life elsewhere. Determined to find it, he CREAK CRACKS, SCRITCH SCRATCHES, SPLISH SPLOSHS AND CLICK CLACKS his way through a dark forest, over snowy mountains, through a cool lake and along a windy road to a strange place filled with all manner of bears. There he enjoys a fun-filled afternoon then joins his new-found friends at home for a meal,

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games and a share of their enormous bed. BLISS …

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until that is, he realizes that actually his hosts are not hairy bears at all, but small humans. Thereupon our wandering cub is off at a gallop, or rather a CLICK CLACK, SPLISH SPLOSH SCRITCH SCRATCH …

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all the way home to a huge welcoming hug.
An absolute delight.
McCullen’s soft focus earthy tones are just right for his ursine environments and characters of the cleverly circular story. Attentive followers of Hairy Bear’s adventure will especially enjoy spotting  his spider companion at each turn of the page in addition to the droll delights of the details in  every illustration.
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Barbapapa’s New House
Annette Tison and Talus Taylor
Orchard Books
This is a reissue of a now classic tale first published over forty years ago and it still holds its charm.
The Barbas are jellybaby-coloured blobby beings that are able to shape-shift. In this story, their now- too small house is storm damaged so they work together to create their own home from an old abandoned house. Their co-operative effort serves them well for a while but is eventually demolished. Once more the Barbapapa family work together pouring buckets of ‘Barba plastic’ material over themselves and creating a unique, multi-celled, bubble-shaped house with a separate, appropriately fitted out room for each family member. Their life of self-sufficiency seems idyllic for a while but then comes the sound of home-wrecking machinery again. Time to make further use of that Barba plastic …
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October Miscellany

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Aunt Amelia
Rebecca Cobb
Macmillan Children’s Books
Showing not telling is the name of the game in this charming and witty book. The two small children in the story are in a bad mood; Aunt Amelia is coming to look after them overnight. Mum and Dad leave her a list of instructions but fortunately for her charges, she interprets these instructions with a considerable degree of latitude.
It’s not surprising then that the youngsters are eager that their parents issue another invitation to come and stay very soon and moreover, they suggest she be left another of those ‘helpful’ lists of instructions.
What makes this story such a delight is what we are shown, rather than told what takes place while the parents are away. Rebecca Cobb’s watercolour, pencil and ink illustrations are executed with a child-like freshness and panache that is appealing to both adults and young children.
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Pigeon Pie
Debbie Singleton and Kristina Litten
Oxford University Press
It’s market day so life down on Farmer Budd’s farm is especially hectic. There are the cows to milk, the eggs to collect, cherries to be picked so Mrs Budd can bake cherry pies, and the remaining cherries to be protected from marauding birds. Then there are all the animals to be fed, the scarecrow needs a replacement hat and the milk and eggs have to be loaded into the trailer. Busy, busy busy; but oh dear! Farmer Budd has forgotten to close the gate to the cornfield. He’s forgotten too, that there is a goat in the next field. Before long the scarecrow is reduced to a pair of crossed sticks – the ideal perching place for five peckish pigeons with their sights set firmly on the corn. It’s fortunate for him then that a tiny chick has a clever plan in mind, a plan that involves telling the other farm animals about a special dish that Mrs Budd is preparing to serve that day; and it definitely is not cherry pie.
There is plenty to make you smile in this gently humorous story. Children love the way the pigeons are duped and delight in joining in with the repeated refrain, ‘Pigeon pie! Oh my! ‘ That – and of course – the burping opportunities.
Kristina Litten’s richly patterned, comical pictures abound with amusing details, in particular the antics of the bit part animal characters, the rat trio and the snail that are never mentioned but greatly add to the fun. Then there are those wacky pigeons with their red-rimmed eyes and ballooning bellies; the sight of them shooting up into the air when they spy what they think is the dreaded dish being prepared is a hoot.

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I really like the way the end papers are part of the story portraying the changing time from early morning when Farmer Budd fixes the FREE RANGE EGGS for sale notice to his fence at the front, to early evening when the sign indicates ‘sold out’ as the sun sinks below the horizon.
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Spider Sandwiches
Claire Freedman and Sue Hendra
Bloomsbury Children’s Books pbk.
Do NOT accept Max’s invitation to tea or any other meal for that matter, unless like that green hairy monster, you have a penchant for all things disgusting. The things he dines on are sure to make your stomach heave; things like toenail scrambled eggs, grasshopper legs smoothie, cold, crunchy, cockroach curry or horror of horrors, squiggly spider sandwiches. Odd then that he turns his nose up at a relatively ordinary vegetarian soup with small, green spherical objects floating in it.
This rhyming litany of loathsome fare is one that will have your young audiences UGGGHHING, EWWWWW and YUCKING almost continuously as you read. And, they will love to feast their eyes on Sue Hendra’s suitably garish illustrations, which depict a series of satiating scenes. The supermarket for example, has shelves packed with an alluringly awful array of produce.
If you plan to read this aloud around Hallowe’en (or any time for that matter) I’d suggest making sure you can get your tongue around all those nasties first.
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Princess Penelope and the Runaway Kitten
Alison Murray
Nosy Crow
This is one of those pink, glittery covered books that are instantly attractive to many little girls. All too often though, such books fail to live up to their external sparkle. This one, and yes it does feature a little princess, proved to be an exception, and, that string bling does actually serve a purpose. What lifts Alison Murray’s book above most of its kind is her charming, retro illustrations with their fresh palette, gentle humour, and judicious use of pattern. I particularly enjoyed the scene with the balletic butler and the portrait of the princess on her prancing pony.

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Essentially the story, told in rhyme, revolves around Princess Penelope and the mischievous kitten that snatches one end of a ball of wool from the queen’s knitting basket and dashes off through the palace entangling almost everything in sight.
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Sugarlump and the Unicorn
Julia Donaldson and Lydia Monks
Macmillan Children’s Books
Wishing and magic are the ingredients for former children’s laureate Julia Donaldson’s latest collaboration with What the Ladybird Heard artist Lydia Monks. The magic comes from a blue-eyed unicorn and the wishing is done by rocking horse, Sugarlump. He is happy rocking to and fro when the children are at home to ride him but when they go to school he has nothing to do. That’s when the wishing begins. He wants to be out in the big wide world. So, thanks to that unicorn and her flashing eyes he is able to try out all manner of horsey roles – a farm horse, a race horse and a circus horse; but then Sugarlump wants to go back home to the children. Time has passed though and the children have outgrown their once favourite toy. He makes another wish but fortunately, the unicorn is on hand again and she comes up with a much better one and Sugarlump finally finds somewhere in the world that is just perfect.
As one would expect from Julia Donaldson, the rhyming text reads aloud beautifully but this adult reader and some children among my audiences were rather brought up short by Sugarlump’s last request, “I wish I had never been born!” It proved a good talking point afterwards though.
Lydia Monks’ bold, bright, mixed media illustrations have a joie-de vie and sparkle even without the added glitter on every page.
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The Princess’ Blankets
Carol Ann Duffy and Catherine Hyde
Templar Publishing
The princess in this story can never get warm. The king promises that anyone able to stop his daughter feeling so cold, can have the reward of their choosing ‘even unto half his kingdom’. Intent on winning the princess as his prize, a cruel-eyed stranger covers her in turn with four blankets: the ocean’s blanket, the forest’s blanket, the mountain’s blanket and the earth’s blanket. All to no avail: despite his efforts, the beautiful princess remains as chilled as ever. Then a newcomer arrives, a musician with a flute and a good heart: just the heart to warm that of the princess as he fills her body with the beauty of his music, and his love.

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Lyrically told, this neo fairy tale has a pertinent message for our times: a message about mankind’s carelessness, greed and continuing destruction of our world. It is beautifully interpreted through Catherine Hyde’s powerfully atmospheric paintings, which orchestrate the story showing the changes brought about by the elemental blankets and finally, the power of love.
Not so much a picture book, more an illustrated story, with its longish text, this book is likely to have a wide appeal from primary age children to adults and one to return to over and over.
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Dragon Loves Penguin
Debi Gliori
Bloomsbury Children’s Books
Baby penguin, Bib, lives in the land of ice and snow with his mummy and daddy. One bedtime as a delaying tactic he asks, ‘ “… can I have a story? The one about dragons.” ‘ So begins a tale of a dragon that wants an egg and an abandoned egg that needs a mummy. Perfect – or so it seems. Certainly the dragon loves her Little One and the Little One loves her. But, Little One’s appearance isn’t quite like that of the other recently hatched creatures; no flying, fire breathing or rock chewing. She doesn’t grow big and strong with a long neck and hard scaly covering. Rather she is slow, careful, small, fluffy and courageous – rather like a penguin. The others are showered with flashy gifts but Little One receives the best of all possible gifts; love and time.
Then one day all the big dragons have to leave their little ones and that’s when Little One is taunted by the small dragons and made to feel an outcast. So, feeling hurt, she takes himself off to be alone. However, things can happen for a reason… Little One suddenly feels her soft feathery body getting very, very hot; the volcano is alive. “FLEE FOR YOUR LIVES!” he yells to the others and so they do, leaving Little One behind hotly pursued by the flames of the volcano. Fortunately for her though, she takes a tumble all the way to the bottom of the flaming mountain and what should she find waiting for her at the bottom? – an egg. And, thanks to her mummy, Little One knows just what to do…
Loving and being loved, being yourself and being different are all themes of this tender tale that moves between present and past, seamlessly uniting the two through the medium of story. For, Bib is the egg at the end of the bedtime story and Little One, his Mummy penguin.

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Debi Gliori’s charcoal and watercolour illustrations are glorious and beautifully convey the loving feelings that are a vital element of this book: the penguins and main dragon character are truly endearing.
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Herman’s Letters
Tom Percival
Bloomsbury Children’s Books pbk
When your very best friend in the entire world moves far away, what do you do? Promise to write to one another and remain best friends forever.
That’s just what best pals Herman, a large brown bear, and Henry, a reddish raccoon resolve to do. Henry keeps his side of the bargain, writing often as promised and giving details of his new friends and the exciting things he’s been doing. But, his letters don’t make his old pal happy; instead he’s overcome with jealousy and begins to doubt the friendship. Poor old Herman.

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Eventually hibernation time draws close and he still hasn’t written.. Another Henry letter arrives; one that is much more reassuring and this one spurs Herman into a flurry of activity. He finally writes a letter and dashes off to post it right away. Oh no! The post office has closed for the winter. There is only one thing left for Herman to do – deliver that all-important letter by hand. Off he goes into the snow. But can he make that long, long journey before sleep overtakes him? Can he make it at all in fact?
With its realistic looking lift the flap letters and endearing characters, this book is a delight. Despite the inherent sadness of parting and feelings of loss, there is a gentle humour running throughout the whole thing. The sequence depicting Herman’s journey to deliver his letter into his friend’s hands is wonderful.

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The message (along with Herman’s snoring) comes across loud and clear: true friendship knows no bounds.
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Teachers wanting to stimulate children’s writing, I urge you to get hold of a copy of this and share it with the class group. Then turn an area of your classroom or nursery into Herman’s home with a letterbox another space into Henry’s. Add writing materials to each and start the enterprise going by writing a Henry letter of your own for the children to find.

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