The Book of Not Entirely Useful Advice

The Book of Not Entirely Useful Advice
A.F. Harrold, illustrated by Mini Grey
Bloomsbury Children’s Books

I was already chortling before I’d even finished reading the poet’s note to readers, let alone any of his advice in poetic form.

This book of awesome delight is the combined effort of two terrific talents, illustrator Mini Grey and A.F. Harrold, the writer and it’s patently obvious that they both relished working on its creation. Indeed, I’ve never seen the poet in better form than here.

The result is a collection of unmissable artistry – verbal and visual – advising on all manner of topics both ordinary and extraordinary from breakfast – both its perils and its lack of boredom inducing properties, to Blackbirds and Bananas, Bins even! As well as ‘… Wobble, wobble, wobble, / gobble, gobble, gulp. … ‘ For, Jelly Is Never Wrong’ (not even the cabbage flavoured variety or the marmite kind) I should hasten to say there’s an entire section of ‘Advice mainly relating to food …”.

When next I see her I’m going to share Useful with 7 year old Emmanuelle after her rather pathetic sausage-eating efforts when last she stayed with us. Having persuaded her dad she “really, really wanted” the sausage dish on offer at the restaurant, she refused to eat any of its main constituent. (they were organic and maybe that was the issue). Had I done so prior to the event I’m sure she would have tried this suggestion: ‘You can balance them on your lip / and pretend to have a moustache / in order to amuse your companions. ‘ I don’t’ think she’s ever been lost at sea, thus needing to ‘attract aeroplanes’ or sharks. But you never know …

Even this zany poet doesn’t advise eating that Bin he writes of; that’s to be found among the 4th and final section containing miscellaneous bits and bobs such as Crosses and Knot Knots – see how cleverly Mini has placed her knotty collection around those. Just one example of her wonderful integrating manipulation (often complete with her own witty asides).

I’ve just read Inside the Anthill to my partner as he’s given to lying flat out in fields to investigate these bumps and lumps, though even his ‘scientific zeal’ hasn’t led him to quite such lengths as trying a cake crumb imitation – at six foot I doubt he’d fool even a single ant.

Not all the poems are totally absurd though: there is a fair sprinkling of the quiet poignant and thoughtful too.

Take the unforgettable, Earthsong: that ends with ‘Some of it is poisoned/ and some of it is dying. / Some of it is silent / and some of it is crying. // Some of it is going / and some of it is gone. / Some of it… ‘

No matter where you open this corker of a book, there’ll be something to love and I can’t resist concluding with the revelatory and entirely apt final verse from Inside: ‘Where am I? / I’m inside, / I’m between the covers. / I’m in so deep. / I’m through the paper door. / I’m breathing the air of other worlds. / I’m exploring. / I’m reading // and I can’t hear you any more.’
Now that is what it’s all about …
Get this – it’s a must for home collections, classrooms, libraries – and I’m sure you’ll never look at anything in quite the same way again.

The Afterwards

The Afterwards
A.F. Harrold and Emily Gravett
Bloomsbury Children’s Books

Let me say at the outset, this is a remarkable book; intensely moving and quite unlike anything else, even the author’s previous stories, The Imaginary and The Song From Somewhere Else.

The story starts with best friends Ember and Ness who are pretty much inseparable but then comes an announcement in school assembly. There’s been an accident in the park and one of the pupils has died; it’s Ness.

For Ember, the world is unimaginable without her bestest buddy. Then, through another grieving person, she becomes aware of a strange grey afterworld and there she finds Ness again. Can she bring her back? That is Ember’s plan but should she fail, it seems she too will have to remain in that eerie place, leaving behind her Dad and Penny, his partner.

The push and pull between the two worlds presents Ember with a dilemma that is unbearable, especially when she discovers that Ness is not the only one of those she loves in the netherworld.

I’ll say no more about the story itself except that I urge you to read it.

A.F. Harrold’s writing is totally gripping, dark, profound, occasionally scary, and suffused with grief; but it’s also full of love and tenderness, and there’s hope too. There’s also a cat that keeps putting in an appearance. Does that sound a little familiar?

Emily Gravett’s powerfully atmospheric illustrations provide the perfect complement to the text, making one’s reading experience of The Afterwards feel like a seamless whole.

The Princess and the Suffragette / The Song From Somewhere Else

The Princess and the Suffragette
Holly Webb
Scholastic Children’s Books

This is a sequel of sorts to one of my childhood favourite reads, Frances Hodgson Burnett’s A Little Princess.
It centres on one of the characters from the original story, Lottie, now ten, who has lived at Miss Minchin’s school since she was four.

Now, a few years on, it’s 1911, when the suffragette movement is on the rise, Lottie finds herself becoming friends with one of the maids at the school, a girl named Sally who is interested in the rights of women.
During the next couple of years she also finds herself getting more rebellious and more involved in suffragette activities.

In tandem with her burgeoning rebellion, Lottie discovers that there’s a mystery surrounding her mother, and that what she’d been led to believe about her isn’t the truth.

There’s frankness about Holly Webb’s writing that makes the whole story feel genuine and well researched. She doesn’t avoid mentioning the suffering and brutality that some members of the suffragette movement underwent; and one hopes, her deft manner of talking about it will inspire young readers to understand the importance of standing up for what they believe to be right.

 

The Song From Somewhere Else
A.F.Harrold, illustrated by Levi Pinfold
Bloomsbury Children’s Books

Here’s a book that is both beautiful and alarming, terrifying even at times.

Frank (Francesca Patel) is stalked and bullied by the local nasty, Neil Noble, and a couple of his pals; but then a rather odd boy, Nick Underbridge comes to her rescue. You might expect that the girl would be greatful, indeed she knows she ought to be, but at school Nick is said to be smelly and so not exactly the kind of person she’d want any involvement with.
However, for safety she goes back to his house with him intending merely to thank him and leave. It’s a rather strange house – not what she’d expected – filled with abstract painting done by Nick’s dad; there’s a rather strange earthy aroma pervading the place and suddenly she hears music. It’s the most haunting and beautiful music she’s ever heard; and she wants more of it and more, and more. And so, she returns.

What happens thereafter is the development of an unlikely but challenging friendship, and the discovery that within Nick’s home are secrets.

There’s a talking cat involved too.

Part reality, part fantasy, this story is absolutely wonderfully and lyrically told, and entirely convincing – the stuff of dreams, the stuff of nightmares both.
And Levi Pinfold whose images – dark, mysterious and haunting – are a fine complement to Harrold’s telling, equally beautifully illustrates it.

Totally captivating: a magical book to return to over and over.